LIA LOVES... THEATRE. DANCE. CULTURE. EVENTS.

Follow her adventures as Adelaide's premier theatre buff, arts contributor, educator and ambassador!

March 20, 2023

Review: Revisor at Her Majesty’s Theatre

When Crystal Pite and Jonathon Young collide, magic happens. Previous remarkable collaborations include Betroffenheit and The Statement, so Revisor is set on the same path. Based on the satirical play, The Government Inspector, published in 1836 by Russian dramatist and novelist Nikolai Gogol, Revisor is a well-known story of mistaken identity with underlying subjects of deceit, tyranny, bureaucracy, and infiltration. Using the original text to develop the story for both voice and body, Pite [using dancers from her company Kidd Pivot] and Young, bring a high-speed production of dance and theatre together with exaggerated movements that send up cartoon villains [reminiscent of the Icelandic children’s television series, Lazy Town], dramatic overplaying, and theatrical onslaught. A party of greedy and corrupt officials become struck with panic when they learn that an undercover Inspector is in their midst investigating their obvious indiscretions. They somehow manage to mistake a preening and charming civil servant, who just happens to be staying in the local hotel, for the Inspector and then proceed to entertain and schmooze him in the hope […]
March 13, 2023

Review: Smashed – The Brunch Party at The Spielgeltent

Smashed – The Brunch Party is the only way to start your Adelaide Cup day! As we picked up our breakfast banquet from the amazing buffet by Meez on Plus, and snaffle a Mimosa on the way in, we were treated to a pre-show disco with Lady Marmalade and other 70s hits blaring through the glorious Speigeltent at The Garden of Unearthly Delights. Our hostess with the mostest, Jazida, turned ‘Burn Baby Burn’ into ‘Brunch Baby Brunch’ with a gaggle of dancing avocados before we were introduced to each performer with their own individual act. Betty Bombshell, one of Australia’s most in demand burlesque artists, kicked off with a Shania Twain cowgirl number which not only showed off her bootylicious curvaceousness, but also her comedic timing. Malia Walsh [who can also be seen in kids Fringe show Children Are Stinky] provided hilarious acro interludes, as well as her own aerial set atop a champagne bottle – complete with fluorescent stiletto ankle boots to a mashup soundtrack of Cyndi Lauper and Britney Spears! Next up was […]
March 5, 2023

Review: Strange Case of Dr Jekyll and Mr Hyde at Her Majesty’s Theatre

Opening the Adelaide Festival is one of the most famous pieces of English literature, Strange Case of Dr Jekyll and Mr Hyde, a 1886 gothic novella by Scottish author Robert Louis Stevenson. A defining book of the gothic horror genre, this novella has had a significant impact on popular culture, with the phrase ‘Jekyll and Hyde’ being used in colloquial speech to suggest people with an outwardly good but internally disturbingly evil nature as having two personalities. The story follows the protagonist, Gabriel Utterson, a London-based lawyer who investigates a series of strange occurrences between his old friend Dr Henry Jekyll and a murderous criminal named Edward Hyde. Becoming obsessed to save his friend, Utterson is determined to uncover the links between them, and in the process comes face to face with the disturbing truth. Brought to Adelaide by the same prodigious genius team of The Picture of Dorian Gray, director Kip Williams has transformed this old story by using a juxtaposition of live filming, moving screens and multimedia – what has now been dubbed […]
March 2, 2023

Review: Damian Callinan Double Feature at The Kingfisher

As with most shows I review, I refuse to do any research before enjoying the performance in the moment. And boy was I glad I came into this one cold. Damian Callinan, award winning actor, writer and comedian has a surprise discovery of his mother’s 1946 diary, filled with tid-bits of her every day; work life, volunteer commitments with wounded servicemen, church activities and her wild social frolics. However, through this journey of unmasking and revelation, more questions are raised than answered, so we go on a cinematic voyage with Callinan, as he turns his mother’s diary, as well as his father’s retirement journal into a double feature of love and loss, with his parents as the stars of the show. We play the part of the test audience – and his family all have special roles in the making of the ‘film’. Great nieces and nephews [who bear a striking resemblance to Damian’s mother – the genes are strong in this family] are the storyboarders, makeup artists and boom operators. A lovely inclusion that […]
February 17, 2023

Review: Edward Albee’s The Goat or, Who is Sylvia? at Dunstan Playhouse

What an explosive way to open the season State Theatre Company South Australia! Edward Albee’s The Goat or, Who is Sylvia? is probably one of the strangest theatre experiences I’ve come upon. But would we expect anything less from the playwright who brought us The Zoo Story and  Who’s Afraid of Virginia Woolf? If you are wanting fascinating, intriguing and boundary pushing, then Albee’s your man. Albee adds the subtitle: Notes towards a definition of tragedy. The word tragedy is derived from the Ancient Greek word tragoedia which literally means goat song. The fundamentals of Greek tragedy are dotted throughout The Goat – violating the laws of human order, protagonists, usually powerful men or women, suffer not from moral flaw, but from error of judgement, the use of the Chorus who comment on the action of the story and give voice to the experiences before them. The Goat starts off conventionally and realistically, set in the stylish, geometric living room designed by Jeremy Allen. Heading up the family is Martin, played with astonishing ease by […]
January 22, 2023

Review: Frozen Jr at Influencers Theatre

If you are unfamiliar with the premise of Frozen, then perhaps you have been living under a rock for the last 10 years. Let me help you… Frozen is a musical with music and lyrics by Kristen Anderson-Lopez and Robert Lopez and book by Jennifer Lee, based on the 2013 film of the same name, which in turn was based on Hans Christian Andersen’s 1844 fairy-tale, The Snow Queen. Frozen Jr is a 60-minute adaptation of the full-length musical, centering on the relationship between two sisters who are princesses, Elsa and Anna. Elsa has magical powers to freeze objects and people, which she does not know how to control. After inheriting the throne, Elsa flees, inadvertently causing the kingdom to become frozen in an eternal winter, and nearly kills her sister. She must sacrifice and show true love to save the day. After seeing the professional show recently, a number of times, [ahem 7], I know this is a tricky show to stage, but when the opening lighting cue draws applause from the audience, you know […]
January 22, 2023

Review: West Side Story at Influencers Theatre

I tend to watch any production of West Side Story through rose-coloured glasses – it was the first musical experience I had with my dad, the 1994 Australian tour with musical theatre heavy weights Caroline O’Connor, Marina Prior and Todd McKenney. It remains my favourite musical of all time. There are moments when watching this production, that one forgets that the performers are indeed between the ages of 14 and 20, and they have not yet embarked on a professional career – that this is still them in ‘training’. And what a training ground Adelaide Youth Theatre is! To think that professionals have between 3 – 6 weeks of full day rehearsals, and these ‘kids’ brought this production to life in just two short weeks, is unfathomable. West Side Story is a musical conceived by Jerome Robbins with music by Leonard Bernstein, lyrics by Stephen Sondheim and book by Arthur Laurents. Inspired by William Shakespeare’s play Romeo and Juliet, the story is set in the mid-1950s in the Upper West Side of Manhattan in New York City, then a multiracial, blue-collar neighbourhood. The musical explores […]
January 4, 2023

Review: Agatha Christie’s The Mousetrap at Her Majesty’s Theatre

What a treat for the Adelaide folk to start 2023! John Frost for Crossroads Live has brought not one but two fantastic, albeit completely different, productions to our state and the audience are lapping it up! This time, it is the mounting of a new Australian production to commemorate the 70th Anniversary of the opening of Agatha Christie’s The Mousetrap in London. Agatha Christie remains one of the most prolific writers of all time, spanning five decades and over 80 novels and short story collections. She wrote over 19 plays, of which the most famous, The Mouse Trap, is the longest running play in the world. With more than two billion books published, Christie is outsold only by the Bible and Shakespeare. Not bad, huh? What began as a 30-minute radio drama called Three Blind Mice, commissioned as a present for the 80th birthday of Queen Mary, consort of King George V in 1947, the story drew from the real-life case of Dennis O’Neill who died after he and his brother Terence suffered abuse while […]
January 2, 2023

Review: Hairspray at The Festival Theatre

What a way to ring in the New Year at the fabulous Adelaide Festival Theatre, watching the opening night of Hairspray! Based on the 1988 film, written and directed by John Waters, this revival is true to the original Broadway version. A dramatic departure from Waters earlier works, the film was a moderate success, however, became a cult film in the 90s. In 2002, the film was adapted into a Broadway musical of the same name, which won eight Tony Awards, including Best Musical, in 2003. In 2022, Hairspray was selected for preservation in the US National Film Registry as being ‘culturally, historically or aesthetically significant’ Hairspray is an American musical with music by Marc Shaiman and lyrics by Marc Shaiman and Scott Wittman, with a book by Mark O’Donnell and Thomas Meehan. Set in 1962 Baltimore, Maryland, the show follows self-proclaimed ‘pleasantly plump’ teenager Tracy Turnblad as she pursues stardom to dance on The Corny Collins Show, a local TV dance program based on the real-life Buddy Deane Show. When Tracy wins a role […]
November 13, 2022

Review: Single Asian Female at Dunstan Playhouse

Written by highly acclaimed author Michelle Law and first commissioned by and premiered at La Boite Theatre Company in Brisbane in 2017, Single Asian Female tells the knowing story of Pearl, the quintessential matriarch, balancing family, business, and her love of karaoke. Set inside the humble family restaurant on the Sunshine Coast, The Golden Phoenix, Pearl and her daughters are at a crossroads. Zoe, the eldest, is in the throes of online dating, and having a quarter life crisis. Typical teenager Mei, is struggling with her identity in modern Australia, trying to get ready for her formal and fit in with the cool crowd. Of course, they see the world differently to their mother. Pearl is the classic (hilarious) onslaught of embarrassing observations, constantly questioning her Westernised children. But she holds a secret that threatens to tear their family apart. Brilliantly directed by Nescha Jelk (Euphoria, Jasper Jones), she ensures this work never turns into a cartoon of stereotypes, but retains the authenticity and accurate portrayal of these first and second generation Australians. As a […]
October 15, 2022

9to5 The Musical at The Festival Theatre

With much hype and enthusiasm, Dolly Parton’s 9to5 The Musical arrived in Adelaide to golden sparkles and bold colour. Based on the hit 1980 film of the same name, with music and lyrics by Parton herself, book by Patricia Resnick [the original screenwriter of the movie], this musical is [surprise, surprise!] still pertinent today – 40 years after it’s release. Originally pitched by Jane Fonda to make a political statement about women’s rights at the time, but make it comedy so it is more palatable, it follows the work lives of aspiring CEO Violet Newstead, Southern Belle Doralee Rhodes and newly divorced Judy Bernley. Increasingly anxious and annoyed with their misogynistic boss Franklin Hart Jnr they come together to take control of their office with uproarious results! Opening with the massive 9to5 sign and a big ‘wahoo’, Dolly Parton herself introduces the show via recorded video projection with some fun references to Adelaide. Leading into her hit song ‘9 to 5’ and joined by the rest of the cast, Parton makes appearances throughout the show, […]
October 12, 2022

Review: The Normal Heart at Dunstan Playhouse

‘Men don’t just naturally not love – they learn that too’ Every now and then, a piece of theatre will come along that will emotionally hit you like a slap to the face, with the sensation lingering long after. Larry Kramer’s Tony Award winning, The Normal Heart is one such play. Kramer himself founded the first AIDS organisations, the Gay Men’s Health Crisis [GMHC] in 1981 followed by ACT UP in 1987, and became known for his passionate and provocative style of advocacy. His real-life experiences were dramatized in The Normal Heart, which premiered Off-Broadway in 1985 to critical acclaim and an explosion of controversy for the way in which it depicted the New York mayor and other notable real figures. Largely autobiographical, The Normal Heart focuses on the rise of the HIV/AIDS epidemic in New York City between 1981 and 1984, as seen through the eyes of writer/activist Alexander ‘Ned’ Weeks, along with his friends and frenemies. Prolific and multi award winning director Dean Bryant’s resolution of this work is probing and penetrating, and […]
June 21, 2022

Review: Hayden Tee Bad Guy at The Dunstan Playhouse

Hayden Tee (Ngāti Kahungunu), best known for his award-winning portrayal of Javert in the Australian, New Zealand, Broadway, West End and Dubai productions of Les Misérables and for playing Ms Trunchbull in the West End production of Matilda the Musical, brings his out-of-the-pandemic, solo show to the Adelaide Cabaret Festival for one night only. With an introduction stating he is just like Jessica Rabbit; ‘he’s not bad, he’s just drawn that way’ – this sentence carries the very important message that threads through the show’s songs and storytelling. Bad Guy is an impressive musical plunge into the concept of villainy, as Tee shares his own personal journey in lifting the colonial cloak of shame and proudly embracing his own Takatāpui identity and celebration of his culture. With an absolutely exquisite live symphonic accompaniment, Tee pulls and weaves, peeling back the layers of some of musical theatre’s most detestable characters to really examine what is good and what is bad. Beginning with a sensational re-imagining of Michael Jackson’s ‘Bad’, his rich and luscious sound reverberates through […]
June 19, 2022

Review: Reuben Kaye Live and Intimate at The Banquet Room

The atmosphere at this year’s Adelaide Cabaret Festival has been palpable – energised, revitalised and empowered even. This audience vibe is strengthened and galvanised. And this feeling is substantiated by none other than performer for the people, Reuben Kaye in his pared down, one night only Live and Intimate show. From his beginnings in the UK in 2010 as an acerbic host for cabaret and burlesque shows, Kaye began work as a solo artist in 2016, with his first appearance in Adelaide in 2017 with his original show The Butch is Back. Kaye returns to Adelaide with his distinguishable spider lashes and luscious red lips to shock, entertain and remind us of the true origins of cabaret. With his voice glistening like liquid gold, he began in the centre of the room, firing off with his signature quick wit, banter and one liners before bestowing us with his rendition of ‘Long List of Troubles’ by Gregory Porter. This is an artist who doesn’t skirt around issues or mince his words – and the audience made […]
June 12, 2022

Review: The Pina Colada Room at The Famous Spiegeltent, Festival Plaza

Looking for a late party to finish off your Cabaret experience? Then look no further than The Pina Colada Room at The Famous Spiegeltent, set on the new Festival Plaza. Playing each Friday, Saturday and Sunday night of the Festival season, this decadent homage to the icons of disco is the hottest ticket in town. Opening night had host Reuben Kaye warming up the crowd before guests Cath Alcorn, Phil Scott and Trevor Jones got the party started. Singing their absolute banger, a re-working of the Phil Collins classic ‘In The Air Tonight’ Alcorn and Scott show us just why they are Cabaret royalty. Trevor Jones brings his classic piano belters from bar to club to provide the timeless night cap of showtunes. Reuben Kaye, the fast talking, loud, politically active and brash cabaret sensation is the perfect host – he is extraordinary, and if you ever have the opportunity to see him, do whatever you can to score a ticket. No two nights are the same, with an ever rotating record of DJ’s, cabaret […]
June 12, 2022

Review: 30 Something at The Space Theatre for Cabaret Festival

Opening night of the Adelaide Cabaret Festival always has an air about it, and tonight the excitement was palpable, as the crowd descended to the Space Theatre, entering the era of New Year’s Eve 1939. My favourite Queen of Cabaret, Catherine Alcorn and the maestro of mischief, Phil Scott, come together to take us back to Bohemia Kings Cross, 1939 and countdown the dramatic era that is 30 Something. She’s been wowing and working Hollywood, while he’s been playing Queanbeyan, but together they reunite for an immersive party to the speak-easy days, through the lens of modern re-imagined bangers such as ‘Gangster’s Paradise’, ‘Step Back in Time’ and ‘Born This Way’ dipped with 30’s classics by Fats Waller and Bing Crosby. Not only is Ms Alcorn a gorgeous human, she is also an absolute powerhouse vocalist, consummate professional and cabaret stalwart. A subtle glance, a side eye and a whole of sass, this woman has the audience eating out of the palm of her hand…and that is before she has even sung a single, raunchy […]
June 12, 2022

Review: Don Juan at The Space Theatre for Adelaide Cabaret Festival

Upon entering The Space theatre, decked out with some cabaret tables and the remaining area as a seated theatrette, we are greeted by members of the cast who are mingling and introducing themselves, getting to know the audience members. Little did we know that these primers will form part of the show later…. Don Juan, presented by New Zealand company A Slightly Isolated Dog, is a brilliant experience in audience participation, chaos, comedy and delight. Based on the legendary, fictional character of Spanish libertine, Don Juan, the cast take us on a journey of the story of the famous womaniser. A wealthy man who devotes his life to seducing women, Don Juan takes great pride in his ability to seduce women of all ages and stations in life, and he often disguises himself and assumes other identities to fulfill his seduction. Don Juan lives by the aphorism ‘Tan largo me lo fiais’ which is his way of indicating that he is young, and death is distant. He also believes he has plenty of time to […]
May 30, 2022

Review: SIX at Her Majesty’s Theatre

Divorced. Beheaded. Died. Divorced. Beheaded. Survived. When I had heard about a musical written by two university friends about the wives of King Henry VIII, I was intrigued. Fast forward five years and this Bridgerton meets Britney pop musical sensation is in Australia, after touring the world with countless accolades. A musical comedy with book, music and lyrics by Toby Marlow and Lucy Moss, SIX is based on the historical lives of the six wives of Henry VIII. A modern retelling presented as a pop concert as the Queens take it in turns singing and spilling their story, vying to win the title of ‘most suffered’ and ultimately become the lead singer of the group. The opening anthem ‘Ex-Wives’ blew the roof off – with a dazzling display of arena style lighting, bursting with girl power and a dynamic team of performers. The first wife to tell her version of events is Catherine of Aragon played with Beyonce and Shakira vibes by Phoenix Jackson Mendosa. Her song ‘No Way’ recounts her anger with Henry as […]
May 3, 2022

Review: Into the Woods by Adelaide Youth Theatre at Star Theatre

Another outstanding production from Adelaide Youth Theatre for 2022 is Into the Woods. With music and lyrics by Stephen Sondheim and book by James Lapine, the incredible production team of Emma Riggs and Kerreane Sarti deliver once again a high quality show that spotlights the burgeoning young talent of South Australia. Into the Woods intertwines the plots of several Brothers Grimm fairy tales, exploring the consequences of the characters wishes and quests. The main characters are taken from Little Red Riding Hood, Jack and the Beanstalk, Rapunzel and Cinderella. The musical is tied together by a story involving a witch whom tasks a childless baker and his wife with procuring magical items from these classic fairy tale characters to reverse the curse put on their family tree. While not a typical sung through musical, the dialogue in the show is characterised by the use syncopated speech, and delivered with a fixed beat or kind of spoken song. This was not a junior version, but a solid two and a half hour full show. I’ve always […]
April 30, 2022

Review: A Streetcar Named Desire at The Bakehouse Theatre

It’s a sad day when Adelaide institution, The Bakehouse Theatre, must close to make way for a carpark, but completing its tenure with Tennessee Williams’ A Streetcar Named Desire, is to go out with a bang! Williams’ most popular work, A Streetcar Named Desire is one of the most critically acclaimed plays of the 20th century. There is so much to digest, interpret and analyse with this classic piece; the text directions, the naturalistic language, the overarching symbolism, the expressionism concepts, and the functions of the characters, to name but a few. This is why Streetcar is a firm favourite of dramaturgs all across the world! Set in the French Quarter of New Orleans during the restless years following World War Two, A Streetcar Named Desire is the story of Blanche DuBois, a fragile and neurotic woman on a desperate prowl for someplace in the world to call her own. After being exiled from her hometown for seducing a seventeen-year-old boy at the school where she taught English, Blanche explains her unexpected appearance on Stanley […]
June 10, 2024

Review: Jekyll and Hyde at Space Theatre

A Slightly Isolated Dog are one of my favourites. They create new theatre experiences where audiences actively participate and contribute to content or are active players in the theatre. Five flirtatious ‘French’ performers meet you at the door. They bring you in, they show you to your seat while getting to know you. Then they tell you the story – with you. Their rendition of Jekyll & Hyde was a delightful surprise—a comedic twist on the classic gothic tale based on  Robert Louis Stevenson’s novella that I never knew I needed until now. As we stepped into the Space Theatre, we were immediately greeted by the various performers. Their flirtatious interactions with the audience created an electric atmosphere. While my poor husband was slightly worried he’d be pulled into the show, I was secretly hoping he would. Dressed in glamorous and chic attire, each performer exuded a magnetic allure, adding a touch of heat to the cool June night. Directed by Leo Gene Peters, this production retained the essence of the original story while infusing […]
June 10, 2024

Review: Life in Plastic at the Banquet Room

Christie Whelan Browne’s show “Life in Plastic” is a dazzling journey into the complexities of modern femininity, wrapped in a glossy, vibrant package. From the moment Whelan Browne bursts through the streamer curtains, she charms the audience with her magnetic presence, seamlessly blending comedy, music, and poignant storytelling. Whelan Browne graces the stage adorned in a school dress, clutching a Barbie doll, and delving into tales of a blue light disco, all while sporting braces complete with headgear. Instantly, she embodies her teenage self, captivating the audience either through the relatability of her anecdotes or the sheer brilliance of her character portrayal. Whelan Browne’s razor-sharp wit and comedic timing keep the audience roaring with laughter, but beneath the surface, there’s a profound exploration of societal pressures and personal identity. Through a series of vignettes and musical numbers, Browne delves into the highs and lows of womanhood, from navigating unrealistic beauty standards to grappling with the expectations of motherhood. What sets Life in Plastic apart is Whelan Browne’s fearless honesty. She daringly confronts taboo subjects with […]
June 9, 2024

Review: The 2024 Variety Gala at The Festival Theatre

It is always a thrill to be in the audience for the opening of the Adelaide Cabaret Festival and this year is like no other; with the incomparable and delectable Virginia Gay is at the helm! The Variety Gala Opening Night was an electrifying extravaganza that set the stage on fire, marking the commencement of what promises to be an unforgettable festival season. From start to finish, the gala delivered a kaleidoscope of performances that celebrated the diversity and dynamism of cabaret. Hosted by the dazzling and self-proclaimed Chief Mischief Maker Artistic Director herself, the night was captivating, wicked, and full of mayhem! Isaac Hannam was on hand to deliver his inimitable Welcome to Country. Crawling out of the symbolic bathtub in full Couture+Love+Madness ballgown and Elever earrings [fantastic Adelaide brands], to sing an ode to Adelaide, Virginia Gay set the tone of the night and the whole Cabaret season and had the audience in rapturous applause! The stars of the Variety Gala made their way to centre stage to spruik their show by giving […]
May 31, 2024

Review: Legally Blonde the Musical at Futures Theatre

Omigod you guys! Pulteney Grammar School have done it again with their musical Legally Blonde based on the 2001 film and novel by Amanda Brown, with music and lyrics by Laurence O’Keefe and Nell Benjamin. Legally Blonde the Musical is a vibrant and high-energy show that captures the essence of the beloved story while adding its own unique flair. The musical is a delightful mix of humour, heart, and catchy tunes that leave audiences cheering for more. The show tells the story of Elle Woods, a sorority girl who enrols at Harvard Law School to win back her ex-boyfriend Warner Huntington III. She discovers how her knowledge of the law can help others, and she successfully defends exercise queen Brooke Wyndham in a murder trial. Throughout the show, very few characters have faith in Elle, but she manages to surprise them when she defies expectations while staying true to herself. With an unexpectedly difficult score, fun characters and story, Legally Blonde’s themes are still so relevant today, addressing judgement on appearances, femininity, and acceptance. The […]
May 24, 2024

Review: Candide by State Theatre Company and State Opera at Her Majesty’s Theatre

Leonard Bernstein’s Candide is a whimsical odyssey through the absurdities and contradictions of life, wrapped in a delightful musical package. With a libretto by luminaries such as Lillian Hellman, Richard Wilbur, and Stephen Sondheim, this operatic adaptation of Voltaire’s satirical novella is a tour de force of wit, comedy, and poignant reflection. From the opening notes of the overture, Bernstein’s score sweeps the audience into a world of adventure and uncertainty. The music, ranging from jubilant melodies to melancholic ballads, serves as the perfect backdrop for Candide’s journey from naïveté to wisdom. Underneath the lively surface, there’s a depth of emotion and intellect that resonates long after the final note. The cast of characters is as colourful as they come, each representing a facet of the human condition. Candide himself, is the eternal optimist, navigating a series of misfortunes with unwavering hope, while his beloved Cunegonde, grapples with the moral complexities of survival. From the cynical Dr Pangloss to the pragmatic Old Lady, every role is infused with personality and purpose. Accomplished tenor, Alexander Lewis […]
May 22, 2024

Review: Symphonie of the Bicycle at The Space Theatre

Symphonie of the Bicycle by Hew Parham is a captivating theatrical production that intertwines physical theatre, multimedia, and narrative storytelling to celebrate the joy, history, and cultural impact of bicycles and the Tour de France. Parham, known for his dynamic performance style, masterfully combines humour, poignant moments, and a touch of whimsy to create a rich, immersive experience. The show is a one-hander, with Parham embodying multiple characters and reciting various stories that highlight the significance of bicycles throughout different eras and societies. His versatility as a performer is evident as he shifts seamlessly between personas, bringing each character to life with distinct voices, mannerisms, and emotional depth. The transitions are smooth and often infused with a comedic touch that keeps the audience engaged and entertained. A standout aspect of Symphonie of the Bicycle is its innovative use of multimedia. Projections, soundscapes, and music are cleverly integrated, enhancing the storytelling and providing a dynamic backdrop that complements Parham’s physicality. The sound design, in particular, deserves special mention for its ability to evoke the sensation of […]
May 1, 2024

Review: Tina – The Tina Turner Musical at Festival Theatre

Adelaide has now been privy to not one, but two huge productions about the lives of the greatest rock and roll stars ever lived. This almighty production of Tina – The Tina Turner Musical will have you weeping in your seat, and dancing in the aisles. First developed in 2016 with book by Katori Hall, Frank Ketelaar and Kees Prins, Turner and her husband Erwin Back both served as Executive Producers to ensure the truth and integrity of her life story. Tina – The Tina Turner Musical electrifies the stage with a powerful portrayal of the iconic singer’s life, delivering a captivating blend of music, drama, and inspiration. As the curtains rise, the heartbeat of her hit ‘Simply the Best’ with the 80s Tina sitting cross legged chanting before going on stage hits the core. The audience is transported through Turner’s remarkable journey, from her humble beginnings in Nutbush, Tennessee, to her meteoric rise to stardom and her triumphant emergence as the Queen of Rock ‘n’ Roll. One of the most astonishing aspects of the […]
April 21, 2024

Review: Little Women the Broadway Musical at Scott Theatre

Elder Conservatorium Music Theatre have done it again, with a superb graduating class production to rival any professional show touring the country. Little Women, a coming-of-age story written by American novelist Louisa May Alcott, was originally published in two volumes in 1868 and 1869. The tale follows the lives of the four March sisters – Meg, Jo, Beth and Amy – and tells of their passage from childhood to womanhood. Loosely based on the lives of the author and her three sisters, they travel along the novel’s narrative arc, each with their own story, climax and resolution. An immediate commercial and critical success, the novel addresses the major themes of ‘domesticity, work and true love, all interdependent and each necessary to the achievement of it’s heroine’s individual identity’. Such its success, Little Women has been adapted into film no less than seven times, multiple stage and television adaptations and this version debuted on Broadway in 2005. With book by Allan Knee, lyrics by Mindi Dickstein and music by Jason Howland, there is so much to […]
April 10, 2024

Review: Elvis A Musical Revolution at Her Majesty’s Theatre

The Legend, The Icon, The King has arrived in Adelaide to rock and roll skirts, blue suede shoes and kiss curls galore! An incredible new production about the life of the greatest and most influential rock and roll artist of the twentieth century, Elvis Presley is here, but not for long! Based on a concept by Floyd Mutrux and book by Sean Cercone and David Abbinanti, this musical [surprise, surprise!] features many hits from the King. Elvis is not only a cultural icon, but he gave a voice to entire generation, and the impact of his music still lives on today. This musical is a vertical narrative of Elvis’ life, from his humble beginnings in Tupelo Mississippi to the masterpiece that was the ’68 Comeback Special. Australian audiences are especially lucky, as this production is premiering right here on our home soil, with Australian talent across the cast and creatives. The story starts backstage in 1968, and then travels back and forth through time with clever projections and sets reminding us of the year we […]
October 14, 2023

Review: FAME the Musical at the Arts Theatre

FAME is a stage musical based on the 1980 film of the same name, conceived and developed by David De Silva. With book by Jose Fernandez, music by Steve Margoshes and lyrics by Jacques Levy, FAME follows the lives of several students who attend New York City’s High School of Performing Arts from their first year in 1980 to their graduation in 1984. The musical is significantly rewritten from film and television adaptations, with an almost entirely new score, except for the title Academy Award-winning song ‘Fame’. This full-length production is brought to life by the wonderful team from Adelaide Youth Theatre – brilliant training ground for young people in the arts. A triple threat dance major, sassy, confident and determined to make it in the big smoke Carmen Diaz, was portrayed with believability by Paige Tran. Her swan song ‘In LA’ displayed sincere vulnerability beyond her years. The intelligent but serious classical actor, Nick Piazza, was played by Jack Keukenmeester. With a secret romantic interest in Serena, Keukenmeester was authentic and genuine in his […]
October 12, 2023

Review: Finding Nemo Jr at The Arts Theatre

What a way to finish off the school holidays – exploring the big blue world of Finding Nemo Jr. Disney’s Finding Nemo Jr is a 60 minute musical adaptation of the beloved 2003 Pixar movie Finding Nemo, with new music by award-winning songwriting team Kristen Anderson-Lopez and Robert Lopez. Marlin, an anxious and over-protective clownfish, lives in the Great Barrier Reef with his small fry Nemo, who longs to travel the world beyond their anemone home. But when Nemo is captured and taken to Sydney, Marlin faces his fears and sets off on an epic adventure across the ocean. With the help of adorable characters such as the optimistic but forgetful Dory, a laid-back sea turtle Crush and his bale, and the supportive Tank Gang, not to mention making it past the Great White Bruce and his hungry shiver, Marlin and Nemo both overcome challenges on their journey to find each other, and themselves. The set is charming and bright with slick moveable stairs to create height and drama, an excellent fly system with nets […]
August 12, 2023

Review: Legally Blonde at The Arts Theatre

Omigod you guys! If you haven’t had enough pink with the Barbie movie, then head over to The Arts Theatre to soak in Pelican Productions’ Legally Blonde The Musical! Based on the novel by Amanda Brown and the 2001 MGM motion picture, with music and lyrics by Laurence O’Keefe and Nell Benjamin, this revival is true to the original Broadway version. Premiering in 2007, the film was adapted into a Broadway and West End musical of the same name, nominated for five Laurence Olivier Awards, winning three, including Best Musical, in 2010. The show tells the story of Elle Woods, a sorority girl who enrols at Harvard Law School to win back her ex-boyfriend Warner. She discovers how her knowledge of the law can help others, and she successfully defends exercise queen Brooke Wyndham in a murder trial. Throughout the show, very few characters have faith in Elle, but she manages to surprise them when she defies expectations while staying true to herself. A surprisingly difficult score, fun characters and story, Legally Blonde’s themes are […]
August 5, 2023

Review: Frozen Jr at the Arts Theatre

If you are unfamiliar with the premise of Frozen, then perhaps you have been living under a rock for the last 10 years. Let me help you… Frozen is a musical with music and lyrics by Kristen Anderson-Lopez and Robert Lopez and book by Jennifer Lee, based on the 2013 film of the same name, which in turn was based on Hans Christian Andersen’s 1844 fairy-tale, The Snow Queen. Frozen Jr is a 60-minute adaptation of the full-length musical, centering on the relationship between two sisters who are princesses, Elsa and Anna. Elsa has magical powers to freeze objects and people, which she does not know how to control. After inheriting the throne, Elsa flees, inadvertently causing the kingdom to become frozen in an eternal winter, and nearly kills her sister. She must sacrifice and show true love to save the day. After seeing the professional show last year, a number of times, [ahem 7], I know this is a tricky show to stage, but when the opening chorus begins and stunning projections are a set, […]
June 26, 2023

Review: Class of Cabaret at The Space Theatre

Class of Cabaret began in 2010 under the artistic direction of David Campbell at the Adelaide Cabaret Festival to provide a learning opportunity for talented and passionate secondary students to share their perspective on life through the art of cabaret performance. Now it’s fourteenth year, Class of Cabaret provides an expert team in the form of an experienced accompanist, a leading vocal teacher and mentorship from two renowned Adelaide artists to help these students explore issues and ideas to use the medium of cabaret to be a voice for their generation. Class of Cabaret shines a spotlight on tomorrow’s promising young stars. Two spectacular shows were staged, and I got to see the half of these young entertainers at the 6pm session. This year’s expert team comprised of mentors Joanne Hartstone and Mark Oates, director Brock Roberts, vocal coach Rosie Hosking and accompaniment and musical direction by the incredibly talented Ciara Ferguson. They opened with a group number, a medley/mash up of Cyndi Lauper’s True Colours and Sara Bareilles’ Brave before the first performer, Lillian […]
June 24, 2023

Review: Eleven O’clock on the Dot at the Quartet Bar

Eleven O’clock on the Dot celebrates the classic momentous songs that occur before the curtain closes on the second act. Iconic Broadway hits which usually establish the revelations and epiphanies of the main character. Philippa Lynas, a local girl come good, has created a brilliant in development showcasing all the unforgettable eleven O’clock numbers from the 1940s to current Broadway. Lynas, who spent 10 years in New York studying at the prestigious American Musical and Dramatic Academy and then went onto to perform at quintessential venues such as Radio City Music Hall, Carnegie Hall as well as lead vocalist for Cirque du Soleil, performs all the hits and has the audience singing along, and eating out of the palm of her hand. Starting with the title track of 42nd Street, Lynas smacks us in the face her outstanding jazzy pipes, but with highly trained classical undertones. We move through the Golden Age and the big brassy numbers, purely with Lynas on lead vocals, her incredible backing singers, Ben Francis [of The 60 Four fame] and […]