Review: Catch Me If You Can at Futures Theatre

If ever there was a reminder that South Australia is brimming with extraordinary performing arts talent, Full Circle Theatre Company’s inaugural production of Catch Me If You Can is it. Making a confident entrance onto Adelaide’s musical theatre stage, this talented company has delivered a production bursting with energy, polish and personality and one that deserves to be seen, celebrated and supported.

Based on the extraordinary true story of teenage con artist Frank Abagnale Jnr, Catch Me If You Can follows a young man who, armed with little more than charm, confidence and a remarkable ability to reinvent himself, successfully impersonates an airline pilot, doctor and lawyer while staying one step ahead of the FBI. With determined FBI agent Carl Hanratty hot on his heels, the result is a fast-paced game of cat and mouse filled with clever cons, close calls and plenty of theatrical mischief.

With a book by Terrence McNally and music and lyrics by the celebrated songwriting duo Marc Shaiman and Scott Wittman (the creative team behind Hairspray), the musical is a wonderfully entertaining blend of big-band sounds, jazz-inspired numbers, comedy and heartfelt moments. Shaiman and Wittman’s score captures the glamour and optimism of 1960s America, while McNally’s book explores the rather more poignant story beneath Frank’s elaborate deceptions, a young man searching for identity, belonging and, ultimately, family.

At the helm is founder and director Jo Casson, whose vision has brought together an impressive collection of seasoned performers and emerging talent, creating an ensemble that feels both experienced and refreshingly vibrant. There is something particularly exciting about seeing established artists sharing the stage with recent graduates, and this production is a wonderful showcase of the depth of talent we have right here in SA.

Musically, the production is in exceptionally good hands, with Mark Stefanoff leading a superb band and musical direction that gives the score all the swing, sophistication and punch it deserves. Zoe Komazec’s choreography is bright, inventive and full of life, bringing a wonderful sense of movement and theatrical flair to the stage.  Meanwhile, George Torbay’s vocal direction ensures the musical numbers shine, with George himself popping up for a cameo as Roger Strong, a welcome addition!

The supporting cast is a terrific ensemble in its own right, with Flynn Spencer, Daniel Maley and Matt Hawke bringing plenty of character to Dollar, Cod and Branton. Shanee Osborne is a gorgeous addition as Carol Strong/Cheryl Ann, while seasoned cabaret star Michaela Burger makes her mark as Paula Abagnale.

A special mention must also go to Stephanie Cole, Isabelle Oppedisano and Brooklyn Twelftree, who absolutely shine in Doctor’s Orders. Their vocals are sensational, bringing fabulous energy, blend and vocal punch to the number. A terrific showcase of the vocal talent threaded throughout this production!

There are, however, some performances that deserve particular mention. Lisa-Marie Coad is sensational as Brenda Strong, delivering a beautiful rendition of Fly, Fly Away that is an absolute highlight. Her vocals are exquisite, and she brings a warmth and sincerity to the role that makes the song all the more affecting.

As Frank Abagnale Snr, Michael Griffiths is an absolute delight. I particularly loved his performances of Butter Outta Cream and Little Boy, Be a Man, both showcasing his impeccable comic timing, characterisation and musical theatre prowess. He knows exactly how to command a stage, and every moment is thoroughly entertaining.

Rod Schultz brings a wonderful presence to the role of Carl Hanratty, providing a strong counterpoint to the youthful charm and mischief of our leading man. And that leading man, Joey Haenen, is a real standout as Frank Abagnale Jnr. He captures the confidence, cheek and quick-thinking charm of the notorious young con artist, while demonstrating impressive vocal ability. That final note in Goodbye? Outstanding. Quite simply, one of those moments that makes you stop and take notice.

What makes this production particularly exciting is not just the talent on stage, but what it represents. A new company taking a leap, bringing artists together, creating opportunities and investing in the South Australian musical theatre community. That is something worth getting behind.

Full Circle Theatre Company has made a very promising first impression, and if Catch Me If You Can is anything to go by, this is a company we should be keeping firmly on our radar.

So, Adelaide, here’s your cue – get out, grab a ticket, support local theatre and celebrate the extraordinary talent we have in our own backyard. New companies need audiences, artists need opportunities, and productions like this deserve a full house.

Catch this one before it flies away!

5 stars

Lia Loves.