

Sister Act the Musical is nothing short of a divine experience, delivering a sermon of soul, sass, and side-splitting humour. This production, with new music by Alan Menken, hits all the right notes and makes a joyful noise that could convert even the most cynical audience member into a believer in the power of musical theatre.
Director Bill Buckhurst has orchestrated a production that is equal parts heartwarming and hilarious, striking the perfect balance between raucous comedy and heartfelt storytelling. His vision brings fresh energy to this beloved musical, ensuring that every scene feels dynamic and engaging.
Choreographer Alistair David deserves a standing ovation for his electrifying dance numbers, which transform the convent from solemn to spectacular. The ensemble moves with precision and joy, making every routine feel as uplifting as a Sunday morning gospel choir.
Leading the religious congregation is the sensational Casey Donovan as Deloris Van Cartier. With a voice as booming as a cathedral organ and charisma that would light up the stained-glass windows, Donovan gives a rightly nun-forgettable performance. She commands the stage with aplomb-filled ease, nailing Deloris’ street-smart humour perfectly in tandem with her growing sympathy for her convent sisters. A shining star indeed!
Genevieve Lemon as Mother Superior is a celestial delight, disposing of fast one-liners and deadpan remarks with the precision of a choreographed church choir. Her banter with Donovan is among the show’s most enjoyable moments, as she attempts to keep the boisterous nightclub singer in check.
Rhonda Burchmore as Sister Mary Lazarus is, literally, a revelation. With comedy timing as sharp as a nun’s wimple and a wicked sense of humour that puts the house into raptures, Burchmore promises each scene she’s in is sheer habit-forming farce.
Sophie Montague’s Sister Mary Robert is the core of the show, her transition from bookish novice to force nature performer nothing short of miraculous. Her performance of The Life I Never Led was the crescendo of the night, her ethereal singing carrying the crowd to the skies.
Bianca Bruce as Sister Mary Patrick is an absolute ray of heavenly sunshine. With boundless energy, infectious joy, and impeccable comedic timing, she lights up the stage whenever she appears. Her warm, bubbly presence and powerhouse vocals make her a standout, ensuring that every moment she’s in feels like a celebration.
Raphael Wong’s Eddie, the lovesick cop, is sweetly charming, his acting being spot-on. His rendition I Could Be That Guy is a holy spectacle, full of smooth choreography and vocal agility which makes him one to watch.
Adam Murphy brings a commanding presence as Curtis Jackson, Deloris’ menacing ex-boyfriend. With a smooth yet sinister charm, his performance of When I Find My Baby is deliciously dark, blending wit with genuine menace in a way that makes him a truly memorable villain.
And let’s not forget the sinfully funny trio of TJ, Pablo, and Joey, played by James Bell, Jordan Angelides, and Tom Struik. Their antics are some of the biggest laughs of the night, and their song Lady in the Long Black Dress is a show-stopping moment of comedic genius.
The ensemble deserves a heavenly round of applause for their unwavering energy and commitment to every scene. Whether portraying nuns discovering their voices, seedy gangsters, or lively churchgoers, they bring infectious enthusiasm that elevates the entire production. Their harmonies, dance sequences, and comedic timing make them the backbone of this dazzling show.
With dynamic choreography, sparkly costumes, insanely stunning set and lighting and a score that will have you stomping your feet in the pews, Sister Act is a miraculous theatrical experience. Whether you’re a die-hard fan or a first-time visitor to the convent, this production is not to be missed.
So raise your arms, say hallelujah, and get thee to the Festival Theatre before April 19 – because it would be an unholy sin to miss this one!
5 Stars
Lia Loves.