LIA LOVES... THEATRE. DANCE. CULTURE. EVENTS.

Follow her adventures as Adelaide's premier theatre buff, arts contributor, educator and ambassador!

May 3, 2022

Review: Into the Woods by Adelaide Youth Theatre at Star Theatre

Another outstanding production from Adelaide Youth Theatre for 2022 is Into the Woods. With music and lyrics by Stephen Sondheim and book by James Lapine, the incredible production team of Emma Riggs and Kerreane Sarti deliver once again a high quality show that spotlights the burgeoning young talent of South Australia. Into the Woods intertwines the plots of several Brothers Grimm fairy tales, exploring the consequences of the characters wishes and quests. The main characters are taken from Little Red Riding Hood, Jack and the Beanstalk, Rapunzel and Cinderella. The musical is tied together by a story involving a witch whom tasks a childless baker and his wife with procuring magical items from these classic fairy tale characters to reverse the curse put on their family tree. While not a typical sung through musical, the dialogue in the show is characterised by the use syncopated speech, and delivered with a fixed beat or kind of spoken song. This was not a junior version, but a solid two and a half hour full show. I’ve always […]
April 30, 2022

Review: A Streetcar Named Desire at The Bakehouse Theatre

It’s a sad day when Adelaide institution, The Bakehouse Theatre, must close to make way for a carpark, but completing its tenure with Tennessee Williams’ A Streetcar Named Desire, is to go out with a bang! Williams’ most popular work, A Streetcar Named Desire is one of the most critically acclaimed plays of the 20th century. There is so much to digest, interpret and analyse with this classic piece; the text directions, the naturalistic language, the overarching symbolism, the expressionism concepts, and the functions of the characters, to name but a few. This is why Streetcar is a firm favourite of dramaturgs all across the world! Set in the French Quarter of New Orleans during the restless years following World War Two, A Streetcar Named Desire is the story of Blanche DuBois, a fragile and neurotic woman on a desperate prowl for someplace in the world to call her own. After being exiled from her hometown for seducing a seventeen-year-old boy at the school where she taught English, Blanche explains her unexpected appearance on Stanley […]
March 31, 2022

Review: Constellations at The Bakehouse

Every now and then, a simple but affecting play lands in my lap and it is my duty to ensure as many people as possible can experience the joy, power and preciousness of these works. Constellations, is one such play. Suppose that life exists in a multiverse – a set of parallel existences that contain infinitely different futures. The possibilities in our lives are, quite literally, endless. Every possible event that could happen, does happen, in one universe or another. And if two people meet – are drawn together in every version of existence – every possible happy ending and heartbreak that could transpire, will. Marianne, a physicist, and Roland, a beekeeper, meet at a barbeque. They hit it off and go for a drink. Or maybe they don’t. They go home together, or possibly they go their separate ways. Perhaps Marianne is engaged to someone else, perhaps Roland is. Maybe she breaks his heart, maybe he breaks hers. Possibly they come together and their love story can finally be cemented and develop, or perhaps […]
March 27, 2022

Review: The 2022 Variety Gala at The Festival Theatre

The Variety Gala, a highlight on the entertainment calendar brings together a smorgasbord of local and international talent that makes up the Adelaide Cabaret Festival. While held earlier in the year for the first time, [blame a little show called Frozen for that] this did not deter the droves of punters ready to devour the tastings on offer for 2022. Hosted by the sarcastic and sardonic Paul McDermott, who scrubbed up quite nicely after a shave and haircut since I last saw him, the night’s theme was decadence, magic and revelry. This was hurled at us in spades. Isaac Hannam, began with an enigmatic welcome to country before throwing open the stage to the incomparable and iconic Tina Arena. I must admit, I’ve never seen her sing live in the flesh, and boy oh boy, is she worth waiting for. This years Artistic Director was silky and soulful and everything you expect from the star. Singing classics ‘Church’ and ‘Burn’ she was both gloriously effortless and sophisticated while ferocious and unstoppable at the same time. […]
March 20, 2022

Review: Hans – A Night at the Symph-Honey! at The Thebarton Theatre

I remember first meeting Hans at the Weimer Room back in 2003; a tall, thin and lanky teenager who was the interval act and compere at the weekly cabaret shows that were hosted in the dingy, Berlin-esque bar. He had a multitude of talent back then – all singing, all tapping, all accordion playing comedian, so it is hardly surprising he has reached the dizzying heights of Berlin boy wonder today. One might call it a self-fulfilling prophecy, as he has always dubbed himself ‘an international superstar’ Manifestation at its finest! Hans A Night at the Symph HONEY! marks his return to the stage since the dreaded C-word took hold of the arts world and spun it through the wringer. But being the stalwarts that we are, we dusted ourselves off and prepared for retribution. A what a night of reckoning it was! The magnificent Thebby Theatre was electric – both literally and metaphorically – as the highly regarded 18-piece Adelaide Concert Orchestra, ahem, The Ungrateful Bastards Orchestra, took to the stage to rapturous applause. […]
March 14, 2022

Review: Retail Reality at The Lark at Gluttony

A self-proclaimed glamorous bogan, Amelie Peters is a classically trained singer, international performer and accredited vocal coach who burst onto the stage with her flame hair and sequin covered curves. Just like a real-life Jessica Rabbit – but with personality and pipes! This young cabaret diva takes us through an hour of painlessly pitched parodies, cracking covers and her own original songs interspersed with stories and anecdotes from her [agonizing] years as a retail assistant. Let’s face it – we’ve either all been the retail worker who knows exactly what she is talking about or are the customer she’s lamenting about – either way, this show is for everyone! With satires of ‘9 – 5’, based on the irregular working hours of retail casuals, to the Whitney Houston/ Andrea Boccelli ‘I will always love you/Time to Say Goodbye’ medley – as an ode to her finally leaving her retail job, Peters has her full voice, and acting range on display. From a soft alto, to belting chest voice, flipping right up into the highest of […]
March 14, 2022

Review: The 60 Four at Norwood Concert Hall

Having grown up with the songs of the 60s and 70s thanks to my parents, it felt fitting to bring my mum to enjoy the musical extravaganza that is The 60 Four. A group of four young men, three of whom met in music class at school, who found and fell in love with the sound of the 60s back in 2015, thanks to cabaret performer Michael Griffiths. After performing a Frankie Valli and the Four Seasons medley for an awards night, they received a standing ovation and were immediately booked for three gigs. Luckily for us, they have continued to hone and explore more music of the era, extending their repertoire into a two-hour show, jam packed with slick suits and even slicker choreography. With a venue as brilliantly suited to this style as the Norwood Concert Hall, and a stage set up to rival any celebrity playing in town, the boys roar onto the stage, decked out in matching green velvet jackets to bust out ‘Sherry’ from Frankie Valli and the Four Seasons, […]
March 8, 2022

Review: Classical Mystery Tour at The Moa, Gluttony

When I saw the marketing for the Classical Mystery Tour, I thought this would be perfect for my Beatles loving, drumming mad son. Not to mention, I grew up on the sounds of the rocking 60s and swinging 70s, so this world premiere of the legendary Beatles album, Magical Mystery Tour was right up my alley. Staged at The Moa, the famous outdoor venue at Adelaide Fringe’s Gluttony, this concert, at a pre-sunset time, was, quite literally, a magical ride through the soundtrack. Magical Mystery Tour album was born after The Beatles completed Sgt Pepper’s Lonely Hearts Club Band  in April 1967. McCartney wanted to create a film that captured a theme of a psychedelic bus ride with McCartney’s memories of Liverpudlians holidaying on coach tours. The film was to be unscripted; various ‘ordinary’ people were to travel on a coach and have unspecified ‘magical’ adventures. Despite the widespread media condemnation of the film, the 1967 soundtrack release was a critical and commercial success. With Magical Mystery Tour, The Beatles continued their studio experimentation that […]
March 7, 2022

Review: MACRO at Village Green, Adelaide Oval

An official opening night spectacular, MACRO is the merging of talent, culture, strength, and human connection. Lucky to have witnessed both Gravity & Other Myths [GOM] The Pulse and Djuki Mala previously, I was keen to see what this collaboration event would bring. Adelaide Festival Co-Director, Neil Armfield gave a heartfelt and humorous introduction, informing the 7000 strong crowd that MACRO is a co-commission between Adelaide Festival and Edinburgh International Festival, where it will tour later in the year. The beautiful and profound live welcome to country was an incredible ceremony to witness, with the entire cast of acrobats, performers and singers entering the stage to be cleansed with the spirit before seamlessly beginning the show. While there was much the same with the original Pulse production, this version was an utterly full partnership between GOM, Djuki Mala, Adelaide’s celebrated youth  vocal ensemble Aurora and a trio of Scotland’s most esteemed contemporary folk musicians. With big screens on either side of the massive stage, lighting rigs to rival any superstar concert and voices reverberating through […]
March 5, 2022

Review: The Rite of Spring/common ground[s] at Her Majesty’s Theatre

There are certain opportunities in life that are unmissable, and beholding Pina Bausch’s The Rite of Spring is one of those momentous occasions. A German dancer and choreographer who was a significant contributor to a neo-expressionist dance tradition now known as Tanztheater, Bausch’s approach was noted for a stylized blend of dance movement, prominent sound design, and involved stage sets, as well as for engaging the dancers under her to help in the development of a piece. Her work, regarded as a continuation of the European and American expressionist movements, incorporated many expressly dramatic elements and often explored themes connected to trauma, particularly trauma arising out of relationships. From this, she created the company Tanztheater Wuppertal Pina Bausch, which performs internationally to this day. Her thrilling Frühlingsopfer (The Rite of Spring), created in 1975, caused a stir in the dance world with its stark depiction, in which the Chosen One is sacrificed to gratify the misogyny of the surrounding men, all while dancing on a stage entirely covered in soil. Based on the ballet and orchestral concert work by composer Igor Stravinsky, The Rite is described by […]
March 1, 2022

Review: 360 ALLSTARS at The Flamingo at Gluttony

360 ALLSTARS, the phenomenal physical worldwide smash, that has been selling out Broadway, Edinburgh and the Sydney Opera House, is back at the Fringe! A show which features and explores all forms of rotation, 360 ALLSTARS connects the elite street to the masses to deliver a supercharged urban extravaganza. Boasting a stellar cast of young, hip and impossibly talented artists, including the 2x World Champion BMX Flatlander, two champion break-dancers, an internationally acclaimed basketball freestyler, and a World Record holding Cyr wheel artist, 360 ALLSTARS is a spectacular fusion of the extraordinary skill and originality that begins from street culture. Add to this a stunning live soundtrack delivered by US MC and live looping vocalist, Mirrah, and multi-award-winning master musician, producer and visionary Gene Peterson combined with incredible video projections, 360 ALLSTARS is as aurally exciting as it is visually astounding. As The Flamingo filled to almost capacity, we are treated to an intro of all the talent who will be entertaining us. Starting with B-Boy Sette, a champion break-dancer from Melbourne. A dancer for […]
February 28, 2022

Review: Roald Dahl and the Imagination Seekers at The Flamingo

‘Those who don’t believe in magic, will never find it’ Roald Dahl I, for one, am a magic believer, which is why I adore live theatre. And these words were beamed in front of us, as if to test our faith during this delightful and captivating children’s show, Roald Dahl and the Imagination Seekers. Presented by Get Lost & Found Ltd, Puffin and the Roald Dahl Story Company in association with Interactive Theatre International, a UK based theatre company that produces and promotes interactive comedy theatre, the show is an immersive and collective performance between two actors, and the audience. First commissioned in 2015 by Puffin Books to create a new children’s theatre show based on the works of the world’s number one storyteller Roald Dahl. This show was performed all over the UK and Ireland. In 2019, a collaboration with Roald Dahl Story Company created this new show and has been touring the world since. Especially conceived for ages six and up, the show fosters both imaginative and literacy skills through performance, games and […]
February 28, 2022

Review: Blindness at The Queens Theatre

The curation of art during the Adelaide Festival is at it’s impeccable best with the addition of Blindness. Based on the 1995 novel by Portuguese Nobel Prize winner, Jose Saramago, Blindness is a socially distanced sound installation, produced by the Donmar Warehouse, adapted by Simon Stephens and directed by Walter Meierjohann. This latest version not only fits perfectly within the world we currently live, but the story is not far off from the sentiment of issues either. Blindness is the chronicle of an unexplained mass epidemic of blindness infecting nearly everyone in an unnamed city, and the social breakdown that swiftly follows. The story follows a handful of unnamed characters who are among the first to be wounded with blindness, including an ophthalmologist and several of his patients. The ophthalmologist’s spouse, “the doctor’s wife,” is mysteriously immune to the blindness. After a lengthy and traumatic quarantine in an asylum, the group bands together in a family-like unit to survive by their wits and by the good fortune that the doctor’s wife has escaped the blindness. […]
February 28, 2022

Review: 27 Club at The Moa at Gluttony

After missing out on seeing this rock show at last year’s Fringe, I finally got to witness the hype that is 27 Club. Presented by Andrew Kay, Australia’s premier rock and roll promoter, and Release Creative, the team behind last year’s hit Disco Wonderland and the Barossa Contemporary: Festival for the Curious, are bringing the house down again with this must-see gig. A simple premise – lets celebrate the greats of rock and roll with a rotating cast of Australian rock royalty. Featuring Sarah McLeod from The Superjesus, Kevin Mitchell of Jebediah fame, Carla Lippis, Dusty Lee Stephenson, Libby O’Donovan and a band that brings the house down – this is a concert for those who lived through the 70s, worshipped the 90s and celebrated the noughties. The icons of the ’27 Club’ – those that met their demise at the age of 27 by drink, drugs or jealous husbands– included blues influencer Robert Johnson, Janis Joplin, Kurt Cobain, Jim Morrison, Amy Winehouse and Jimi Hendrix. Add the exactness of The Moa as a venue, […]
February 25, 2022

Review: Bodylex at The Bakehouse

I like to walk into shows impartial – I don’t do any research before, so I allow my natural appreciations and instincts to react. It has been a while since I’ve seen a true dance theatre work – and Bodylex did not disappoint. Produced and choreographed by creative academic, Rhys Ryan, Bodylex explores rules, regulations and laws and how our bodies respond to these forces either unintentionally or consciously. Questions are posed – do we resist? Conform? Adapt? This piece of experimental theatre is designed to provoke, engage processing of politics pursue examinations of the physical form. Upon entering the hazy black box of The Bakehouse, of which I’ll be extremely sad to see gone, the stage is set starkly with three dancers in simple, muted tone pants and singlet. Two side lights illuminate the space, and we hear the sound of a repetitive and pulsing clap or wood knocking together – this is the heartbeat of the soundscape that gets built upon as the tensions rise. The movement of the dancers – Anika de […]
February 24, 2022

Review: Arcadia Bohemian Cabaret at The Octagon

What is Arcadia? Utopia. Unspoiled. Uncorrupted. Presented by local South Australian company, Cocktail Creative, off the back of their award winning sell out season of Playback from Adelaide Fringe 2021, Arcadia is an escape to a desert paradise celebrating idealistic social values of the wild and free. A communal journey expressed through dance, aerial and music with a banging, psychedelic soundtrack. Music from the 70s spanning multiple genres of pop, rock, indie and RnB will see you plunged into a world where the soul, spirit and heart can be truly free. The Octagon at Gluttony is a great venue for this type of show, the cast of five dancers utilise the shape and space really well and have an obvious connection to each other. Starting with a steam punk, Mad Max feel then moving into bohemian, trippy vibes, finishing with massive pops of colour and texture, the costumes, set and lighting were dramatic and vivid. Vocalist Rachel Vidoni, who also happens to smash out a tune on the harmonica and a super sparkly guitar, had […]
January 30, 2022

Review: Who’s Afraid of Virginia Woolf? at the Dunstan Playhouse

Edward Albee’s classic, Who’s Afraid of Virginia Woolf finally makes it’s debut to eager and excited audience members, after rescheduling from September 2021. And it’s worth the wait. First staged in 1962, the play examines the complex and dangerous marriage of a middle-aged academic couple, Martha and George. In the early hours following a university faculty party, Martha invites an unwitting younger couple, Nick and Honey, as guests to her home, and draws them into their bitter, twisted and maddening relationship. A play in three acts, with two intermissions, the title, which alludes to the English novelist Virginia Woolf, is also a pun on the song ‘Who’s Afraid of the Big Bad Wolf?’ from Disney’s Three Little Pigs. In the first moments of the play, we are told that someone sang the song earlier in the evening at the party, and Martha repeatedly pesters George over whether he found it funny. Act One, entitled ‘Fun and Games’, flows as quickly as the liquor the characters are drinking. Martha and George engage in scathing verbal abuse […]
October 10, 2021

Review: Shrek Jr – The Musical by Adelaide Youth Theatre at Arts Theatre

The beloved story of an anti-social, territorial green ogre named Shrek, whose solitary life is interrupted after the diminutive Lord Farquaad of Duloc exiles a number of fairy tale creatures to Shrek’s swamp. Not happy with this new set up, Shrek decides to travel to Duloc to see Farquaad and regain his swamp. Along the way, Shrek rescues a talkative Donkey and he joins him on his quest. Back in Duloc, in order for Farquaad to become king, he must marry a princess, so after the recommendation from his Magic Mirror and his henchmen, Farquaad settles on Princess Fiona, who is trapped in a tower surrounded by lava and guarded by a terrifying, fire-breathing dragon. Upon arriving in Duloc, Farquaad is impressed with Shrek’s size and stature, and demands that Shrek must rescue Fiona on his behalf, and in return, will give Shrek the deed to his swamp. The two unlikely friends make it to the castle and fight off the dragon to escape with Fiona. Wanting to see her ‘Prince Charming’ in the flesh, […]
September 23, 2021

Review: Blood Brothers by The Princes Players at ANZAC Hall, Prince Alfred College

With book, music and lyrics by Willy Russell [of Educating Rita and Shirley Valentine fame], Blood Brothers, set in the 1960s, tells the story of a contemporary nature versus nurture plot, revolving around fraternal twins Mickey and Eddie, who were separated at birth, one subsequently being raised in a wealthy family, the other in a poor family. The different environments take the twins to opposite ends of the social spectrum, one becoming a councillor, and the other unemployed and in prison. They both fall in love with the same girl, causing a rift in their friendship and leading to the tragic death of both brothers. Inspired by a one-act play Russell read as a child ‘about two babies switched at birth. Originally developed as a school play in the early 1980s, Blood Brothers then ran for 27 years in the West End, before being reproduced on Broadway, with cult following. Making its way back to the school scene with The Princes Players, this production packs a punch with a complete cast and crew of high school […]
July 2, 2021

Review: Alan Cumming is Not Acting his Age at The Festival Theatre

When Scottish-American Renaissance man Alan Cumming agreed to become the 2021 Artistic Director of the Adelaide Cabaret Festival back in 2019, little did we know a pandemic named Rona was going to turn the world upside down and throw all plans for the arts world into a spin. As our first international Artistic Director, the whole city waited with baited breath to see what Mr Cumming would bring to the table. And what a banquet he served! From unusual and unconventional to downright unforgettable, this year’s festival is truly one to remember. Cumming has performed in concert halls across the globe; including the Sydney Opera House, the London Palladium, the Hollywood Bowl and Carnegie Hall. He’s played God, the Devil, Hitler, the Pope, a teleporting superhero, Hamlet, all the parts in MacBeth and of course the EmCee in Cabaret in the West End and on Broadway. To spend an intimate evening with him, on the closing night of what I believe to be one of the best Cabaret Festivals yet, was an absolute privilege and […]
March 7, 2022

Review: MACRO at Village Green, Adelaide Oval

An official opening night spectacular, MACRO is the merging of talent, culture, strength, and human connection. Lucky to have witnessed both Gravity & Other Myths [GOM] The Pulse and Djuki Mala previously, I was keen to see what this collaboration event would bring. Adelaide Festival Co-Director, Neil Armfield gave a heartfelt and humorous introduction, informing the 7000 strong crowd that MACRO is a co-commission between Adelaide Festival and Edinburgh International Festival, where it will tour later in the year. The beautiful and profound live welcome to country was an incredible ceremony to witness, with the entire cast of acrobats, performers and singers entering the stage to be cleansed with the spirit before seamlessly beginning the show. While there was much the same with the original Pulse production, this version was an utterly full partnership between GOM, Djuki Mala, Adelaide’s celebrated youth  vocal ensemble Aurora and a trio of Scotland’s most esteemed contemporary folk musicians. With big screens on either side of the massive stage, lighting rigs to rival any superstar concert and voices reverberating through […]
February 28, 2022

Review: Blindness at The Queens Theatre

The curation of art during the Adelaide Festival is at it’s impeccable best with the addition of Blindness. Based on the 1995 novel by Portuguese Nobel Prize winner, Jose Saramago, Blindness is a socially distanced sound installation, produced by the Donmar Warehouse, adapted by Simon Stephens and directed by Walter Meierjohann. This latest version not only fits perfectly within the world we currently live, but the story is not far off from the sentiment of issues either. Blindness is the chronicle of an unexplained mass epidemic of blindness infecting nearly everyone in an unnamed city, and the social breakdown that swiftly follows. The story follows a handful of unnamed characters who are among the first to be wounded with blindness, including an ophthalmologist and several of his patients. The ophthalmologist’s spouse, “the doctor’s wife,” is mysteriously immune to the blindness. After a lengthy and traumatic quarantine in an asylum, the group bands together in a family-like unit to survive by their wits and by the good fortune that the doctor’s wife has escaped the blindness. […]
February 28, 2021

Review: FANGIRLS

FANGIRLS is a brilliant new Australian musical with book, music and lyrics by the absurdly talented Yve Blake. First produced by Belvoir and Queensland Theatre in association with Brisbane Festival and Australian Theatre for Young People in 2019, FANGIRLS premieres at the Adelaide Festival with much hype and new cast members. A musical based on societies fascination with reckless, uncontrollable, and feverish teenagers and their frenzied infatuation with their celebrity boy worships. It’s not the first story of delusional or uninhibited female obsession, but it is the first to completely encapsulate the very real way the world tries paint young women – that they are ‘weak’ and ‘uncontrollable’ and their passion make them ‘crazy’. Yet their male counterparts are celebrated and revered for showing similar enthusiasm for their football heroes. FANGIRLS is a compassionate celebration of young women, their excitement, and their influence. A show not just for teenagers, but for their parents, grandparents and basically anyone who has ever had a celebrity crush. The story centres around 14 year old intellect Edna [portrayed to […]
March 18, 2020

Review: Two Crews at Space Theatre

I was lucky enough to gain a personal invitation by acclaimed director and choreographer, Nick Power to his third independent work, Two Crews. And who else better to come and witness this hip hop battle work for the Adelaide Festival, than my own little B-Boy, my middle son. Two Crews is the collision between France and Australia in the form of Parisian, all-women hip hop dance company, Lady Rocks, founded by choreographer and dancer Lea Cazauran. Representing Australia is Sydney based Riddim Nation, a collective who bring all styles of street dance fused with elements of their traditional culture into the ring. We arrive to see the vast open space, ready for the crews to battle it out. As they enter, they warm up in their respective corners, silently staring down their opponents. The way the stage was set, felt like the audience was pitted against each other! Clad in leopard print shirt with braids, Clairea is the first to take to the stage with a light-footed, almost lyrical popping and locking sequence, before the […]
March 6, 2020

Review: Cold Blood at the Ridley Centre

I don’t like to read about a show before seeing it. I much prefer to go in unaware and come to my own conclusion. With all the hype surrounding Kiss & Cry Collective’s Cold Blood, it was difficult to shield myself from the talk. However, I managed to observe opening night only knowing I was watching dancing hands in a tiny set. The brainchild of husband and wife creative duo, dancer and choreographer Michele Anne De Mey, and acclaimed director and screenwriter Jaco Van Dormael and texts by Thomas Gunzig, Cold Blood takes us on a whimsical and entrancing ride. It is the story of seven unpredictable and startling deaths through a multitude of scenarios, using human hands and tiny, child-like toys to demonstrate the silly but fading feebleness of life. This fascinating mix of art forms – dance, film, text – is true genius and is nothing short of original fantastical theatre. As we sit and see a large projection screen, below is the live activity of dancers, camera crew and technicians that create […]
March 17, 2019

Review: Grand Finale at the Adelaide Festival Centre

Knowing nothing more than the title and its origins prior to the performance, Hofesh Shechter Company’s Grand Finale is a spectacular blend of electronic soundscape, live classical musicians, evocative lighting and choreography that is part contemporary, part trance and part traditional. We open to a bleak, dark stage, where huge black blocks, which resemble tombstones, shadow the musicians playing in the background. Ten culturally and artistically diverse dancers portray the survivors, if you will, of the sinking Titanic; while the quintet of musicians continue to play in sweet harmony, oblivious to the disaster that surrounds them. The mini orchestra is seamless as they move around the stage, inconspicuously and almost magically, with as much grace as the dancers themselves. The dancers. Oh the dancers. I’ve never seen an ensemble interpret the idiosyncrasies, nuances and manic silence of choreography quite like these incredible artists. Their language of movement, authenticity of storytelling through their bodies..it is quite the experience. One I’ve not felt like this before. While Shechter’s choreography has repetitive phrasing, it never feels monotonous. Quite […]
March 17, 2019

Review: Ulster American at Dunstan Playhouse

Theatre. The area in which something happens. And by god does it happen. Opening night buzz of the most talked about, and shocking, Ulster American was palpable; excited theatre goers packed Dunstan Playhouse to the sounds of 70s funk music, ready, or not so ready, to take in David Ireland’s extraordinary satire. Set in an apartment in London, an English director, an Oscar-winning American actor and a Northern Irish playwright meet to rehearse a West End play. Sounds like the beginnings of a good old fashioned joke, right? Well, the joke is on us. As the three converge to discuss the play’s challenges they will face when rehearsals begin the following morning; historical accuracies, national identity, politics, misogyny, feminism, Princess Diana and Brexit become the topic of debate in this contemporary, yet classic three-hander. No sooner do the actors hit the stage, one would not dispute their undeniable talent to hold the audience in the palm of their hand. Jay Conway (Darrell D’Silva) the boisterous, egotistical, contentious American box-office movie star, is equal parts intimidating, […]
March 4, 2019

Review: Palmyra at AC Arts – Main Theatre

Palmyra. A desecrated but still majestic city in Syria that was once one of the most important cultural centres of the ancient world. Destroyed by ISIS soldiers during their first occupation in 2015, the locals stood in disbelief, clapping their hands to their mouth when they saw the rubble, an act intended to terrorise the Syrian people. Look what they’ve done. And this is how we are introduced to Palmyra, the inventive oeuvre conceived, created and performed by Bertrand Lesca and Nasi Voutsas. Lesca and Voutsas are quite the pair. Working together since 2015, it is difficult to draw the line between reality and theatre; and this is what makes Palmyra so thrilling, applaudable, palpable, captivating and at times, uncomfortable. Performance art at its best. The stage is set with two black chairs, each with a plate by the legs. Except one plate is broken into pieces. ‘Llook what they’ve done’ to ‘they have really gone for it’ Voutsas utters. At the start, their relationship is playful; waltzing and spinning, dashing around the stage on […]
March 3, 2019

Review: Blaas at Thomas Edmonds Opera Studio, Adelaide Showgrounds

Blaas. Where does one begin? Quite simply, it is an experience like no other, one in which words cannot do it justice. Schweigman& present their Australian exclusive performance of Blaas, and it will delight, confuse, charm and ignite intense thought long after you’ve left the space. Blaas means ‘blow’, ‘breath’, ‘bubble’ and ‘bladder’ in Dutch and is a concept devised from the minds of award-winning director Boukje Schweigman, fashion designer turned visual artist Cocky Eek and performer Ibelisse Guardia Ferragutti. A study of space and time, wind and air and movement; this is theatre never encountered before. We are asked to leave our shoes and belongings at the door, and put scrub slippers over our feet. Already some theatre goers are uneasy. Upon walking into the stark, white room we sit on the white bench, and look out onto the large mass of white fabric at the back of the stage. Static noise is played through the speaker; an edgy sound that can be interpreted as almost cicada sounding. Slowly, we see the fabric rise […]
February 28, 2019

Review: Sex and The Musical at Treasury 1860

Walking into Treasury 1860 on a hot Adelaide night, a Cosmopolitan was just what I needed to cool me down. And the cosmos were indeed flowing, in this perfect venue for Sex and the Musical. Taking our seats to the theme music that took me back, it’s hard to think that the show actually ended in 2004. But with 2 movies and reruns still going, this iconic and cult series still has a huge following. We are taken back before the action starts, a prequel, when Carrie’s boss tells her she’s losing her edge, so she goes on the hunt for a posse of friends ‘sweet, smart, sassy and sexy’ to help her get her mojo to write her successful columns again. Carrie’s opening song, The most interesting woman, is a hilarious send up introducing us to the main character, but also questioning how she affords her luxurious lifestyle on a columnists wage. A question we have all asked ourselves! Stefanie Rossi has the hair, the body, the look and the tutu to bring musical […]