LIA LOVES... THEATRE. DANCE. CULTURE. EVENTS.

Follow her adventures as Adelaide's premier theatre buff, arts contributor, educator and ambassador!

June 2, 2025

Review: Bond Songs: The Music of 007 at Ayers House

A Stylish, Stirred (Not Shaken) Triumph at the Adelaide Cabaret Fringe After the sold-out success of Love is a Game: An Adele Song Cycle, anticipation was high for the next outing from powerhouse performers Oliver John and Leticia Lee – and Bond Songs: The Music of 007 does not disappoint. Sleek, nostalgic, and packed with vocal fireworks, this elegant cabaret is a love letter to the music that has defined cinema’s suavest spy for over six decades. Set in the opulent Ayers House Ballroom, the venue alone sets the tone for a night of sophistication and style. But once the first chord hits, it’s clear the real glamour comes from the trio onstage. With Euan Safey commanding the keys with precision and flair, the musical foundation is as smooth as a martini and just as intoxicating. Oliver John and Leticia Lee are magnetic throughout. Their voices – rich, controlled, and emotionally charged – bring new life to iconic Bond themes while also highlighting the depth of the lesser-known tracks in the 007 songbook. From the […]
May 31, 2025

Review: Urinetown the Musical at Futures Theatre

Few high school productions have ever come as close to professional-level polish and sophistication as Pulteney Grammar School’s incendiary staging of Urinetown: The Musical. Skilfully directed with acid-sharp wit and bold energy by Jo Casson, the show was a pro-level success, replete with satirical bite, perceptive performances, and theatrical style that defied belief in a high school production. No sooner had the houselights faded than the audience was whisked into a dystopian world starkly realised in excellent lighting, set, and sound design. Technical niceties were dealt with to a degree more generally reserved for seasoned companies: striking industrial imagery, spot-on balance in the sound, and evocative lighting effects that authenticated comedy and pathos with equal emphasis. Henry Green was well-suited to play morally ambiguous and self-aware Officer Lockstock with commendable ease, navigating the show’s meta-theatricality with a dry wit that left one in hysterics. His inquisitive opposite, Emily Puah, brought warmth and humour to Little Sally, with whom she played lustily innocent and on the mark with comedic timing. Billy Rowan, as evil Caldwell B. […]
May 11, 2025

Review: Beauty and the Beast at the Festival Theatre

Step aside, dusty fairy tales – Disney’s Beauty and the Beast musical has roared back to life on the Australian stage with a production that’s equal parts spellbinding spectacle and heartwarming humanity. This new staging enchants from start to finish, but it’s the sparkling cast that truly makes it feel like magic. With a golden blend of powerhouse vocals, playful choreography, and nuanced performances, the cast breathes fresh life into this beloved beast of a classic. At the centre of the enchantment is Shubshri Kandiah as Belle, who proves once again she’s the Belle of any ball. With a voice as pure as a snowflake and a fierce intelligence radiating from every line, Kandiah brings a modern grace to the book-loving heroine. She balances strength and compassion with such effortless ease, her Belle isn’t just beautiful – she’s brilliantly bound for greatness. Brendan Xavier gives a deeply moving performance as the Beast, managing to growl, snarl, and still tug heartstrings. His transformation isn’t just physical – it’s emotional, and Xavier’s rich baritone and layered vulnerability […]
May 9, 2025

Review: Flight – State Opera South Australia, Her Majesty’s Theatre

State Opera South Australia’s production of Flight is an exhilarating, emotionally astute, and visually dazzling night at the theatre. With Jonathan Dove’s vibrant score and April De Angelis’ sparkling libretto brought to full, glorious life under the direction of Stephen Barlow, this production soars with wit, sexiness, and a sharp-edged sense of contemporary humanity. Based loosely on the true story of a refugee stranded in an airport, Flight unfolds within the liminal space of a terminal, where characters from all walks of life are temporarily grounded; physically and metaphorically. The opera’s mixture of comedy, pathos, and social commentary makes it fertile ground for an ensemble-driven showcase, and this cast delivers with gusto. James Laing is extraordinary as The Refugee, combining vulnerability and mystery with a captivating countertenor warmth. His nuanced performance gives the opera its aching emotional core, balancing beautifully with the otherwise fast-paced, often farcical scenes. Anna Voshege’s Controller floats above the action in both literal and vocal terms, her crystalline soprano and commanding stage presence making her a magnetic, omniscient figure. Her interactions […]
April 25, 2025

Review: Into the Woods at Scott Theatre

Into the Woods, staged by third-year students of Elder Conservatorium Music Theatre and directed by Miranda Middleton, with musical direction by Peter Johns and choreography by Amy Zhang, is a vibrant and accomplished show that highlights not only the brilliance of Sondheim and Lapine’s storytelling, but also the outstanding talent emerging from South Australia’s performing arts community. Middleton has re-imagined this beloved musical through a distinctive Australiana lens, infusing it with a uniquely local flavour. From set design to accents and costumes, this whimsical tale is transported into a 1980s Australian bush setting. The enchanted forest becomes a dry landscape dotted with references to an Aussie backyard – the cow being represented by an Esky and even the iconic Hills Hoist. The characters – while steeped in fantasy – speak and dress with subtle outback references. This clever reinterpretation offers a grounded and refreshing take on the classic, making it both accessible and delightfully unexpected. With music and lyrics by Stephen Sondheim and book by James Lapine, Into the Woods cleverly weaves together several Brothers […]
March 27, 2025

Review: Sister Act the Musical at Adelaide Festival Theatre

Sister Act the Musical is nothing short of a divine experience, delivering a sermon of soul, sass, and side-splitting humour. This production, with new music by Alan Menken, hits all the right notes and makes a joyful noise that could convert even the most cynical audience member into a believer in the power of musical theatre. Director Bill Buckhurst has orchestrated a production that is equal parts heartwarming and hilarious, striking the perfect balance between raucous comedy and heartfelt storytelling. His vision brings fresh energy to this beloved musical, ensuring that every scene feels dynamic and engaging. Choreographer Alistair David deserves a standing ovation for his electrifying dance numbers, which transform the convent from solemn to spectacular. The ensemble moves with precision and joy, making every routine feel as uplifting as a Sunday morning gospel choir. Leading the religious congregation is the sensational Casey Donovan as Deloris Van Cartier. With a voice as booming as a cathedral organ and charisma that would light up the stained-glass windows, Donovan gives a rightly nun-forgettable performance. She commands […]
February 2, 2025

Review: The Guy Who Didn’t Like Musicals at Goodwood Theatre

The Guy Who Didn’t Like Musicals is a thrilling mix of horror, comedy, and musical theatre. Making its South Australian premiere produced by Immi Beattie and Gracie Greenrod of Funk Soul Productions and created by StarKid Productions—famous for A Very Potter Musical—this show introduces an unusual premise: Paul, a man who hates musicals, becomes the reluctant hero in a town overtaken by an alien hive mind that forces everyone to sing and dance. Combining horror with comedy, the show offers a fresh take on resisting musicals. The humour is quick-witted, with clever references and parodies of musical theatre tropes. At the same time, there’s a palpable sense of tension as the characters fight for survival. First-time director, who also doubles as actor in the show, Teagan Garvey, deserves praise for his strong vision and dedication. The musical numbers are a highlight, with excellent musical direction by Immi Beattie, who enhances the characters’ unwilling transformation into participants in a musical world. The catchy, satirical score adds to the enjoyment, even as the characters face impending doom. […]
January 26, 2025

Review: Chicago the Musical at Futures Theatre

Adelaide Youth Theatre has kicked off 2025 with an exhilarating rendition of the iconic Chicago, reminding us why this classic musical endures as a theatrical masterpiece. By assembling an exceptional cast and presenting a sleek, contemporary reimagining, AYT and its team deliver a performance brimming with sharpness and brilliance, matching the energy of any professional production. The set design, echoing the recent professional tour in Adelaide, blends Art Deco luxury with minimalist modernity, capturing the heart of Chicago’s Jazz Age while ensuring its relevance for today’s viewers. Bold lighting and lively choreography energize the production, blending nostalgia with a fresh, exciting perspective. The cast’s performances, both lead and ensemble, are extraordinary. Ayeisha Everett shines as Matron Mama Morton, the forceful yet empathetic figure who influences the fates of the female prisoners. Her powerful rendition of “When You’re Good to Mama” is a highlight, showcasing her commanding vocal ability. Riley Mobbs portrays Amos Hart, Roxie’s beleaguered but loving husband, offering a tender contrast to the otherwise flashy and cutthroat world of Chicago. His rendition of “Mr. […]
January 18, 2025

Review: MTC Volume 20, Michael Murray Centre for Performing Arts

Two decades is a significant span of time for nurturing and celebrating emerging talent in a summer arts initiative. Pelican Productions has perfected this, as each year approximately 300 students from across South Australia dedicate two weeks of their summer break to honing their abilities in musical theatre. With an exceptional team of instructors and mentors, they bring excerpts from some of theatre’s most beloved and iconic musicals to life. This year, Pelican welcomes back alumni performers, many of whom are currently active in the arts, including Stephanie Cole, Joe Meldrum [last seen in Chicago], Finn Green [on tour with The 60 Four], Jordan Tomlijenovic [starring in Jesus Christ Superstar], and Matthew Prime [touring with Tina Turner the Musical], among others! With three casts performing, I had the privilege of attending the opening night production of Hollywood. Each musical number was vibrant and tuneful, showcasing the dedication and progress of each participant over the past fortnight. The performance alternated between senior and junior groups, with every sequence flowing smoothly and engaging the audience. The ensemble […]
November 21, 2024

Review: Jack Maggs at Dunstan Playhouse

‘Brilliantly quirky. Gothically dark. Magnificently re-imagined!’ State Theatre Company South Australia’s adaptation of Jack Maggs, Peter Carey’s novel, brings together a rich, profoundly Australian narrative, stunning performances, and innovative technical elements, creating an immersive experience that captivates the audience from start to finish. Set in 19th-century London, the story follows the mysterious ex-convict Jack Maggs (Carey’s reimagining of Magwitch) as he returns from Australia, driven by a desperate search for his ‘son,’ Henry Phipps, who has vanished without a trace. Maggs becomes entangled in the strange world of Phipps’ neighbour, Percy Buckle, and his eccentric household. In his pursuit, Maggs strikes a deal with Tobias Oates, a young novelist and self-proclaimed “mesmerist” (or is it perhaps Charles Dickens himself?), hoping to find Phipps. However, Oates has his own agenda and sees in Maggs the perfect inspiration for a new novel. Throughout Jack Maggs, the great Samuel Adamson explores themes of guilt, salvation, social class, and the effects of past trauma, all with grace and quick wit. Adamson has used Carey’s lush and immersive writing, with […]
November 15, 2024

Review: Mamma Mia! by Loreto College

Anyone who knows me, understands my love for the arts, both professional and amateur, and I have a special place in my heart for the grassroots of performing arts – beginning in schools and youth theatre. Mamma Mia! is a lively and infectious musical set on a beautiful Greek island, revolving around a young bride-to-be and her quest to discover the identity of her father before her wedding. The show is driven by the music of ABBA, with its iconic songs providing the soundtrack to a story about family, love, and self-discovery. It’s a credit to the young performers that the show still captures much of the vitality and exuberance that the professional productions are known for. This school production, by Loreto College, is a joyful experience that showcases the talent, excitement, and commitment of the student cast. Donna is the heart of Mamma Mia!, and young Bella Killen playing her does an admirable job of bringing this iconic character to life. While her performance is mostly optimistic and cheerful, there are moments when Donna’s […]
October 20, 2024

Review: The Hunchback of Notre Dame at Shedley Theatre

The Hunchback of Notre Dame, a musical adaptation of Victor Hugo’s classic novel offers a compelling blend of lingering melodies and emotional storytelling. Set in 15th-century Paris, The Hunchback of Notre Dame follows the story of Quasimodo, the deformed bell-ringer of Notre Dame Cathedral. Abandoned at birth and raised by the sinister Judge Claude Frollo, Quasimodo lives a reclusive life, shunned by society. The plot begins during the Festival of Fools, where Quasimodo is cruelly mocked but finds solace in the beautiful Romani woman, Esmeralda. Esmeralda, compassionate and free-spirited, stands up for Quasimodo, sparking a deep bond between them. Captain Phoebus, a dashing and brave soldier, enters the story as he is drawn to Esmeralda’s charm and spirit. He becomes her ally, recognizing the injustice she faces and developing feelings for her. Their romance adds a layer of complexity, as Quasimodo also harbors deep affection for Esmeralda, creating a poignant love triangle. As Frollo becomes increasingly obsessed with Esmeralda, he turns tyrannical, determined to possess her at any cost. Quasimodo, torn between loyalty to Frollo […]
October 11, 2024

Review: Bring it On at the Arts Theatre

Bring It On: The Musical, directed by Ray Cullen and brought to us by award winning Adelaide Youth Theatre, brings a vibrant energy to the stage, in this movie to musical show. With music and lyrics by none other than Lin-Manuel Miranda, you can hear the hints of Hamilton and In the Heights coming through. Thanks to the inventive and incredible choreography by Shenayde Patterson along with cheer coach Graziella Candeloro – the dance and cheer sequences are dynamic and expertly executed, showcasing the athleticism of the cast and often steals the spotlight. The lead character, Campbell, is portrayed with charm and determination by Abigail Sharp. Her journey from a top cheerleader at her old school to navigating the challenges of a new environment is relatable, even if some of her motivations feel a bit familiar. The underdog story has its moments, and Campbell’s resilience resonates, through the lovely lyrical vocals of Sharp. On the other side of the rivalry is Eva, the cheer captain of the new squad, played villainously by Zahli Linke. While […]
October 4, 2024

Review: Grease the Musical at Her Majesty’s Theatre

Grease is the word, Adelaide! The new Australian production of Grease is a vibrant and energetic revival that brings the classic story of Rydell High to life with fresh flair and undeniable appeal. Set against a backdrop of 1950s Americana, this iteration successfully marries nostalgia with a contemporary twist, making it a must-see for both die-hard fans and newcomers alike. Even before the curtain rises, the audience is treated to projections to set the scene, and we are immediately swept away by a thrilling atmosphere. The choreography, by Eric Giancola is sharp and dynamic, with the ensemble cast moving in perfect harmony during the iconic dance numbers. With classics like “Summer Nights” and “You’re the One That I Want” delivered with a fresh energy that ignites the audience. Shout out to local lad Oscar Bridges, making his adult professional debut fresh from high school, it is easy to see why he was cast – a knockout dancer and performer. He is one to watch! With draw card names Jay Laga’aia, Paulini [whose vocals as Teen […]
September 28, 2024

Review: Jesus Christ Superstar at The Scott Theatre

Jesus Christ Superstar, the iconic rock musical by Andrew Lloyd Webber and Tim Rice, remains a powerful and thought-provoking retelling of the last days of Jesus Christ. Blending a compelling narrative with unforgettable music, this production, gloriously directed by George Torbay, captivates audiences with its contemporary relevance and emotional depth. Presented by the graduating students of Elder Conservatorium Music Theatre, this musical is a brilliant showcase of the talent to come out of this world class course. From the opening number, the energy is palpable, where the incredible lighting and soundtrack smack you in the face and reverberate through your core. The score features a blend of soaring ballads to pulsating rock anthems, making each song memorable. From the well-known ensemble number ‘What’s The Buzz’ to Mary Magdalene’s poignant ‘Everything’s Alright’ while “Superstar” electrifies the stage, capturing the essence of fame and its consequences. Paul Sinkinson’s musical direction is marvellous, bringing a fresh vitality to the score while maintaining the integrity of the original compositions. Expertly balancing the rock elements and emotional weight of the […]
September 16, 2024

Review: Heathers The Musical at the Arts Theatre

Long before Mean Girls, Heathers set the bar high with its iconic 80s high school drama featuring Winona Ryder and Christian Slater.  Now, Heathers: The Musical has made its Pelican Productions debut, directed by the fearless Georgia Broomhall, known for her exceptional work in youth musical theatre. This musical pulls no punches, delivering a mix of edgy rock-pop tunes about everything from blue balls to slurpee brain freeze. It’s unapologetically outrageous, with Broomhall’s daring direction amplifying every risqué joke and cheeky dance move. While the show revels in its provocative nature, it also surprises with its depth, particularly in the second act. What initially seems like a flashy, superficial spectacle unravels into a profound exploration of teen angst, peer pressure, bullying, and suicide. Broomhall skillfully navigates the balance between humour and serious themes, ensuring the production remains impactful without becoming overly grim. The adaptation, crafted by Kevin Murphy and Laurence O’Keefe, successfully translates Daniel Water’s original film’s essence to the stage. For those unfamiliar or needing a refresher, the story is set at Westerberg High […]
August 11, 2024

Review: School of Rock the Musical at The Queens Theatre

School of Rock the Musical, based on the beloved 2003 film, has rocketed onto stages with a high-energy production that brings the spirit of rock ‘n’ roll to life. This musical adaptation, with its infectious enthusiasm and catchy tunes, has proven to be a hit with audiences of all ages. This production is extra special, as it is presented by Scotch College Adelaide, a school known for its high-quality transformations of Broadway shows. Coupled with the fact, through the generosity of Richelle and Torben Brookman of GWB Entertainment, the students are working with the original desks, costumes and instruments from the international tours. An incredible opportunity for anyone! I was lucky enough to see the original Broadway run, as well as work on the international tours of School of Rock with GWB Entertainment. It has firmly become one of my all-time favourite musicals. Produced by the sensational Head of Theatre Arts, Nicola Triglau and c0-directed by the multi-talented Stephanie Thompson and Melissa Shelon. This production of School of Rock nails the fun and rebellious essence […]
August 11, 2024

Review: Chicago at The Festival Theatre

Chicago, the beloved musical set in the roaring 1920s, has hit Australian stages with an electrifying production that reaffirms why this classic remains a theatrical triumph. This Australian tour, bringing together a remarkable cast and a slick, pared back, modernised vision, delivers a performance that’s as sharp and scintillating as the original. This re-imagining of Chicago, based on the original production directed and choreographed by the Bob Fosse is a testament to how a well-loved masterpiece can be revitalised while staying true to its roots. The stage design is a sleek fusion of Art Deco glamour and contemporary minimalism, capturing the essence of Chicago’s Jazz Age setting while making it relevant for today’s audience. The use of bold lighting and dynamic choreography infuses the show with an energy that feels both nostalgic and refreshingly new. The performances by both leads and ensemble are exceptional. Anthony Warlow as Billy Flynn delivers charisma and charm with every note, effortlessly embodying the shallow and shiny lawyer who thrives on courtroom theatrics. Lucy Maunder as Roxie Hart is nothing […]
July 31, 2024

Review: The Questions at the Space Theatre

The Questions delivers a fresh take on romantic comedies by transforming a disastrous Tinder date into a compelling musical narrative. In this quirky production, we meet two individuals who seem to be polar opposites: she’s perpetually late and revels in vibrant colours, while he’s obsessively punctual and views the world in muted beige tones. With her background in gender studies and his admiration for Jordan Peterson, their initial clash is as inevitable as it is explosive. Just as she’s about to make her escape, an unexpected citywide lockdown forces her to stay in his meticulously ordered high-rise apartment, setting the stage for an extended and turbulent first date. Chaya Ocampo portrays the Visitor, who finds herself trapped with Charles Wu’s Resident, devoid of internet, phones, or streaming options. The only witnesses to their escalating clash are a rock band (the exceptional Sam Lau, James Bannah Jr., and Jackson Mack, masterfully directed by Kym Purling) ensconced in the neighbouring apartment, adding a layer of musical commentary to the unfolding drama. In a bid to salvage the […]
June 15, 2024

Review: Swing on This at The Dunstan Playhouse

Swing On This, led by the dynamic quartet of Ben Mingay, Luke Kennedy, Bert La Bonte, and Matt Lee, is a cabaret extravaganza and a masterclass in entertainment, seamlessly blending nostalgia with contemporary flair. Celebrating its 10th Anniversary, where it debuted at this very Cabaret Festival, Swing on This transports audiences to a bygone era of elegance, charisma, and toe-tapping rhythm. From the moment the gents mooched on stage, there was a pulsating energy, and the audience was whisked away on a journey through the timeless classics of swing music. Their ode to Adelaide set a comedic tone, and introduced each member to the audience, inviting us to relax and loosen up for the evening. The show was tight, with wonderful banter and camaraderie between the men – a nod to the effort to that goes into making a show look casual, but is firmly rehearsed. Musical director Craig Schneider’s expertise shone through in every note, orchestrating a symphony of sound that perfectly captures the spirit of the era. Backed by a stellar band and […]
June 10, 2024

Review: Jekyll and Hyde at Space Theatre

A Slightly Isolated Dog are one of my favourites. They create new theatre experiences where audiences actively participate and contribute to content or are active players in the theatre. Five flirtatious ‘French’ performers meet you at the door. They bring you in, they show you to your seat while getting to know you. Then they tell you the story – with you. Their rendition of Jekyll & Hyde was a delightful surprise—a comedic twist on the classic gothic tale based on  Robert Louis Stevenson’s novella that I never knew I needed until now. As we stepped into the Space Theatre, we were immediately greeted by the various performers. Their flirtatious interactions with the audience created an electric atmosphere. While my poor husband was slightly worried he’d be pulled into the show, I was secretly hoping he would. Dressed in glamorous and chic attire, each performer exuded a magnetic allure, adding a touch of heat to the cool June night. Directed by Leo Gene Peters, this production retained the essence of the original story while infusing […]
June 10, 2024

Review: Life in Plastic at the Banquet Room

Christie Whelan Browne’s show “Life in Plastic” is a dazzling journey into the complexities of modern femininity, wrapped in a glossy, vibrant package. From the moment Whelan Browne bursts through the streamer curtains, she charms the audience with her magnetic presence, seamlessly blending comedy, music, and poignant storytelling. Whelan Browne graces the stage adorned in a school dress, clutching a Barbie doll, and delving into tales of a blue light disco, all while sporting braces complete with headgear. Instantly, she embodies her teenage self, captivating the audience either through the relatability of her anecdotes or the sheer brilliance of her character portrayal. Whelan Browne’s razor-sharp wit and comedic timing keep the audience roaring with laughter, but beneath the surface, there’s a profound exploration of societal pressures and personal identity. Through a series of vignettes and musical numbers, Browne delves into the highs and lows of womanhood, from navigating unrealistic beauty standards to grappling with the expectations of motherhood. What sets Life in Plastic apart is Whelan Browne’s fearless honesty. She daringly confronts taboo subjects with […]
June 9, 2024

Review: The 2024 Variety Gala at The Festival Theatre

It is always a thrill to be in the audience for the opening of the Adelaide Cabaret Festival and this year is like no other; with the incomparable and delectable Virginia Gay is at the helm! The Variety Gala Opening Night was an electrifying extravaganza that set the stage on fire, marking the commencement of what promises to be an unforgettable festival season. From start to finish, the gala delivered a kaleidoscope of performances that celebrated the diversity and dynamism of cabaret. Hosted by the dazzling and self-proclaimed Chief Mischief Maker Artistic Director herself, the night was captivating, wicked, and full of mayhem! Isaac Hannam was on hand to deliver his inimitable Welcome to Country. Crawling out of the symbolic bathtub in full Couture+Love+Madness ballgown and Elever earrings [fantastic Adelaide brands], to sing an ode to Adelaide, Virginia Gay set the tone of the night and the whole Cabaret season and had the audience in rapturous applause! The stars of the Variety Gala made their way to centre stage to spruik their show by giving […]
May 31, 2024

Review: Legally Blonde the Musical at Futures Theatre

Omigod you guys! Pulteney Grammar School have done it again with their musical Legally Blonde based on the 2001 film and novel by Amanda Brown, with music and lyrics by Laurence O’Keefe and Nell Benjamin. Legally Blonde the Musical is a vibrant and high-energy show that captures the essence of the beloved story while adding its own unique flair. The musical is a delightful mix of humour, heart, and catchy tunes that leave audiences cheering for more. The show tells the story of Elle Woods, a sorority girl who enrols at Harvard Law School to win back her ex-boyfriend Warner Huntington III. She discovers how her knowledge of the law can help others, and she successfully defends exercise queen Brooke Wyndham in a murder trial. Throughout the show, very few characters have faith in Elle, but she manages to surprise them when she defies expectations while staying true to herself. With an unexpectedly difficult score, fun characters and story, Legally Blonde’s themes are still so relevant today, addressing judgement on appearances, femininity, and acceptance. The […]
May 1, 2024

Review: Tina – The Tina Turner Musical at Festival Theatre

Adelaide has now been privy to not one, but two huge productions about the lives of the greatest rock and roll stars ever lived. This almighty production of Tina – The Tina Turner Musical will have you weeping in your seat, and dancing in the aisles. First developed in 2016 with book by Katori Hall, Frank Ketelaar and Kees Prins, Turner and her husband Erwin Back both served as Executive Producers to ensure the truth and integrity of her life story. Tina – The Tina Turner Musical electrifies the stage with a powerful portrayal of the iconic singer’s life, delivering a captivating blend of music, drama, and inspiration. As the curtains rise, the heartbeat of her hit ‘Simply the Best’ with the 80s Tina sitting cross legged chanting before going on stage hits the core. The audience is transported through Turner’s remarkable journey, from her humble beginnings in Nutbush, Tennessee, to her meteoric rise to stardom and her triumphant emergence as the Queen of Rock ‘n’ Roll. One of the most astonishing aspects of the […]
April 21, 2024

Review: Little Women the Broadway Musical at Scott Theatre

Elder Conservatorium Music Theatre have done it again, with a superb graduating class production to rival any professional show touring the country. Little Women, a coming-of-age story written by American novelist Louisa May Alcott, was originally published in two volumes in 1868 and 1869. The tale follows the lives of the four March sisters – Meg, Jo, Beth and Amy – and tells of their passage from childhood to womanhood. Loosely based on the lives of the author and her three sisters, they travel along the novel’s narrative arc, each with their own story, climax and resolution. An immediate commercial and critical success, the novel addresses the major themes of ‘domesticity, work and true love, all interdependent and each necessary to the achievement of it’s heroine’s individual identity’. Such its success, Little Women has been adapted into film no less than seven times, multiple stage and television adaptations and this version debuted on Broadway in 2005. With book by Allan Knee, lyrics by Mindi Dickstein and music by Jason Howland, there is so much to […]
March 5, 2024

Review: Her Majesty – The Queen Rock Show at The Fantail, Gluttony

Presented by local company The Little Things Productions, fronted by powerhouse Rachel Vidoni, is this year’s rock extravaganza, Her Majesty – The Queen Rock Show blowing the roof off [well, metaphorically, as The Fantail is Gluttony’s open-air venue] with this must-see gig. A simple premise – celebrating the great hits and musical genius of Queen. After last years award winning mighty, Come Together – The Beatles Rock Show, Vidoni has produced another spectacular show, this time as a stadium concert event. Featuring a dazzling cast of dancers and exciting musicians, Vidoni and her team take you on a psychedelic and theatrical journey that will have you standing and stomping along the whole time! Add the perfection of The Fantail as a venue, a still, cool night, with a flight of bats and I was in my element. The cool stage vibe, with blistering lighting, was set with a pink Queen Anne throne and impressive visual projections. Vidoni opens the show with Innuendo followed by a brilliant rendition of A Kind of Magic then seamlessly transitioning […]
October 14, 2023

Review: FAME the Musical at the Arts Theatre

FAME is a stage musical based on the 1980 film of the same name, conceived and developed by David De Silva. With book by Jose Fernandez, music by Steve Margoshes and lyrics by Jacques Levy, FAME follows the lives of several students who attend New York City’s High School of Performing Arts from their first year in 1980 to their graduation in 1984. The musical is significantly rewritten from film and television adaptations, with an almost entirely new score, except for the title Academy Award-winning song ‘Fame’. This full-length production is brought to life by the wonderful team from Adelaide Youth Theatre – brilliant training ground for young people in the arts. A triple threat dance major, sassy, confident and determined to make it in the big smoke Carmen Diaz, was portrayed with believability by Paige Tran. Her swan song ‘In LA’ displayed sincere vulnerability beyond her years. The intelligent but serious classical actor, Nick Piazza, was played by Jack Keukenmeester. With a secret romantic interest in Serena, Keukenmeester was authentic and genuine in his […]
October 12, 2023

Review: Finding Nemo Jr at The Arts Theatre

What a way to finish off the school holidays – exploring the big blue world of Finding Nemo Jr. Disney’s Finding Nemo Jr is a 60 minute musical adaptation of the beloved 2003 Pixar movie Finding Nemo, with new music by award-winning songwriting team Kristen Anderson-Lopez and Robert Lopez. Marlin, an anxious and over-protective clownfish, lives in the Great Barrier Reef with his small fry Nemo, who longs to travel the world beyond their anemone home. But when Nemo is captured and taken to Sydney, Marlin faces his fears and sets off on an epic adventure across the ocean. With the help of adorable characters such as the optimistic but forgetful Dory, a laid-back sea turtle Crush and his bale, and the supportive Tank Gang, not to mention making it past the Great White Bruce and his hungry shiver, Marlin and Nemo both overcome challenges on their journey to find each other, and themselves. The set is charming and bright with slick moveable stairs to create height and drama, an excellent fly system with nets […]
August 12, 2023

Review: Legally Blonde at The Arts Theatre

Omigod you guys! If you haven’t had enough pink with the Barbie movie, then head over to The Arts Theatre to soak in Pelican Productions’ Legally Blonde The Musical! Based on the novel by Amanda Brown and the 2001 MGM motion picture, with music and lyrics by Laurence O’Keefe and Nell Benjamin, this revival is true to the original Broadway version. Premiering in 2007, the film was adapted into a Broadway and West End musical of the same name, nominated for five Laurence Olivier Awards, winning three, including Best Musical, in 2010. The show tells the story of Elle Woods, a sorority girl who enrols at Harvard Law School to win back her ex-boyfriend Warner. She discovers how her knowledge of the law can help others, and she successfully defends exercise queen Brooke Wyndham in a murder trial. Throughout the show, very few characters have faith in Elle, but she manages to surprise them when she defies expectations while staying true to herself. A surprisingly difficult score, fun characters and story, Legally Blonde’s themes are […]
June 24, 2023

Review: Eleven O’clock on the Dot at the Quartet Bar

Eleven O’clock on the Dot celebrates the classic momentous songs that occur before the curtain closes on the second act. Iconic Broadway hits which usually establish the revelations and epiphanies of the main character. Philippa Lynas, a local girl come good, has created a brilliant in development showcasing all the unforgettable eleven O’clock numbers from the 1940s to current Broadway. Lynas, who spent 10 years in New York studying at the prestigious American Musical and Dramatic Academy and then went onto to perform at quintessential venues such as Radio City Music Hall, Carnegie Hall as well as lead vocalist for Cirque du Soleil, performs all the hits and has the audience singing along, and eating out of the palm of her hand. Starting with the title track of 42nd Street, Lynas smacks us in the face her outstanding jazzy pipes, but with highly trained classical undertones. We move through the Golden Age and the big brassy numbers, purely with Lynas on lead vocals, her incredible backing singers, Ben Francis [of The 60 Four fame] and […]
March 20, 2023

Review: Revisor at Her Majesty’s Theatre

When Crystal Pite and Jonathon Young collide, magic happens. Previous remarkable collaborations include Betroffenheit and The Statement, so Revisor is set on the same path. Based on the satirical play, The Government Inspector, published in 1836 by Russian dramatist and novelist Nikolai Gogol, Revisor is a well-known story of mistaken identity with underlying subjects of deceit, tyranny, bureaucracy, and infiltration. Using the original text to develop the story for both voice and body, Pite [using dancers from her company Kidd Pivot] and Young, bring a high-speed production of dance and theatre together with exaggerated movements that send up cartoon villains [reminiscent of the Icelandic children’s television series, Lazy Town], dramatic overplaying, and theatrical onslaught. A party of greedy and corrupt officials become struck with panic when they learn that an undercover Inspector is in their midst investigating their obvious indiscretions. They somehow manage to mistake a preening and charming civil servant, who just happens to be staying in the local hotel, for the Inspector and then proceed to entertain and schmooze him in the hope […]
March 13, 2023

Review: Smashed – The Brunch Party at The Spielgeltent

Smashed – The Brunch Party is the only way to start your Adelaide Cup day! As we picked up our breakfast banquet from the amazing buffet by Meez on Plus, and snaffle a Mimosa on the way in, we were treated to a pre-show disco with Lady Marmalade and other 70s hits blaring through the glorious Speigeltent at The Garden of Unearthly Delights. Our hostess with the mostest, Jazida, turned ‘Burn Baby Burn’ into ‘Brunch Baby Brunch’ with a gaggle of dancing avocados before we were introduced to each performer with their own individual act. Betty Bombshell, one of Australia’s most in demand burlesque artists, kicked off with a Shania Twain cowgirl number which not only showed off her bootylicious curvaceousness, but also her comedic timing. Malia Walsh [who can also be seen in kids Fringe show Children Are Stinky] provided hilarious acro interludes, as well as her own aerial set atop a champagne bottle – complete with fluorescent stiletto ankle boots to a mashup soundtrack of Cyndi Lauper and Britney Spears! Next up was […]
January 22, 2023

Review: Frozen Jr at Influencers Theatre

If you are unfamiliar with the premise of Frozen, then perhaps you have been living under a rock for the last 10 years. Let me help you… Frozen is a musical with music and lyrics by Kristen Anderson-Lopez and Robert Lopez and book by Jennifer Lee, based on the 2013 film of the same name, which in turn was based on Hans Christian Andersen’s 1844 fairy-tale, The Snow Queen. Frozen Jr is a 60-minute adaptation of the full-length musical, centering on the relationship between two sisters who are princesses, Elsa and Anna. Elsa has magical powers to freeze objects and people, which she does not know how to control. After inheriting the throne, Elsa flees, inadvertently causing the kingdom to become frozen in an eternal winter, and nearly kills her sister. She must sacrifice and show true love to save the day. After seeing the professional show recently, a number of times, [ahem 7], I know this is a tricky show to stage, but when the opening lighting cue draws applause from the audience, you know […]
January 22, 2023

Review: West Side Story at Influencers Theatre

I tend to watch any production of West Side Story through rose-coloured glasses – it was the first musical experience I had with my dad, the 1994 Australian tour with musical theatre heavy weights Caroline O’Connor, Marina Prior and Todd McKenney. It remains my favourite musical of all time. There are moments when watching this production, that one forgets that the performers are indeed between the ages of 14 and 20, and they have not yet embarked on a professional career – that this is still them in ‘training’. And what a training ground Adelaide Youth Theatre is! To think that professionals have between 3 – 6 weeks of full day rehearsals, and these ‘kids’ brought this production to life in just two short weeks, is unfathomable. West Side Story is a musical conceived by Jerome Robbins with music by Leonard Bernstein, lyrics by Stephen Sondheim and book by Arthur Laurents. Inspired by William Shakespeare’s play Romeo and Juliet, the story is set in the mid-1950s in the Upper West Side of Manhattan in New York City, then a multiracial, blue-collar neighbourhood. The musical explores […]