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February 3, 2020
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Review: Seussical JR (Adelaide Youth Theatre) at the Arts Theatre

You’d think after seeing the older cast members perform Seussical, I’d be all ‘seussed’ out, but no, I’m back for more fun and frivolity with the younger performers in Seussical JR! Again, by rehearsing both shows at the same time, in the same time frame and performing in the same theatre, I’m surprised founders and producers Emma Riggs and Kerreane Sarti are still standing! Horton the Elephant, the Cat in the Hat and all your favourite Dr. Seuss characters spring to life onstage in Seussical JR., a fantastical musical extravaganza from Tony-winners Stephen Flaherty and Lynn Ahrens. Well done to the talented production team of Director Ned Baulderstone, Musical Director Kate Neville and choreographer Teagan Fisher for navigating such elocutionary and rhetorical lyrics with such a young cast! Seussical Junior is a sung through musical based on the many children’s stories of Dr. Seuss, with most of its plot being based on ‘Horton Hears a Who!’ while incorporating many others such as Oh, the Thinks You Can Think!, McElligot’s Pool, The Butter Battle Book, If […]
February 3, 2020
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Review: Seussical the Musical (Adelaide Youth Theatre) at the Arts Theatre

It’s no secret I’m a big fan of Adelaide Youth Theatre. In it’s tenth year, founders and producers Emma Riggs and Kerreane Sarti have created an incredible platform and learning ground for Adelaide’s young musical theatre talent; fostering the craft and building the foundations for a potential professional career. This summer school holiday show, Seussical, was put together in 2 ½ weeks with a cast from the ages of 12 to 21. Just read that again… Two and a half weeks. The incredible music of Stephen Flaherty and lyrics of Lynn Ahrens, based on the works of the formidable Dr. Seuss, was brought to life by the AMAZING production team of dual Director and Musical Directors Serena Martino-Williams and Jesse Budel and fabulous choreographer Nina Richi. Seussical takes us into the world of Dr Seuss, where we visit his beloved characters including The Cat in the Hat, Horton the Elephant, Gertrude McFuzz, Lazy Mayzie and JoJo. The Cat in the Hat guides us into the Jungle of Nool where we meet Horton, the kind hearted […]
January 1, 2020
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Review: Billy Elliot the Musical at the Festival Theatre

Billy. Elliot. Those two simple words fill my body with feelings of nostalgia, acceptance, tenacity, forgiveness and perseverance. When I first saw the film in the early 2000s, it made a lasting impression on me. Imagine my excitement, when Elton John wrote the music and Lee Hall provided the book and lyrics to turn this coming of age dance drama film into an award winning and global phenomenon musical. While Adelaide missed out on the original 2008/2009 tour, Universal Theatrical Group, Working Title Films, Greene Light Stage, Michael Coppel Entertainments and Louise Withers Presents are now bringing the 10th Anniversary Australian Tour to Adelaide for a limited run after a hugely successful Sydney season. For those who are unfamiliar with the story, the plot revolves around Billy, a motherless British boy who begins taking ballet lessons, which is polar opposite to his coal miner father and brother’s working class, union fighting beliefs. His ballet teacher, Mrs Wilkinson, recognises Billy’s potential, and suggests he audition for the Royal Ballet School in London. The story of his […]
October 27, 2019
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Review: The Village at the Festival Theatre

On an unexpected wet and windy Adelaide night, Stan Lai’s The Village provided a heart-warming and comforting night at the theatre. Set at the end of the Civil War in 1949, in a Military Dependents Village in Chiayi, Taiwan, the story crosses a span of 50 years and three generations – the Zhao, Zhu and Zhou families. From the first generation fleeing mainland China after the Kuomintang was defeated, yearning to go back home, to building temporary homes which become their permanent homes, The Village traces the lives of these families and explores themes of identity, belonging and community. Drawing from real life stories in such villages, acclaimed legendary director, Stan Lai has captured poignant experiences and crafted an epic and masterful theatre production that depicts a true, touching history of Taiwan. We are introduced to the first generation, who settled into their makeshift village home, Formosa Village One, after fleeing to safety in Taiwan. It was presumed to be a temporary refugee exile, but transformed into a permanent communal melting pot that would vibrantly […]
October 18, 2019
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Review: Techno Circus at the Dustan Playhouse

You know you are in for a zany night out when critics have described this show as ‘multi-layered hyperactivity for the stage’. Bringing my 11 year old son as my date/fellow critic, we walk into the theatre to see a parade of audience members having their photos taken on stage in various states of crazy poses. We discover these photos are then used as part of the shows finale. More on that later. Techno Circus is presented by SIRO-A, a group described as ‘Japan’s answer to the Blue Man Group’. Personally, I loved these guys more! SIRO-A are renowned worldwide for their spectacular performances that combine special effects, incredible projections, mime, dance, puppetry, comedy, illusion and high energy techno music. They have wowed audiences of all ages with their Golden Buzzer winning act from America’s Got Talent, attracted millions of views on YouTube, sold out shows across the globe, and now are ready to take Adelaide on a ride as part of the Adelaide Festival Centre’s Oz Asia Festival. This show is a feast for […]
October 13, 2019
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Review: Hairspray Jnr at Adelaide Youth Theatre

When asked to review Adelaide Youth Theatre’s (AYT) production of Hairspray Jnr, I jumped at the opportunity. This ain’t my first AYT rodeo, and most definitely won’t be my last. AYT are widely known to produce world class productions for youth performers, and this show reinforces their reputation. Hairspray is an American musical with music by Marc Shaiman, lyrics by Scott Wittman and Shaiman, and book by Mark O’Donnell and Thomas Meehan, based on the 1988 John Waters movie of the same name. The songs include 1960s-style dance music (my favourite!) and ‘downtown’ rhythm and blues Set in 1962 Baltimore, generously sized teenager, Tracy Turnblad’s dream is to dance on The Corny Collins Show, a local TV dance program based on the real life Buddy Deane Show. When Tracy wins a role on the show, much to the current star Amber Von Tussle’s dismay, she becomes a celebrity overnight, wins the heart of the local teen idol, Link Larkin and leads the town to social change as Tracy campaigns for the show’s integration. I absolutely […]
June 17, 2019
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Review: Paul Capsis with Jethro Woodward and the Fitzroy Youth Orchestra at The Famous Spiegeltent

Paul Capsis. The man, the myth, the enigma. I have been a fan of Capsis’ since I watched him explode on the screen in ‘Head On’. Then seeing him as the totally mad, flamboyant reincarnation of Rumpelstiltskin in the State Theatre and Windmill collaboration – I was smitten. An award-winning, versatile, original and seasoned performer, he knows how to turn it on and turn it up. And he has been non stop since. Making a dramatic entrance and belching out the Skyhooks 70s classic ‘Ego is Not a Dirty Word’, we realise that this will be a night full of unexpected eccentricities and rip-roaring, emotion charged entertainment. And not only with Capsis out front, but with the marvellous and musically gifted Jethro Woodward and The Fitzroy Youth Orchestra supporting, we knew we were going to be witnessing something of a rarity. Wrapped in leather, fur and jewels, Capsis informs us he received a call from Julia Zemiro to be part of the Ad Cab Fest in 2019, after a five year absence. However, she had […]
June 15, 2019
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Review: Bobby Fox The Irish Boy at the Dunstan Playhouse

Settling into the Dunstan Playhouse on a cold and dreary night, the only thing we needed to warm the cockles was a pint and a good story. Thankfully, we got both. Entering dressed in a kilt to wolf whistles from the crowd, the stage slowly lit up each musician as they joined in the opening song. And what an eclectic mix of musos it was! After learning the correct Irish way to cheer for a song you like (Yeaow!, if you are curious), the audience went wild when the dazzling talents of the fantastic Mr Fox were unveiled. A remarkably charming, charismatic and captivating stage performer, Mr Fox (I enjoy referring to him in this formal manner) brings his distinctive storytelling, song, dance and limericks all wrapped up in his delectable Irish accent, to Adelaide for the first time. If it sounds like I’m crushing on Bobby, you’d be right. What’s not to love about a handsome, blue eyed, tap dancing, kilt wearing Irish man who sings songs about loving Bonnie lasses and his ma’m? […]
June 12, 2019
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Review: Unsung at The Space Theatre

The scene was established the moment you walked into The Space Theatre. Filled with orchards and peacock feathers strung from the balcony as well as the iconic peacock chairs from the era of the 70s sitting near the front of the stage. A beautiful setting for an incredible show. The crowd was full of baby boomers, and some youngins like myself, ready for the music of the night…a celebration of the music by the women in Australia during the 50s, 60s and 70s. We first saw a projected video of Merle Thornton and Rosalie Bognor who famously chained themselves to the bar at the Regatta Hotel, Brisbane in 1965, not only to gain women’s right to drink at a bar with men, but to bring to light the real issues women were facing at the time – equal pay, equal treatment and a revision of the sexist laws that plagued Australia. The very talented Amelia Ryan, of Simply the Breast and The Breast is Yet to Come fame, cleverly brought to life the unsung women […]
June 10, 2019
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Review: The Hot Sardines at The Famous Spiegeltent

When I was a young performing arts student living in Perth, I frequented the jazz bars and underground clubs scouring the city for the hip, sweet sounds of the ragtime blues. My housemate at the time was a jazz muso, so I had big band rehearsals in my house all the time. It’s safe to say, I have a soft spot for this style. Tonight, as part of the Adelaide Cabaret Festival, we were packed like sardines in The Famous Spiegeltent, to see The Hot Sardines. With the house full sign out front, we were ready to be dazzled by this New York based jazz ensemble. Co-led by lead singer Elizabeth Bougerol and pianist Evan Palazzo, she tells the story of how they met at a jazz jam advertised on Craig’s List. She was looking for a piano player, but not just any piano player. One who knew and understood a particular song, Fats Waller ‘Your Feet’s too Big’. She asked Evan if he knew the song and the rest as they say, is history. […]
June 6, 2019
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Review: End of the Rainbow at The Royalty Theatre

Like most little girls, my first memories of Judy Garland have something to do with a yellow brick road, an emerald city and red slippers. I watched in awe of this young girl skipping and singing her way into my heart and I too wanted to be part of her seemingly magical and perfect life. But End of the Rainbow doesn’t paint a pretty picture of Garland’s last days; instead it rips you through the bright lights and dark pits that tormented her, enabled her, and eventually killed her. The regal, old Royalty Theatre provided the perfect backdrop for The Ritz Hotel London, 1969, where Garland was preparing for a 5 week stint at Talk of the Town nightclub. Orchestrated and managed by her fifth and final husband, Mickey Deans, with her long suffering accompanist, Anthony Chapman, we watch the relationship between the three characters bounce between banter, comedy, hatred, power, joy, pain, love and truth. And bear witness to the mental and physical decline of the world’s darling. Peter Quilter’s worldwide smash brings to […]
May 27, 2019
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Review: Katie’s Birthday Party at the John Bishop Room, Adelaide Festival Centre

Bringing my nearly 11 year old son, who has just moved schools and is making new friends, to a one woman show about the trials and tribulations of a young girls journey from childhood to adolescence, seemed very timely and opportune. I remember my twelve year old self as slightly sensitive, hopeful, emotional and enthusiastic and I suspect, after a few personal conversations with my own pre-pubescent son, he feels the same. Internationally acclaimed solo performer, Mary-Frances Doherty gives a remarkable and real performance of 12 year old Katie, who is very happy we all could attend her birthday party. She is disappointed her best friend, Tracy, couldn’t come – she was busy making an appearance at another party. To begin with, Katie is very flippant about Tracy not being able to be there, but by the end, she is openly and visibly upset; the least she could do was answer her calls, like her posts or share her videos! In a vulnerable, exposed and intimate horseshoe setting, we are thrown together to celebrate Katie’s […]
May 27, 2019
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Review: The Gruffalo at Dunstan Playhouse, Adelaide Festival Centre

If you have children, and perhaps even if you don’t, you have almost definitely read The Gruffalo. A children’s classic by Julia Donaldson and Axel Scheffler which has sold over 13 million copies, won several prizes for children’s literature, has an Oscar nominated animated film, it is now also the play which has had sell out seasons on Broadway and London’s West End. The story of The Gruffalo is based on a Chinese folk tale of a fox that borrows the terror of a tiger, however Donaldson was unable to think of rhymes for ‘tiger’ so instead invented a word that rhymes with ‘know’. And the rest, as they say, is history… The mouse’s tale is one that unfolds in two phases; whereby the mouse uses crafty tricks to circumvent danger. On his way through the deep dark wood, the mouse encounters several dangerous animals (a cunning fox, an eccentric, sergeant-type owl and a maraca wielding snake). Each of these animals, clearly intending to eat the mouse, invite him back to their home for a […]
March 18, 2019
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Review: Barnum at the Goodwood Institute

March Productions debut musical offering, Barnum, is a night of triumph, energy and monumental talent. With a perfectly simple, but effective set we are transported to the 1800s, where Anna and Amy Beecher take us on a historical journey with pictures and artefacts of Barnum’s life as we take our seats. P.T Barnum truly was an intriguing man, with a knack for promotion and humbug. This sets the scene for the extravaganza we are about to experience. Our first introduction to Barnum is him running through the audience with gusto, to end up on stage and immediately breaking the 4th wall to narrate his story. I am instantly drawn into Jayden Prelc’s portrayal of Barnum – charismatic, magnetic, dynamic, not to mention his natural comedic timing and prodigious voice. He navigated the wordy script and musical numbers with such relish. A true and rare performer of his age, I anticipate a professional career in his near future. Watch this space. His Charity Barnum, played by Alana Iannace, was sublime. She had steely strength and independence, […]
March 17, 2019
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Review: Grand Finale at the Adelaide Festival Centre

Knowing nothing more than the title and its origins prior to the performance, Hofesh Shechter Company’s Grand Finale is a spectacular blend of electronic soundscape, live classical musicians, evocative lighting and choreography that is part contemporary, part trance and part traditional. We open to a bleak, dark stage, where huge black blocks, which resemble tombstones, shadow the musicians playing in the background. Ten culturally and artistically diverse dancers portray the survivors, if you will, of the sinking Titanic; while the quintet of musicians continue to play in sweet harmony, oblivious to the disaster that surrounds them. The mini orchestra is seamless as they move around the stage, inconspicuously and almost magically, with as much grace as the dancers themselves. The dancers. Oh the dancers. I’ve never seen an ensemble interpret the idiosyncrasies, nuances and manic silence of choreography quite like these incredible artists. Their language of movement, authenticity of storytelling through their bodies..it is quite the experience. One I’ve not felt like this before. While Shechter’s choreography has repetitive phrasing, it never feels monotonous. Quite […]
June 17, 2019
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Review: Paul Capsis with Jethro Woodward and the Fitzroy Youth Orchestra at The Famous Spiegeltent

Paul Capsis. The man, the myth, the enigma. I have been a fan of Capsis’ since I watched him explode on the screen in ‘Head On’. Then seeing him as the totally mad, flamboyant reincarnation of Rumpelstiltskin in the State Theatre and Windmill collaboration – I was smitten. An award-winning, versatile, original and seasoned performer, he knows how to turn it on and turn it up. And he has been non stop since. Making a dramatic entrance and belching out the Skyhooks 70s classic ‘Ego is Not a Dirty Word’, we realise that this will be a night full of unexpected eccentricities and rip-roaring, emotion charged entertainment. And not only with Capsis out front, but with the marvellous and musically gifted Jethro Woodward and The Fitzroy Youth Orchestra supporting, we knew we were going to be witnessing something of a rarity. Wrapped in leather, fur and jewels, Capsis informs us he received a call from Julia Zemiro to be part of the Ad Cab Fest in 2019, after a five year absence. However, she had […]
June 10, 2019
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Review: The Hot Sardines at The Famous Spiegeltent

When I was a young performing arts student living in Perth, I frequented the jazz bars and underground clubs scouring the city for the hip, sweet sounds of the ragtime blues. My housemate at the time was a jazz muso, so I had big band rehearsals in my house all the time. It’s safe to say, I have a soft spot for this style. Tonight, as part of the Adelaide Cabaret Festival, we were packed like sardines in The Famous Spiegeltent, to see The Hot Sardines. With the house full sign out front, we were ready to be dazzled by this New York based jazz ensemble. Co-led by lead singer Elizabeth Bougerol and pianist Evan Palazzo, she tells the story of how they met at a jazz jam advertised on Craig’s List. She was looking for a piano player, but not just any piano player. One who knew and understood a particular song, Fats Waller ‘Your Feet’s too Big’. She asked Evan if he knew the song and the rest as they say, is history. […]