LIA LOVES... THEATRE. DANCE. CULTURE. EVENTS.

Follow her adventures as Adelaide's premier theatre buff, arts contributor, educator and ambassador!

January 26, 2025

Review: Chicago the Musical at Futures Theatre

Adelaide Youth Theatre has kicked off 2025 with an exhilarating rendition of the iconic Chicago, reminding us why this classic musical endures as a theatrical masterpiece. By assembling an exceptional cast and presenting a sleek, contemporary reimagining, AYT and its team deliver a performance brimming with sharpness and brilliance, matching the energy of any professional production. The set design, echoing the recent professional tour in Adelaide, blends Art Deco luxury with minimalist modernity, capturing the heart of Chicago’s Jazz Age while ensuring its relevance for today’s viewers. Bold lighting and lively choreography energize the production, blending nostalgia with a fresh, exciting perspective. The cast’s performances, both lead and ensemble, are extraordinary. Ayeisha Everett shines as Matron Mama Morton, the forceful yet empathetic figure who influences the fates of the female prisoners. Her powerful rendition of “When You’re Good to Mama” is a highlight, showcasing her commanding vocal ability. Riley Mobbs portrays Amos Hart, Roxie’s beleaguered but loving husband, offering a tender contrast to the otherwise flashy and cutthroat world of Chicago. His rendition of “Mr. […]
January 18, 2025

Review: MTC Volume 20, Michael Murray Centre for Performing Arts

Two decades is a significant span of time for nurturing and celebrating emerging talent in a summer arts initiative. Pelican Productions has perfected this, as each year approximately 300 students from across South Australia dedicate two weeks of their summer break to honing their abilities in musical theatre. With an exceptional team of instructors and mentors, they bring excerpts from some of theatre’s most beloved and iconic musicals to life. This year, Pelican welcomes back alumni performers, many of whom are currently active in the arts, including Stephanie Cole, Joe Meldrum [last seen in Chicago], Finn Green [on tour with The 60 Four], Jordan Tomlijenovic [starring in Jesus Christ Superstar], and Matthew Prime [touring with Tina Turner the Musical], among others! With three casts performing, I had the privilege of attending the opening night production of Hollywood. Each musical number was vibrant and tuneful, showcasing the dedication and progress of each participant over the past fortnight. The performance alternated between senior and junior groups, with every sequence flowing smoothly and engaging the audience. The ensemble […]
November 21, 2024

Review: Jack Maggs at Dunstan Playhouse

‘Brilliantly quirky. Gothically dark. Magnificently re-imagined!’ State Theatre Company South Australia’s adaptation of Jack Maggs, Peter Carey’s novel, brings together a rich, profoundly Australian narrative, stunning performances, and innovative technical elements, creating an immersive experience that captivates the audience from start to finish. Set in 19th-century London, the story follows the mysterious ex-convict Jack Maggs (Carey’s reimagining of Magwitch) as he returns from Australia, driven by a desperate search for his ‘son,’ Henry Phipps, who has vanished without a trace. Maggs becomes entangled in the strange world of Phipps’ neighbour, Percy Buckle, and his eccentric household. In his pursuit, Maggs strikes a deal with Tobias Oates, a young novelist and self-proclaimed “mesmerist” (or is it perhaps Charles Dickens himself?), hoping to find Phipps. However, Oates has his own agenda and sees in Maggs the perfect inspiration for a new novel. Throughout Jack Maggs, the great Samuel Adamson explores themes of guilt, salvation, social class, and the effects of past trauma, all with grace and quick wit. Adamson has used Carey’s lush and immersive writing, with […]
November 15, 2024

Review: Mamma Mia! by Loreto College

Anyone who knows me, understands my love for the arts, both professional and amateur, and I have a special place in my heart for the grassroots of performing arts – beginning in schools and youth theatre. Mamma Mia! is a lively and infectious musical set on a beautiful Greek island, revolving around a young bride-to-be and her quest to discover the identity of her father before her wedding. The show is driven by the music of ABBA, with its iconic songs providing the soundtrack to a story about family, love, and self-discovery. It’s a credit to the young performers that the show still captures much of the vitality and exuberance that the professional productions are known for. This school production, by Loreto College, is a joyful experience that showcases the talent, excitement, and commitment of the student cast. Donna is the heart of Mamma Mia!, and young Bella Killen playing her does an admirable job of bringing this iconic character to life. While her performance is mostly optimistic and cheerful, there are moments when Donna’s […]
October 20, 2024

Review: The Hunchback of Notre Dame at Shedley Theatre

The Hunchback of Notre Dame, a musical adaptation of Victor Hugo’s classic novel offers a compelling blend of lingering melodies and emotional storytelling. Set in 15th-century Paris, The Hunchback of Notre Dame follows the story of Quasimodo, the deformed bell-ringer of Notre Dame Cathedral. Abandoned at birth and raised by the sinister Judge Claude Frollo, Quasimodo lives a reclusive life, shunned by society. The plot begins during the Festival of Fools, where Quasimodo is cruelly mocked but finds solace in the beautiful Romani woman, Esmeralda. Esmeralda, compassionate and free-spirited, stands up for Quasimodo, sparking a deep bond between them. Captain Phoebus, a dashing and brave soldier, enters the story as he is drawn to Esmeralda’s charm and spirit. He becomes her ally, recognizing the injustice she faces and developing feelings for her. Their romance adds a layer of complexity, as Quasimodo also harbors deep affection for Esmeralda, creating a poignant love triangle. As Frollo becomes increasingly obsessed with Esmeralda, he turns tyrannical, determined to possess her at any cost. Quasimodo, torn between loyalty to Frollo […]
October 11, 2024

Review: Bring it On at the Arts Theatre

Bring It On: The Musical, directed by Ray Cullen and brought to us by award winning Adelaide Youth Theatre, brings a vibrant energy to the stage, in this movie to musical show. With music and lyrics by none other than Lin-Manuel Miranda, you can hear the hints of Hamilton and In the Heights coming through. Thanks to the inventive and incredible choreography by Shenayde Patterson along with cheer coach Graziella Candeloro – the dance and cheer sequences are dynamic and expertly executed, showcasing the athleticism of the cast and often steals the spotlight. The lead character, Campbell, is portrayed with charm and determination by Abigail Sharp. Her journey from a top cheerleader at her old school to navigating the challenges of a new environment is relatable, even if some of her motivations feel a bit familiar. The underdog story has its moments, and Campbell’s resilience resonates, through the lovely lyrical vocals of Sharp. On the other side of the rivalry is Eva, the cheer captain of the new squad, played villainously by Zahli Linke. While […]
October 4, 2024

Review: Grease the Musical at Her Majesty’s Theatre

Grease is the word, Adelaide! The new Australian production of Grease is a vibrant and energetic revival that brings the classic story of Rydell High to life with fresh flair and undeniable appeal. Set against a backdrop of 1950s Americana, this iteration successfully marries nostalgia with a contemporary twist, making it a must-see for both die-hard fans and newcomers alike. Even before the curtain rises, the audience is treated to projections to set the scene, and we are immediately swept away by a thrilling atmosphere. The choreography, by Eric Giancola is sharp and dynamic, with the ensemble cast moving in perfect harmony during the iconic dance numbers. With classics like “Summer Nights” and “You’re the One That I Want” delivered with a fresh energy that ignites the audience. Shout out to local lad Oscar Bridges, making his adult professional debut fresh from high school, it is easy to see why he was cast – a knockout dancer and performer. He is one to watch! With draw card names Jay Laga’aia, Paulini [whose vocals as Teen […]
September 28, 2024

Review: Jesus Christ Superstar at The Scott Theatre

Jesus Christ Superstar, the iconic rock musical by Andrew Lloyd Webber and Tim Rice, remains a powerful and thought-provoking retelling of the last days of Jesus Christ. Blending a compelling narrative with unforgettable music, this production, gloriously directed by George Torbay, captivates audiences with its contemporary relevance and emotional depth. Presented by the graduating students of Elder Conservatorium Music Theatre, this musical is a brilliant showcase of the talent to come out of this world class course. From the opening number, the energy is palpable, where the incredible lighting and soundtrack smack you in the face and reverberate through your core. The score features a blend of soaring ballads to pulsating rock anthems, making each song memorable. From the well-known ensemble number ‘What’s The Buzz’ to Mary Magdalene’s poignant ‘Everything’s Alright’ while “Superstar” electrifies the stage, capturing the essence of fame and its consequences. Paul Sinkinson’s musical direction is marvellous, bringing a fresh vitality to the score while maintaining the integrity of the original compositions. Expertly balancing the rock elements and emotional weight of the […]
September 16, 2024

Review: Heathers The Musical at the Arts Theatre

Long before Mean Girls, Heathers set the bar high with its iconic 80s high school drama featuring Winona Ryder and Christian Slater.  Now, Heathers: The Musical has made its Pelican Productions debut, directed by the fearless Georgia Broomhall, known for her exceptional work in youth musical theatre. This musical pulls no punches, delivering a mix of edgy rock-pop tunes about everything from blue balls to slurpee brain freeze. It’s unapologetically outrageous, with Broomhall’s daring direction amplifying every risqué joke and cheeky dance move. While the show revels in its provocative nature, it also surprises with its depth, particularly in the second act. What initially seems like a flashy, superficial spectacle unravels into a profound exploration of teen angst, peer pressure, bullying, and suicide. Broomhall skillfully navigates the balance between humour and serious themes, ensuring the production remains impactful without becoming overly grim. The adaptation, crafted by Kevin Murphy and Laurence O’Keefe, successfully translates Daniel Water’s original film’s essence to the stage. For those unfamiliar or needing a refresher, the story is set at Westerberg High […]
August 11, 2024

Review: School of Rock the Musical at The Queens Theatre

School of Rock the Musical, based on the beloved 2003 film, has rocketed onto stages with a high-energy production that brings the spirit of rock ‘n’ roll to life. This musical adaptation, with its infectious enthusiasm and catchy tunes, has proven to be a hit with audiences of all ages. This production is extra special, as it is presented by Scotch College Adelaide, a school known for its high-quality transformations of Broadway shows. Coupled with the fact, through the generosity of Richelle and Torben Brookman of GWB Entertainment, the students are working with the original desks, costumes and instruments from the international tours. An incredible opportunity for anyone! I was lucky enough to see the original Broadway run, as well as work on the international tours of School of Rock with GWB Entertainment. It has firmly become one of my all-time favourite musicals. Produced by the sensational Head of Theatre Arts, Nicola Triglau and c0-directed by the multi-talented Stephanie Thompson and Melissa Shelon. This production of School of Rock nails the fun and rebellious essence […]
August 11, 2024

Review: Chicago at The Festival Theatre

Chicago, the beloved musical set in the roaring 1920s, has hit Australian stages with an electrifying production that reaffirms why this classic remains a theatrical triumph. This Australian tour, bringing together a remarkable cast and a slick, pared back, modernised vision, delivers a performance that’s as sharp and scintillating as the original. This re-imagining of Chicago, based on the original production directed and choreographed by the Bob Fosse is a testament to how a well-loved masterpiece can be revitalised while staying true to its roots. The stage design is a sleek fusion of Art Deco glamour and contemporary minimalism, capturing the essence of Chicago’s Jazz Age setting while making it relevant for today’s audience. The use of bold lighting and dynamic choreography infuses the show with an energy that feels both nostalgic and refreshingly new. The performances by both leads and ensemble are exceptional. Anthony Warlow as Billy Flynn delivers charisma and charm with every note, effortlessly embodying the shallow and shiny lawyer who thrives on courtroom theatrics. Lucy Maunder as Roxie Hart is nothing […]
July 31, 2024

Review: The Questions at the Space Theatre

The Questions delivers a fresh take on romantic comedies by transforming a disastrous Tinder date into a compelling musical narrative. In this quirky production, we meet two individuals who seem to be polar opposites: she’s perpetually late and revels in vibrant colours, while he’s obsessively punctual and views the world in muted beige tones. With her background in gender studies and his admiration for Jordan Peterson, their initial clash is as inevitable as it is explosive. Just as she’s about to make her escape, an unexpected citywide lockdown forces her to stay in his meticulously ordered high-rise apartment, setting the stage for an extended and turbulent first date. Chaya Ocampo portrays the Visitor, who finds herself trapped with Charles Wu’s Resident, devoid of internet, phones, or streaming options. The only witnesses to their escalating clash are a rock band (the exceptional Sam Lau, James Bannah Jr., and Jackson Mack, masterfully directed by Kym Purling) ensconced in the neighbouring apartment, adding a layer of musical commentary to the unfolding drama. In a bid to salvage the […]
June 15, 2024

Review: Swing on This at The Dunstan Playhouse

Swing On This, led by the dynamic quartet of Ben Mingay, Luke Kennedy, Bert La Bonte, and Matt Lee, is a cabaret extravaganza and a masterclass in entertainment, seamlessly blending nostalgia with contemporary flair. Celebrating its 10th Anniversary, where it debuted at this very Cabaret Festival, Swing on This transports audiences to a bygone era of elegance, charisma, and toe-tapping rhythm. From the moment the gents mooched on stage, there was a pulsating energy, and the audience was whisked away on a journey through the timeless classics of swing music. Their ode to Adelaide set a comedic tone, and introduced each member to the audience, inviting us to relax and loosen up for the evening. The show was tight, with wonderful banter and camaraderie between the men – a nod to the effort to that goes into making a show look casual, but is firmly rehearsed. Musical director Craig Schneider’s expertise shone through in every note, orchestrating a symphony of sound that perfectly captures the spirit of the era. Backed by a stellar band and […]
June 13, 2024

Review: Cirque du Soleil’s Luzia at Wayville Showgrounds

Cirque du Soleil’s ‘Luzia’ is a mesmerizing tapestry of artistry, athleticism, and awe-inspiring spectacle. From the moment the sun rises, and we are told to be ready for take-off, the audience is transported into a dreamscape where reality bends and imagination reigns supreme. The show’s theme, inspired by the vibrant culture and natural beauty of Mexico, infuses every element with a rich and colourful energy. From the intricate, animal-like costumes to the dynamic set design, every detail is meticulously crafted to evoke the spirit of the region. But it’s the incredible performers who truly steal the show. The cast of “Luzia” includes a diverse array of talented artists, including musicians, dancers, and acrobats, each bringing their own unique flair to the production. Together, they create a spectacle that is truly magnificent. With their unparalleled skill and grace, they effortlessly push the boundaries of what seems humanly possible. From breathtaking acrobatics to jaw-dropping feats of strength, each act leaves the audience on the edge of their seats, gasping in amazement. At the heart of “Luzia” are […]
June 10, 2024

Review: Jekyll and Hyde at Space Theatre

A Slightly Isolated Dog are one of my favourites. They create new theatre experiences where audiences actively participate and contribute to content or are active players in the theatre. Five flirtatious ‘French’ performers meet you at the door. They bring you in, they show you to your seat while getting to know you. Then they tell you the story – with you. Their rendition of Jekyll & Hyde was a delightful surprise—a comedic twist on the classic gothic tale based on  Robert Louis Stevenson’s novella that I never knew I needed until now. As we stepped into the Space Theatre, we were immediately greeted by the various performers. Their flirtatious interactions with the audience created an electric atmosphere. While my poor husband was slightly worried he’d be pulled into the show, I was secretly hoping he would. Dressed in glamorous and chic attire, each performer exuded a magnetic allure, adding a touch of heat to the cool June night. Directed by Leo Gene Peters, this production retained the essence of the original story while infusing […]
June 10, 2024

Review: Life in Plastic at the Banquet Room

Christie Whelan Browne’s show “Life in Plastic” is a dazzling journey into the complexities of modern femininity, wrapped in a glossy, vibrant package. From the moment Whelan Browne bursts through the streamer curtains, she charms the audience with her magnetic presence, seamlessly blending comedy, music, and poignant storytelling. Whelan Browne graces the stage adorned in a school dress, clutching a Barbie doll, and delving into tales of a blue light disco, all while sporting braces complete with headgear. Instantly, she embodies her teenage self, captivating the audience either through the relatability of her anecdotes or the sheer brilliance of her character portrayal. Whelan Browne’s razor-sharp wit and comedic timing keep the audience roaring with laughter, but beneath the surface, there’s a profound exploration of societal pressures and personal identity. Through a series of vignettes and musical numbers, Browne delves into the highs and lows of womanhood, from navigating unrealistic beauty standards to grappling with the expectations of motherhood. What sets Life in Plastic apart is Whelan Browne’s fearless honesty. She daringly confronts taboo subjects with […]
June 9, 2024

Review: The 2024 Variety Gala at The Festival Theatre

It is always a thrill to be in the audience for the opening of the Adelaide Cabaret Festival and this year is like no other; with the incomparable and delectable Virginia Gay is at the helm! The Variety Gala Opening Night was an electrifying extravaganza that set the stage on fire, marking the commencement of what promises to be an unforgettable festival season. From start to finish, the gala delivered a kaleidoscope of performances that celebrated the diversity and dynamism of cabaret. Hosted by the dazzling and self-proclaimed Chief Mischief Maker Artistic Director herself, the night was captivating, wicked, and full of mayhem! Isaac Hannam was on hand to deliver his inimitable Welcome to Country. Crawling out of the symbolic bathtub in full Couture+Love+Madness ballgown and Elever earrings [fantastic Adelaide brands], to sing an ode to Adelaide, Virginia Gay set the tone of the night and the whole Cabaret season and had the audience in rapturous applause! The stars of the Variety Gala made their way to centre stage to spruik their show by giving […]
May 31, 2024

Review: Legally Blonde the Musical at Futures Theatre

Omigod you guys! Pulteney Grammar School have done it again with their musical Legally Blonde based on the 2001 film and novel by Amanda Brown, with music and lyrics by Laurence O’Keefe and Nell Benjamin. Legally Blonde the Musical is a vibrant and high-energy show that captures the essence of the beloved story while adding its own unique flair. The musical is a delightful mix of humour, heart, and catchy tunes that leave audiences cheering for more. The show tells the story of Elle Woods, a sorority girl who enrols at Harvard Law School to win back her ex-boyfriend Warner Huntington III. She discovers how her knowledge of the law can help others, and she successfully defends exercise queen Brooke Wyndham in a murder trial. Throughout the show, very few characters have faith in Elle, but she manages to surprise them when she defies expectations while staying true to herself. With an unexpectedly difficult score, fun characters and story, Legally Blonde’s themes are still so relevant today, addressing judgement on appearances, femininity, and acceptance. The […]
May 24, 2024

Review: Candide by State Theatre Company and State Opera at Her Majesty’s Theatre

Leonard Bernstein’s Candide is a whimsical odyssey through the absurdities and contradictions of life, wrapped in a delightful musical package. With a libretto by luminaries such as Lillian Hellman, Richard Wilbur, and Stephen Sondheim, this operatic adaptation of Voltaire’s satirical novella is a tour de force of wit, comedy, and poignant reflection. From the opening notes of the overture, Bernstein’s score sweeps the audience into a world of adventure and uncertainty. The music, ranging from jubilant melodies to melancholic ballads, serves as the perfect backdrop for Candide’s journey from naïveté to wisdom. Underneath the lively surface, there’s a depth of emotion and intellect that resonates long after the final note. The cast of characters is as colourful as they come, each representing a facet of the human condition. Candide himself, is the eternal optimist, navigating a series of misfortunes with unwavering hope, while his beloved Cunegonde, grapples with the moral complexities of survival. From the cynical Dr Pangloss to the pragmatic Old Lady, every role is infused with personality and purpose. Accomplished tenor, Alexander Lewis […]
May 22, 2024

Review: Symphonie of the Bicycle at The Space Theatre

Symphonie of the Bicycle by Hew Parham is a captivating theatrical production that intertwines physical theatre, multimedia, and narrative storytelling to celebrate the joy, history, and cultural impact of bicycles and the Tour de France. Parham, known for his dynamic performance style, masterfully combines humour, poignant moments, and a touch of whimsy to create a rich, immersive experience. The show is a one-hander, with Parham embodying multiple characters and reciting various stories that highlight the significance of bicycles throughout different eras and societies. His versatility as a performer is evident as he shifts seamlessly between personas, bringing each character to life with distinct voices, mannerisms, and emotional depth. The transitions are smooth and often infused with a comedic touch that keeps the audience engaged and entertained. A standout aspect of Symphonie of the Bicycle is its innovative use of multimedia. Projections, soundscapes, and music are cleverly integrated, enhancing the storytelling and providing a dynamic backdrop that complements Parham’s physicality. The sound design, in particular, deserves special mention for its ability to evoke the sensation of […]
June 15, 2024

Review: Swing on This at The Dunstan Playhouse

Swing On This, led by the dynamic quartet of Ben Mingay, Luke Kennedy, Bert La Bonte, and Matt Lee, is a cabaret extravaganza and a masterclass in entertainment, seamlessly blending nostalgia with contemporary flair. Celebrating its 10th Anniversary, where it debuted at this very Cabaret Festival, Swing on This transports audiences to a bygone era of elegance, charisma, and toe-tapping rhythm. From the moment the gents mooched on stage, there was a pulsating energy, and the audience was whisked away on a journey through the timeless classics of swing music. Their ode to Adelaide set a comedic tone, and introduced each member to the audience, inviting us to relax and loosen up for the evening. The show was tight, with wonderful banter and camaraderie between the men – a nod to the effort to that goes into making a show look casual, but is firmly rehearsed. Musical director Craig Schneider’s expertise shone through in every note, orchestrating a symphony of sound that perfectly captures the spirit of the era. Backed by a stellar band and […]
June 10, 2024

Review: Jekyll and Hyde at Space Theatre

A Slightly Isolated Dog are one of my favourites. They create new theatre experiences where audiences actively participate and contribute to content or are active players in the theatre. Five flirtatious ‘French’ performers meet you at the door. They bring you in, they show you to your seat while getting to know you. Then they tell you the story – with you. Their rendition of Jekyll & Hyde was a delightful surprise—a comedic twist on the classic gothic tale based on  Robert Louis Stevenson’s novella that I never knew I needed until now. As we stepped into the Space Theatre, we were immediately greeted by the various performers. Their flirtatious interactions with the audience created an electric atmosphere. While my poor husband was slightly worried he’d be pulled into the show, I was secretly hoping he would. Dressed in glamorous and chic attire, each performer exuded a magnetic allure, adding a touch of heat to the cool June night. Directed by Leo Gene Peters, this production retained the essence of the original story while infusing […]
June 10, 2024

Review: Life in Plastic at the Banquet Room

Christie Whelan Browne’s show “Life in Plastic” is a dazzling journey into the complexities of modern femininity, wrapped in a glossy, vibrant package. From the moment Whelan Browne bursts through the streamer curtains, she charms the audience with her magnetic presence, seamlessly blending comedy, music, and poignant storytelling. Whelan Browne graces the stage adorned in a school dress, clutching a Barbie doll, and delving into tales of a blue light disco, all while sporting braces complete with headgear. Instantly, she embodies her teenage self, captivating the audience either through the relatability of her anecdotes or the sheer brilliance of her character portrayal. Whelan Browne’s razor-sharp wit and comedic timing keep the audience roaring with laughter, but beneath the surface, there’s a profound exploration of societal pressures and personal identity. Through a series of vignettes and musical numbers, Browne delves into the highs and lows of womanhood, from navigating unrealistic beauty standards to grappling with the expectations of motherhood. What sets Life in Plastic apart is Whelan Browne’s fearless honesty. She daringly confronts taboo subjects with […]
June 9, 2024

Review: The 2024 Variety Gala at The Festival Theatre

It is always a thrill to be in the audience for the opening of the Adelaide Cabaret Festival and this year is like no other; with the incomparable and delectable Virginia Gay is at the helm! The Variety Gala Opening Night was an electrifying extravaganza that set the stage on fire, marking the commencement of what promises to be an unforgettable festival season. From start to finish, the gala delivered a kaleidoscope of performances that celebrated the diversity and dynamism of cabaret. Hosted by the dazzling and self-proclaimed Chief Mischief Maker Artistic Director herself, the night was captivating, wicked, and full of mayhem! Isaac Hannam was on hand to deliver his inimitable Welcome to Country. Crawling out of the symbolic bathtub in full Couture+Love+Madness ballgown and Elever earrings [fantastic Adelaide brands], to sing an ode to Adelaide, Virginia Gay set the tone of the night and the whole Cabaret season and had the audience in rapturous applause! The stars of the Variety Gala made their way to centre stage to spruik their show by giving […]
June 24, 2023

Review: Eleven O’clock on the Dot at the Quartet Bar

Eleven O’clock on the Dot celebrates the classic momentous songs that occur before the curtain closes on the second act. Iconic Broadway hits which usually establish the revelations and epiphanies of the main character. Philippa Lynas, a local girl come good, has created a brilliant in development showcasing all the unforgettable eleven O’clock numbers from the 1940s to current Broadway. Lynas, who spent 10 years in New York studying at the prestigious American Musical and Dramatic Academy and then went onto to perform at quintessential venues such as Radio City Music Hall, Carnegie Hall as well as lead vocalist for Cirque du Soleil, performs all the hits and has the audience singing along, and eating out of the palm of her hand. Starting with the title track of 42nd Street, Lynas smacks us in the face her outstanding jazzy pipes, but with highly trained classical undertones. We move through the Golden Age and the big brassy numbers, purely with Lynas on lead vocals, her incredible backing singers, Ben Francis [of The 60 Four fame] and […]
June 18, 2023

Review: The Fig Tree at The Banquet Room

One of the things I love about the Adelaide Cabaret Festival is the unique and exclusive glimpse we have into new or developmental works. The Fig Tree by Gillian Cosgriff is one of those. With her famously sharp-witted lyrics and on the nose musical comedy, she presented a first reading of her brand new musical, The Fig Tree. Partly inspired by Enid Blyton’s The Magic Faraway Tree, and a Sylvia Plath quote from The Bell Jar, Cosgriff workshopped scenes and songs with three other local artists over 5 days to bring excerpts of this new work exploring relationships, choice, irresolution, monogamy, figs, parallel universes and love. The tree in question is both representational and physical, and as we learn with each fig plucked from the tree, an alternate universe is created for both the female characters. Showcasing Cosgriff as the protagonist, Liv, Jamie Hornsby as her loving and homely partner Tom, Lachlan Williams as the young summer love Elliot and Philippa Lynas [and her pipes!] as Liv’s recently divorced sister, Tess, these four embodied the […]
June 21, 2022

Review: Hayden Tee Bad Guy at The Dunstan Playhouse

Hayden Tee (Ngāti Kahungunu), best known for his award-winning portrayal of Javert in the Australian, New Zealand, Broadway, West End and Dubai productions of Les Misérables and for playing Ms Trunchbull in the West End production of Matilda the Musical, brings his out-of-the-pandemic, solo show to the Adelaide Cabaret Festival for one night only. With an introduction stating he is just like Jessica Rabbit; ‘he’s not bad, he’s just drawn that way’ – this sentence carries the very important message that threads through the show’s songs and storytelling. Bad Guy is an impressive musical plunge into the concept of villainy, as Tee shares his own personal journey in lifting the colonial cloak of shame and proudly embracing his own Takatāpui identity and celebration of his culture. With an absolutely exquisite live symphonic accompaniment, Tee pulls and weaves, peeling back the layers of some of musical theatre’s most detestable characters to really examine what is good and what is bad. Beginning with a sensational re-imagining of Michael Jackson’s ‘Bad’, his rich and luscious sound reverberates through […]
June 12, 2022

Review: The Pina Colada Room at The Famous Spiegeltent, Festival Plaza

Looking for a late party to finish off your Cabaret experience? Then look no further than The Pina Colada Room at The Famous Spiegeltent, set on the new Festival Plaza. Playing each Friday, Saturday and Sunday night of the Festival season, this decadent homage to the icons of disco is the hottest ticket in town. Opening night had host Reuben Kaye warming up the crowd before guests Cath Alcorn, Phil Scott and Trevor Jones got the party started. Singing their absolute banger, a re-working of the Phil Collins classic ‘In The Air Tonight’ Alcorn and Scott show us just why they are Cabaret royalty. Trevor Jones brings his classic piano belters from bar to club to provide the timeless night cap of showtunes. Reuben Kaye, the fast talking, loud, politically active and brash cabaret sensation is the perfect host – he is extraordinary, and if you ever have the opportunity to see him, do whatever you can to score a ticket. No two nights are the same, with an ever rotating record of DJ’s, cabaret […]
June 12, 2022

Review: 30 Something at The Space Theatre for Cabaret Festival

Opening night of the Adelaide Cabaret Festival always has an air about it, and tonight the excitement was palpable, as the crowd descended to the Space Theatre, entering the era of New Year’s Eve 1939. My favourite Queen of Cabaret, Catherine Alcorn and the maestro of mischief, Phil Scott, come together to take us back to Bohemia Kings Cross, 1939 and countdown the dramatic era that is 30 Something. She’s been wowing and working Hollywood, while he’s been playing Queanbeyan, but together they reunite for an immersive party to the speak-easy days, through the lens of modern re-imagined bangers such as ‘Gangster’s Paradise’, ‘Step Back in Time’ and ‘Born This Way’ dipped with 30’s classics by Fats Waller and Bing Crosby. Not only is Ms Alcorn a gorgeous human, she is also an absolute powerhouse vocalist, consummate professional and cabaret stalwart. A subtle glance, a side eye and a whole of sass, this woman has the audience eating out of the palm of her hand…and that is before she has even sung a single, raunchy […]
June 12, 2022

Review: Don Juan at The Space Theatre for Adelaide Cabaret Festival

Upon entering The Space theatre, decked out with some cabaret tables and the remaining area as a seated theatrette, we are greeted by members of the cast who are mingling and introducing themselves, getting to know the audience members. Little did we know that these primers will form part of the show later…. Don Juan, presented by New Zealand company A Slightly Isolated Dog, is a brilliant experience in audience participation, chaos, comedy and delight. Based on the legendary, fictional character of Spanish libertine, Don Juan, the cast take us on a journey of the story of the famous womaniser. A wealthy man who devotes his life to seducing women, Don Juan takes great pride in his ability to seduce women of all ages and stations in life, and he often disguises himself and assumes other identities to fulfill his seduction. Don Juan lives by the aphorism ‘Tan largo me lo fiais’ which is his way of indicating that he is young, and death is distant. He also believes he has plenty of time to […]
March 27, 2022

Review: The 2022 Variety Gala at The Festival Theatre

The Variety Gala, a highlight on the entertainment calendar brings together a smorgasbord of local and international talent that makes up the Adelaide Cabaret Festival. While held earlier in the year for the first time, [blame a little show called Frozen for that] this did not deter the droves of punters ready to devour the tastings on offer for 2022. Hosted by the sarcastic and sardonic Paul McDermott, who scrubbed up quite nicely after a shave and haircut since I last saw him, the night’s theme was decadence, magic and revelry. This was hurled at us in spades. Isaac Hannam, began with an enigmatic welcome to country before throwing open the stage to the incomparable and iconic Tina Arena. I must admit, I’ve never seen her sing live in the flesh, and boy oh boy, is she worth waiting for. This years Artistic Director was silky and soulful and everything you expect from the star. Singing classics ‘Church’ and ‘Burn’ she was both gloriously effortless and sophisticated while ferocious and unstoppable at the same time. […]
July 2, 2021

Review: Alan Cumming is Not Acting his Age at The Festival Theatre

When Scottish-American Renaissance man Alan Cumming agreed to become the 2021 Artistic Director of the Adelaide Cabaret Festival back in 2019, little did we know a pandemic named Rona was going to turn the world upside down and throw all plans for the arts world into a spin. As our first international Artistic Director, the whole city waited with baited breath to see what Mr Cumming would bring to the table. And what a banquet he served! From unusual and unconventional to downright unforgettable, this year’s festival is truly one to remember. Cumming has performed in concert halls across the globe; including the Sydney Opera House, the London Palladium, the Hollywood Bowl and Carnegie Hall. He’s played God, the Devil, Hitler, the Pope, a teleporting superhero, Hamlet, all the parts in MacBeth and of course the EmCee in Cabaret in the West End and on Broadway. To spend an intimate evening with him, on the closing night of what I believe to be one of the best Cabaret Festivals yet, was an absolute privilege and […]
July 2, 2021

Review: Adelaide Tonight with Bob Downe and Willsy at The Spielgeltent

Bringing my mum as my plus one to Adelaide Tonight with Bob Downe and Willsy brought back lots of memories [for her!], as we were ushered into the glorious Spielgeltent with old Safcol ads playing [bless Bert and Patti Newton] and Scott Bonner lawn mower commercials featuring Ernie Sigley, the original host of the variety show ‘Adelaide Tonight’ back in the 60s and 70s. Opening the show was host Bob Downe; the all singing, all dancing, all teeth comedian and media personality who sang up a storm with ‘Sweet Caroline’. His mile-a-minute, side splitting gags had the crowd entertained the second he stepped up on that stage. Then out comes Willsy. The walking disco ball. The most loved personality in South Australia. And winner of 19 Logies. Singing ‘Walk Right Back’ by the Everly Brothers was a lovely tune that they harmonised so beautifully together. In true Variety Show form, Adelaide Tonight has a number of diverse guests each weekend of their show, so you can literally come every weekend and enjoy an entirely different […]
June 16, 2021

Review: The Variety Gala at The Festival Theatre

It is always a thrill to be in the audience for the opening of the Adelaide Cabaret Festival and this year is like no other; the fact that the festival is back after the year that was, and the incomparable Alan Cumming is at the helm! The Variety Gala, a highlight on the entertainment calendar brings together a smorgasbord of local and international talent that makes up the Adelaide Cabaret Festival. A sold out event, the foyer of the Adelaide Festival Centre was an eclectic mix of theatre lovers, drag queens and Cabaret stars. Hosted by the sparkly, dazzling and quick witted German international superstar Hans, the night was carefree, wicked, and slightly unscripted, which was refreshingly fantastic! Singing ‘Willkommen’ atop the fully functioning bar, Alan Cumming set the tone of the night and the whole Cabaret season, and had the audience in rapturous applause! The stars of the Variety Gala were all seated appropriately in Cabaret style and made their way to centre stage to spruik their show by giving a teaser taster of […]
June 17, 2019

Review: Paul Capsis with Jethro Woodward and the Fitzroy Youth Orchestra at The Famous Spiegeltent

Paul Capsis. The man, the myth, the enigma. I have been a fan of Capsis’ since I watched him explode on the screen in ‘Head On’. Then seeing him as the totally mad, flamboyant reincarnation of Rumpelstiltskin in the State Theatre and Windmill collaboration – I was smitten. An award-winning, versatile, original and seasoned performer, he knows how to turn it on and turn it up. And he has been non stop since. Making a dramatic entrance and belching out the Skyhooks 70s classic ‘Ego is Not a Dirty Word’, we realise that this will be a night full of unexpected eccentricities and rip-roaring, emotion charged entertainment. And not only with Capsis out front, but with the marvellous and musically gifted Jethro Woodward and The Fitzroy Youth Orchestra supporting, we knew we were going to be witnessing something of a rarity. Wrapped in leather, fur and jewels, Capsis informs us he received a call from Julia Zemiro to be part of the Ad Cab Fest in 2019, after a five year absence. However, she had […]