LIA LOVES... THEATRE. DANCE. CULTURE. EVENTS.

Follow her adventures as Adelaide's premier theatre buff, arts contributor, educator and ambassador!

November 21, 2024

Review: Jack Maggs at Dunstan Playhouse

‘Brilliantly quirky. Gothically dark. Magnificently re-imagined!’ State Theatre Company South Australia’s adaptation of Jack Maggs, Peter Carey’s novel, brings together a rich, profoundly Australian narrative, stunning performances, and innovative technical elements, creating an immersive experience that captivates the audience from start to finish. Set in 19th-century London, the story follows the mysterious ex-convict Jack Maggs (Carey’s reimagining of Magwitch) as he returns from Australia, driven by a desperate search for his ‘son,’ Henry Phipps, who has vanished without a trace. Maggs becomes entangled in the strange world of Phipps’ neighbour, Percy Buckle, and his eccentric household. In his pursuit, Maggs strikes a deal with Tobias Oates, a young novelist and self-proclaimed “mesmerist” (or is it perhaps Charles Dickens himself?), hoping to find Phipps. However, Oates has his own agenda and sees in Maggs the perfect inspiration for a new novel. Throughout Jack Maggs, the great Samuel Adamson explores themes of guilt, salvation, social class, and the effects of past trauma, all with grace and quick wit. Adamson has used Carey’s lush and immersive writing, with […]
November 15, 2024

Review: Mamma Mia! by Loreto College

Anyone who knows me, understands my love for the arts, both professional and amateur, and I have a special place in my heart for the grassroots of performing arts – beginning in schools and youth theatre. Mamma Mia! is a lively and infectious musical set on a beautiful Greek island, revolving around a young bride-to-be and her quest to discover the identity of her father before her wedding. The show is driven by the music of ABBA, with its iconic songs providing the soundtrack to a story about family, love, and self-discovery. It’s a credit to the young performers that the show still captures much of the vitality and exuberance that the professional productions are known for. This school production, by Loreto College, is a joyful experience that showcases the talent, excitement, and commitment of the student cast. Donna is the heart of Mamma Mia!, and young Bella Killen playing her does an admirable job of bringing this iconic character to life. While her performance is mostly optimistic and cheerful, there are moments when Donna’s […]
October 20, 2024

Review: The Hunchback of Notre Dame at Shedley Theatre

The Hunchback of Notre Dame, a musical adaptation of Victor Hugo’s classic novel offers a compelling blend of lingering melodies and emotional storytelling. Set in 15th-century Paris, The Hunchback of Notre Dame follows the story of Quasimodo, the deformed bell-ringer of Notre Dame Cathedral. Abandoned at birth and raised by the sinister Judge Claude Frollo, Quasimodo lives a reclusive life, shunned by society. The plot begins during the Festival of Fools, where Quasimodo is cruelly mocked but finds solace in the beautiful Romani woman, Esmeralda. Esmeralda, compassionate and free-spirited, stands up for Quasimodo, sparking a deep bond between them. Captain Phoebus, a dashing and brave soldier, enters the story as he is drawn to Esmeralda’s charm and spirit. He becomes her ally, recognizing the injustice she faces and developing feelings for her. Their romance adds a layer of complexity, as Quasimodo also harbors deep affection for Esmeralda, creating a poignant love triangle. As Frollo becomes increasingly obsessed with Esmeralda, he turns tyrannical, determined to possess her at any cost. Quasimodo, torn between loyalty to Frollo […]
October 11, 2024

Review: Bring it On at the Arts Theatre

Bring It On: The Musical, directed by Ray Cullen and brought to us by award winning Adelaide Youth Theatre, brings a vibrant energy to the stage, in this movie to musical show. With music and lyrics by none other than Lin-Manuel Miranda, you can hear the hints of Hamilton and In the Heights coming through. Thanks to the inventive and incredible choreography by Shenayde Patterson along with cheer coach Graziella Candeloro – the dance and cheer sequences are dynamic and expertly executed, showcasing the athleticism of the cast and often steals the spotlight. The lead character, Campbell, is portrayed with charm and determination by Abigail Sharp. Her journey from a top cheerleader at her old school to navigating the challenges of a new environment is relatable, even if some of her motivations feel a bit familiar. The underdog story has its moments, and Campbell’s resilience resonates, through the lovely lyrical vocals of Sharp. On the other side of the rivalry is Eva, the cheer captain of the new squad, played villainously by Zahli Linke. While […]
October 4, 2024

Review: Grease the Musical at Her Majesty’s Theatre

Grease is the word, Adelaide! The new Australian production of Grease is a vibrant and energetic revival that brings the classic story of Rydell High to life with fresh flair and undeniable appeal. Set against a backdrop of 1950s Americana, this iteration successfully marries nostalgia with a contemporary twist, making it a must-see for both die-hard fans and newcomers alike. Even before the curtain rises, the audience is treated to projections to set the scene, and we are immediately swept away by a thrilling atmosphere. The choreography, by Eric Giancola is sharp and dynamic, with the ensemble cast moving in perfect harmony during the iconic dance numbers. With classics like “Summer Nights” and “You’re the One That I Want” delivered with a fresh energy that ignites the audience. Shout out to local lad Oscar Bridges, making his adult professional debut fresh from high school, it is easy to see why he was cast – a knockout dancer and performer. He is one to watch! With draw card names Jay Laga’aia, Paulini [whose vocals as Teen […]
September 28, 2024

Review: Jesus Christ Superstar at The Scott Theatre

Jesus Christ Superstar, the iconic rock musical by Andrew Lloyd Webber and Tim Rice, remains a powerful and thought-provoking retelling of the last days of Jesus Christ. Blending a compelling narrative with unforgettable music, this production, gloriously directed by George Torbay, captivates audiences with its contemporary relevance and emotional depth. Presented by the graduating students of Elder Conservatorium Music Theatre, this musical is a brilliant showcase of the talent to come out of this world class course. From the opening number, the energy is palpable, where the incredible lighting and soundtrack smack you in the face and reverberate through your core. The score features a blend of soaring ballads to pulsating rock anthems, making each song memorable. From the well-known ensemble number ‘What’s The Buzz’ to Mary Magdalene’s poignant ‘Everything’s Alright’ while “Superstar” electrifies the stage, capturing the essence of fame and its consequences. Paul Sinkinson’s musical direction is marvellous, bringing a fresh vitality to the score while maintaining the integrity of the original compositions. Expertly balancing the rock elements and emotional weight of the […]
September 16, 2024

Review: Heathers The Musical at the Arts Theatre

Long before Mean Girls, Heathers set the bar high with its iconic 80s high school drama featuring Winona Ryder and Christian Slater.  Now, Heathers: The Musical has made its Pelican Productions debut, directed by the fearless Georgia Broomhall, known for her exceptional work in youth musical theatre. This musical pulls no punches, delivering a mix of edgy rock-pop tunes about everything from blue balls to slurpee brain freeze. It’s unapologetically outrageous, with Broomhall’s daring direction amplifying every risqué joke and cheeky dance move. While the show revels in its provocative nature, it also surprises with its depth, particularly in the second act. What initially seems like a flashy, superficial spectacle unravels into a profound exploration of teen angst, peer pressure, bullying, and suicide. Broomhall skillfully navigates the balance between humour and serious themes, ensuring the production remains impactful without becoming overly grim. The adaptation, crafted by Kevin Murphy and Laurence O’Keefe, successfully translates Daniel Water’s original film’s essence to the stage. For those unfamiliar or needing a refresher, the story is set at Westerberg High […]
August 11, 2024

Review: School of Rock the Musical at The Queens Theatre

School of Rock the Musical, based on the beloved 2003 film, has rocketed onto stages with a high-energy production that brings the spirit of rock ‘n’ roll to life. This musical adaptation, with its infectious enthusiasm and catchy tunes, has proven to be a hit with audiences of all ages. This production is extra special, as it is presented by Scotch College Adelaide, a school known for its high-quality transformations of Broadway shows. Coupled with the fact, through the generosity of Richelle and Torben Brookman of GWB Entertainment, the students are working with the original desks, costumes and instruments from the international tours. An incredible opportunity for anyone! I was lucky enough to see the original Broadway run, as well as work on the international tours of School of Rock with GWB Entertainment. It has firmly become one of my all-time favourite musicals. Produced by the sensational Head of Theatre Arts, Nicola Triglau and c0-directed by the multi-talented Stephanie Thompson and Melissa Shelon. This production of School of Rock nails the fun and rebellious essence […]
August 11, 2024

Review: Chicago at The Festival Theatre

Chicago, the beloved musical set in the roaring 1920s, has hit Australian stages with an electrifying production that reaffirms why this classic remains a theatrical triumph. This Australian tour, bringing together a remarkable cast and a slick, pared back, modernised vision, delivers a performance that’s as sharp and scintillating as the original. This re-imagining of Chicago, based on the original production directed and choreographed by the Bob Fosse is a testament to how a well-loved masterpiece can be revitalised while staying true to its roots. The stage design is a sleek fusion of Art Deco glamour and contemporary minimalism, capturing the essence of Chicago’s Jazz Age setting while making it relevant for today’s audience. The use of bold lighting and dynamic choreography infuses the show with an energy that feels both nostalgic and refreshingly new. The performances by both leads and ensemble are exceptional. Anthony Warlow as Billy Flynn delivers charisma and charm with every note, effortlessly embodying the shallow and shiny lawyer who thrives on courtroom theatrics. Lucy Maunder as Roxie Hart is nothing […]
July 31, 2024

Review: The Questions at the Space Theatre

The Questions delivers a fresh take on romantic comedies by transforming a disastrous Tinder date into a compelling musical narrative. In this quirky production, we meet two individuals who seem to be polar opposites: she’s perpetually late and revels in vibrant colours, while he’s obsessively punctual and views the world in muted beige tones. With her background in gender studies and his admiration for Jordan Peterson, their initial clash is as inevitable as it is explosive. Just as she’s about to make her escape, an unexpected citywide lockdown forces her to stay in his meticulously ordered high-rise apartment, setting the stage for an extended and turbulent first date. Chaya Ocampo portrays the Visitor, who finds herself trapped with Charles Wu’s Resident, devoid of internet, phones, or streaming options. The only witnesses to their escalating clash are a rock band (the exceptional Sam Lau, James Bannah Jr., and Jackson Mack, masterfully directed by Kym Purling) ensconced in the neighbouring apartment, adding a layer of musical commentary to the unfolding drama. In a bid to salvage the […]
June 15, 2024

Review: Swing on This at The Dunstan Playhouse

Swing On This, led by the dynamic quartet of Ben Mingay, Luke Kennedy, Bert La Bonte, and Matt Lee, is a cabaret extravaganza and a masterclass in entertainment, seamlessly blending nostalgia with contemporary flair. Celebrating its 10th Anniversary, where it debuted at this very Cabaret Festival, Swing on This transports audiences to a bygone era of elegance, charisma, and toe-tapping rhythm. From the moment the gents mooched on stage, there was a pulsating energy, and the audience was whisked away on a journey through the timeless classics of swing music. Their ode to Adelaide set a comedic tone, and introduced each member to the audience, inviting us to relax and loosen up for the evening. The show was tight, with wonderful banter and camaraderie between the men – a nod to the effort to that goes into making a show look casual, but is firmly rehearsed. Musical director Craig Schneider’s expertise shone through in every note, orchestrating a symphony of sound that perfectly captures the spirit of the era. Backed by a stellar band and […]
June 13, 2024

Review: Cirque du Soleil’s Luzia at Wayville Showgrounds

Cirque du Soleil’s ‘Luzia’ is a mesmerizing tapestry of artistry, athleticism, and awe-inspiring spectacle. From the moment the sun rises, and we are told to be ready for take-off, the audience is transported into a dreamscape where reality bends and imagination reigns supreme. The show’s theme, inspired by the vibrant culture and natural beauty of Mexico, infuses every element with a rich and colourful energy. From the intricate, animal-like costumes to the dynamic set design, every detail is meticulously crafted to evoke the spirit of the region. But it’s the incredible performers who truly steal the show. The cast of “Luzia” includes a diverse array of talented artists, including musicians, dancers, and acrobats, each bringing their own unique flair to the production. Together, they create a spectacle that is truly magnificent. With their unparalleled skill and grace, they effortlessly push the boundaries of what seems humanly possible. From breathtaking acrobatics to jaw-dropping feats of strength, each act leaves the audience on the edge of their seats, gasping in amazement. At the heart of “Luzia” are […]
June 10, 2024

Review: Jekyll and Hyde at Space Theatre

A Slightly Isolated Dog are one of my favourites. They create new theatre experiences where audiences actively participate and contribute to content or are active players in the theatre. Five flirtatious ‘French’ performers meet you at the door. They bring you in, they show you to your seat while getting to know you. Then they tell you the story – with you. Their rendition of Jekyll & Hyde was a delightful surprise—a comedic twist on the classic gothic tale based on  Robert Louis Stevenson’s novella that I never knew I needed until now. As we stepped into the Space Theatre, we were immediately greeted by the various performers. Their flirtatious interactions with the audience created an electric atmosphere. While my poor husband was slightly worried he’d be pulled into the show, I was secretly hoping he would. Dressed in glamorous and chic attire, each performer exuded a magnetic allure, adding a touch of heat to the cool June night. Directed by Leo Gene Peters, this production retained the essence of the original story while infusing […]
June 10, 2024

Review: Life in Plastic at the Banquet Room

Christie Whelan Browne’s show “Life in Plastic” is a dazzling journey into the complexities of modern femininity, wrapped in a glossy, vibrant package. From the moment Whelan Browne bursts through the streamer curtains, she charms the audience with her magnetic presence, seamlessly blending comedy, music, and poignant storytelling. Whelan Browne graces the stage adorned in a school dress, clutching a Barbie doll, and delving into tales of a blue light disco, all while sporting braces complete with headgear. Instantly, she embodies her teenage self, captivating the audience either through the relatability of her anecdotes or the sheer brilliance of her character portrayal. Whelan Browne’s razor-sharp wit and comedic timing keep the audience roaring with laughter, but beneath the surface, there’s a profound exploration of societal pressures and personal identity. Through a series of vignettes and musical numbers, Browne delves into the highs and lows of womanhood, from navigating unrealistic beauty standards to grappling with the expectations of motherhood. What sets Life in Plastic apart is Whelan Browne’s fearless honesty. She daringly confronts taboo subjects with […]
June 9, 2024

Review: The 2024 Variety Gala at The Festival Theatre

It is always a thrill to be in the audience for the opening of the Adelaide Cabaret Festival and this year is like no other; with the incomparable and delectable Virginia Gay is at the helm! The Variety Gala Opening Night was an electrifying extravaganza that set the stage on fire, marking the commencement of what promises to be an unforgettable festival season. From start to finish, the gala delivered a kaleidoscope of performances that celebrated the diversity and dynamism of cabaret. Hosted by the dazzling and self-proclaimed Chief Mischief Maker Artistic Director herself, the night was captivating, wicked, and full of mayhem! Isaac Hannam was on hand to deliver his inimitable Welcome to Country. Crawling out of the symbolic bathtub in full Couture+Love+Madness ballgown and Elever earrings [fantastic Adelaide brands], to sing an ode to Adelaide, Virginia Gay set the tone of the night and the whole Cabaret season and had the audience in rapturous applause! The stars of the Variety Gala made their way to centre stage to spruik their show by giving […]
May 31, 2024

Review: Legally Blonde the Musical at Futures Theatre

Omigod you guys! Pulteney Grammar School have done it again with their musical Legally Blonde based on the 2001 film and novel by Amanda Brown, with music and lyrics by Laurence O’Keefe and Nell Benjamin. Legally Blonde the Musical is a vibrant and high-energy show that captures the essence of the beloved story while adding its own unique flair. The musical is a delightful mix of humour, heart, and catchy tunes that leave audiences cheering for more. The show tells the story of Elle Woods, a sorority girl who enrols at Harvard Law School to win back her ex-boyfriend Warner Huntington III. She discovers how her knowledge of the law can help others, and she successfully defends exercise queen Brooke Wyndham in a murder trial. Throughout the show, very few characters have faith in Elle, but she manages to surprise them when she defies expectations while staying true to herself. With an unexpectedly difficult score, fun characters and story, Legally Blonde’s themes are still so relevant today, addressing judgement on appearances, femininity, and acceptance. The […]
May 24, 2024

Review: Candide by State Theatre Company and State Opera at Her Majesty’s Theatre

Leonard Bernstein’s Candide is a whimsical odyssey through the absurdities and contradictions of life, wrapped in a delightful musical package. With a libretto by luminaries such as Lillian Hellman, Richard Wilbur, and Stephen Sondheim, this operatic adaptation of Voltaire’s satirical novella is a tour de force of wit, comedy, and poignant reflection. From the opening notes of the overture, Bernstein’s score sweeps the audience into a world of adventure and uncertainty. The music, ranging from jubilant melodies to melancholic ballads, serves as the perfect backdrop for Candide’s journey from naïveté to wisdom. Underneath the lively surface, there’s a depth of emotion and intellect that resonates long after the final note. The cast of characters is as colourful as they come, each representing a facet of the human condition. Candide himself, is the eternal optimist, navigating a series of misfortunes with unwavering hope, while his beloved Cunegonde, grapples with the moral complexities of survival. From the cynical Dr Pangloss to the pragmatic Old Lady, every role is infused with personality and purpose. Accomplished tenor, Alexander Lewis […]
May 22, 2024

Review: Symphonie of the Bicycle at The Space Theatre

Symphonie of the Bicycle by Hew Parham is a captivating theatrical production that intertwines physical theatre, multimedia, and narrative storytelling to celebrate the joy, history, and cultural impact of bicycles and the Tour de France. Parham, known for his dynamic performance style, masterfully combines humour, poignant moments, and a touch of whimsy to create a rich, immersive experience. The show is a one-hander, with Parham embodying multiple characters and reciting various stories that highlight the significance of bicycles throughout different eras and societies. His versatility as a performer is evident as he shifts seamlessly between personas, bringing each character to life with distinct voices, mannerisms, and emotional depth. The transitions are smooth and often infused with a comedic touch that keeps the audience engaged and entertained. A standout aspect of Symphonie of the Bicycle is its innovative use of multimedia. Projections, soundscapes, and music are cleverly integrated, enhancing the storytelling and providing a dynamic backdrop that complements Parham’s physicality. The sound design, in particular, deserves special mention for its ability to evoke the sensation of […]
May 1, 2024

Review: Tina – The Tina Turner Musical at Festival Theatre

Adelaide has now been privy to not one, but two huge productions about the lives of the greatest rock and roll stars ever lived. This almighty production of Tina – The Tina Turner Musical will have you weeping in your seat, and dancing in the aisles. First developed in 2016 with book by Katori Hall, Frank Ketelaar and Kees Prins, Turner and her husband Erwin Back both served as Executive Producers to ensure the truth and integrity of her life story. Tina – The Tina Turner Musical electrifies the stage with a powerful portrayal of the iconic singer’s life, delivering a captivating blend of music, drama, and inspiration. As the curtains rise, the heartbeat of her hit ‘Simply the Best’ with the 80s Tina sitting cross legged chanting before going on stage hits the core. The audience is transported through Turner’s remarkable journey, from her humble beginnings in Nutbush, Tennessee, to her meteoric rise to stardom and her triumphant emergence as the Queen of Rock ‘n’ Roll. One of the most astonishing aspects of the […]
April 21, 2024

Review: Little Women the Broadway Musical at Scott Theatre

Elder Conservatorium Music Theatre have done it again, with a superb graduating class production to rival any professional show touring the country. Little Women, a coming-of-age story written by American novelist Louisa May Alcott, was originally published in two volumes in 1868 and 1869. The tale follows the lives of the four March sisters – Meg, Jo, Beth and Amy – and tells of their passage from childhood to womanhood. Loosely based on the lives of the author and her three sisters, they travel along the novel’s narrative arc, each with their own story, climax and resolution. An immediate commercial and critical success, the novel addresses the major themes of ‘domesticity, work and true love, all interdependent and each necessary to the achievement of it’s heroine’s individual identity’. Such its success, Little Women has been adapted into film no less than seven times, multiple stage and television adaptations and this version debuted on Broadway in 2005. With book by Allan Knee, lyrics by Mindi Dickstein and music by Jason Howland, there is so much to […]
June 26, 2023

Review: Class of Cabaret at The Space Theatre

Class of Cabaret began in 2010 under the artistic direction of David Campbell at the Adelaide Cabaret Festival to provide a learning opportunity for talented and passionate secondary students to share their perspective on life through the art of cabaret performance. Now it’s fourteenth year, Class of Cabaret provides an expert team in the form of an experienced accompanist, a leading vocal teacher and mentorship from two renowned Adelaide artists to help these students explore issues and ideas to use the medium of cabaret to be a voice for their generation. Class of Cabaret shines a spotlight on tomorrow’s promising young stars. Two spectacular shows were staged, and I got to see the half of these young entertainers at the 6pm session. This year’s expert team comprised of mentors Joanne Hartstone and Mark Oates, director Brock Roberts, vocal coach Rosie Hosking and accompaniment and musical direction by the incredibly talented Ciara Ferguson. They opened with a group number, a medley/mash up of Cyndi Lauper’s True Colours and Sara Bareilles’ Brave before the first performer, Lillian […]
June 12, 2022

Review: 30 Something at The Space Theatre for Cabaret Festival

Opening night of the Adelaide Cabaret Festival always has an air about it, and tonight the excitement was palpable, as the crowd descended to the Space Theatre, entering the era of New Year’s Eve 1939. My favourite Queen of Cabaret, Catherine Alcorn and the maestro of mischief, Phil Scott, come together to take us back to Bohemia Kings Cross, 1939 and countdown the dramatic era that is 30 Something. She’s been wowing and working Hollywood, while he’s been playing Queanbeyan, but together they reunite for an immersive party to the speak-easy days, through the lens of modern re-imagined bangers such as ‘Gangster’s Paradise’, ‘Step Back in Time’ and ‘Born This Way’ dipped with 30’s classics by Fats Waller and Bing Crosby. Not only is Ms Alcorn a gorgeous human, she is also an absolute powerhouse vocalist, consummate professional and cabaret stalwart. A subtle glance, a side eye and a whole of sass, this woman has the audience eating out of the palm of her hand…and that is before she has even sung a single, raunchy […]
June 12, 2019

Review: Unsung at The Space Theatre

The scene was established the moment you walked into The Space Theatre. Filled with orchards and peacock feathers strung from the balcony as well as the iconic peacock chairs from the era of the 70s sitting near the front of the stage. A beautiful setting for an incredible show. The crowd was full of baby boomers, and some youngins like myself, ready for the music of the night…a celebration of the music by the women in Australia during the 50s, 60s and 70s. We first saw a projected video of Merle Thornton and Rosalie Bognor who famously chained themselves to the bar at the Regatta Hotel, Brisbane in 1965, not only to gain women’s right to drink at a bar with men, but to bring to light the real issues women were facing at the time – equal pay, equal treatment and a revision of the sexist laws that plagued Australia. The very talented Amelia Ryan, of Simply the Breast and The Breast is Yet to Come fame, cleverly brought to life the unsung women […]