Review: Grease the Musical at Her Majesty’s Theatre

Grease is the word, Adelaide!

The new Australian production of Grease is a vibrant and energetic revival that brings the classic story of Rydell High to life with fresh flair and undeniable appeal. Set against a backdrop of 1950s Americana, this iteration successfully marries nostalgia with a contemporary twist, making it a must-see for both die-hard fans and newcomers alike.

Even before the curtain rises, the audience is treated to projections to set the scene, and we are immediately swept away by a thrilling atmosphere.

The choreography, by Eric Giancola is sharp and dynamic, with the ensemble cast moving in perfect harmony during the iconic dance numbers. With classics like “Summer Nights” and “You’re the One That I Want” delivered with a fresh energy that ignites the audience.

Shout out to local lad Oscar Bridges, making his adult professional debut fresh from high school, it is easy to see why he was cast – a knockout dancer and performer. He is one to watch!

With draw card names Jay Laga’aia, Paulini [whose vocals as Teen Angel soar through the heavens] and Patti Newton bringing rapturous applause when they made their entrance, there were sensational performances from every single performer on that stage.

The hilarious Jordan Koulos, Oliver Lacey and Regan Walker played the three T-Birds Doody, Roger and Sonny respectively, embodying the camaraderie and rebellious spirit of the era with amazing dance moves and vocal prowess.

Equally impressive were Catty Hamilton, Katelin Koprivec and Rose Shannon-Duhigg who played the Pink Ladies Frenchy, Jan and Marty to perfection. Sassy sisterhood, authentic friendships and brilliant harmonies, they each shine in their own right.

Keanu Gonzalez as Kenickie blends humour and heart, as he navigates Kenickies’s tough exterior while revealing glimpses of feebleness, particularly with his interactions with Rizzo. Gonzalez’ performance in ‘Greased Lighting’ is exhilarating. His powerful stage presence, as well as his role as the T-Birds voice of reason, adds a wonderful layer to his character, making his character relatable and engaging.

From her very first entrance, Mackenzie Dunn as Rizzo exudes confidence and charisma. She effortlessly commands the stage, embodying the role of the leader of the Pink Ladies with a blend of saucy and vulnerability. Dunn delivers a nuanced performance that showcases Rizzo’s tough girl facade while hinting at the insecurities that lie beneath.

Rizzo’s solo number, “There Are Worse Things I Could Do,” is a highlight of the show for me. In this poignant moment, Dunn showcases her mesmerising vocals and emotional range, allowing the audience to truly connect with Rizzo’s struggles and fears.

Danny and Sandy, played by Fabian Andres and Annelise Hall, embodied the innocence and excitement of young love. Their chemistry is palpable, making their rollercoaster romance feel authentic and tangible.

With nods to Travolta’s Danny, Andres delivers a charismatic performance as the quintessential greaser, effortlessly blending charm and bravado. His soulful and sincere vocals on full display in the song ‘Sandy’, Andres captures the essence of both the confident and playful character of Danny Zuko.

Hall, on the other hand, brings a beautiful sincerity to the role of Sandy Dumbrowski. Her portrayal is both sweet and strong, perfectly capturing Sandy’s journey from the innocent new girl to confident young woman. Her powerful rendition of ‘Hopelessly Devoted to You’ left the audience captivated by her resonant and evocative voice.

The orchestra, led by Kohan van Sambeek, are pure excitement and a thrill for the senses, reminding everyone of the timeless quality of the music. The arrangements have a modern touch while still respecting the original scores, keeping the spirit of the show alive.

The set design, kudos to James Browne, is vivid and immersive, transporting the audience right into the heart of Rydell High. The bleacher set spins and turns into the dance hall, diner, garage and Marty’s bedroom with ease. Each scene flows seamlessly, and the attention to detail creates an engaging and dramatic backdrop for the unfolding drama.

The lighting design, by Judy Dalgleish is incredible, enhancing each moment and character beautifully, shifting from the warm glow of a summer evening during “Summer Nights” to the more dramatic blue hues of the final act, perfectly reflecting the emotional journey of the characters.

Costumes are equally impressive, capturing the era’s style while adding a modern flair that resonates with today’s audiences.

Director Luke Joslin has done a praiseworthy job of breathing new life into this beloved classic, ensuring that it remains relevant while celebrating its roots. The pacing is brisk, keeping the energy high and the audience engaged from start to finish.

This new Australian production of Grease is a joyous celebration of youth, love, and the trials of growing up. It’s a show that reminds us of the power of music and friendship, wrapped in the familiar yet ever-appealing fascination of the 1950s. Whether you’re a fan of the original or experiencing the story for the first time, this version is sure to leave you humming its catchy tunes long after the curtain falls. Don’t miss your chance to relive the magic of Grease—it’s electrifying!

4.5 stars

Lia Loves.