Review: How to Succeed in Business Without Really Trying at Scott Theatre

The graduating class of the Elder Conservatorium Music Theatre program have delivered a slick, razor-sharp and joyously self-aware production of How to Succeed in Business Without Really Trying – a show that’s as much about ambition and charm as it is about perfect comic timing. Under the assured direction of Erin James, this 2025 cohort proves they’re more than ready to trade the classroom for the main stage of Australia’s musical theatre industry.

From the moment Matt Hawke’s J. Pierrepont Finch steps into the spotlight, book in hand and gleam in eye, it’s clear we’re in capable hands. Hawke’s Finch is a magnetic blend of guile and good humour; he balances the character’s opportunistic edge with irresistible charisma, making every scheme feel like a song-and-dance masterclass. Opposite him, Ellie Esdene McMahon’s Rosemary is a picture of poised sincerity. Her voice glows with warmth and clarity, grounding the satire with heart and hope, especially in ‘Happy to Keep His Dinner Warm.’

Billie-Rose Russell’s Smitty brings comic brilliance and quick wit to every moment, her chemistry with McMahon buoying some of the show’s most playful scenes. Joey Haenen leans deliciously into Bud Frump’s bratty bluster, clearly relishing every eye-roll and conniving aside. Ryan Murphy’s J.B. Biggley is pure old-school authority with a twinkle of absurdity. His duet ‘Love from a Heart of Gold’ with Sophie Carmody’s Hedy La Rue was a comic highlight, played to perfection. Carmody is sensational as Hedy -sultry, sharp and gloriously funny, walking the line between parody and pathos with confidence.

Bree Hall brings vocal strength and commanding presence as Miss Jones, especially in the show’s latter moments where her powerhouse belt and crisp comedic instincts shine. Jaxon Joy delivers Bratt with precision and ease, bringing understated authority and rhythm to the corporate chaos. Amelia Chapman’s presence as The Book gives the production a clever theatrical twist – part narrator, part conscience – a creative device handled with both wit and charm.

Director Erin James brings a brisk pace and tight focus, ensuring every gag lands while letting the show’s satirical bite shine through. Choreographer Alexander Kermond fills the stage with movement that’s crisp, characterful and full of corporate swagger, from bustling office routines to big Broadway energy. Musical Director Paul Sinkinson helms a vibrant band that perfectly captures the 1960s sound – bright brass, lush harmonies, and just the right touch of swing.

Two musical numbers stood out as show-stoppers; ‘Grand Old Ivy’ and ‘Brotherhood of Man.’ The former, a rousing, delightfully absurd college anthem between Finch and Biggley, was a comedic masterclass, with Murphy and Hawke’s perfectly timed physicality and booming bravado bringing the house down. ‘Brotherhood of Man,’ led powerfully by Hawke’s Finch and Hall’s Miss Jones and the full ensemble, was a thrilling, roof-raising finale – a celebration of unity, energy, and sheer vocal power that left the audience grinning from ear to ear.

Simon Greer’s set design cleverly transforms minimal structures into a dynamic office jungle, complemented by Christopher Snape’s bold, witty lighting that shifts effortlessly from fluorescent workplace to showbiz dreamscape. Together, they frame a world that feels both retro and timelessly relevant.

And then, there’s the ensemble – a standout in every sense. Their vocal blend, comedic timing and dance precision elevate the entire production, creating a bustling world of backstabbers, secretaries, and schemers that never misses a beat.

ECMT’s How to Succeed is polished, playful, and packed with personality – a joyous reminder that with talent, teamwork, and a little bit of luck, you really can succeed.

This graduating class doesn’t just climb the corporate ladder — they dance, sing, and charm their way straight to the top.

4 stars

Lia Loves.