LIA LOVES... THEATRE. DANCE. CULTURE. EVENTS.

Follow her adventures as Adelaide's premier theatre buff, arts contributor, educator and ambassador!

November 15, 2024

Review: Mamma Mia! by Loreto College

Anyone who knows me, understands my love for the arts, both professional and amateur, and I have a special place in my heart for the grassroots of performing arts – beginning in schools and youth theatre. Mamma Mia! is a lively and infectious musical set on a beautiful Greek island, revolving around a young bride-to-be and her quest to discover the identity of her father before her wedding. The show is driven by the music of ABBA, with its iconic songs providing the soundtrack to a story about family, love, and self-discovery. It’s a credit to the young performers that the show still captures much of the vitality and exuberance that the professional productions are known for. This school production, by Loreto College, is a joyful experience that showcases the talent, excitement, and commitment of the student cast. Donna is the heart of Mamma Mia!, and young Bella Killen playing her does an admirable job of bringing this iconic character to life. While her performance is mostly optimistic and cheerful, there are moments when Donna’s […]
October 20, 2024

Review: The Hunchback of Notre Dame at Shedley Theatre

The Hunchback of Notre Dame, a musical adaptation of Victor Hugo’s classic novel offers a compelling blend of lingering melodies and emotional storytelling. Set in 15th-century Paris, The Hunchback of Notre Dame follows the story of Quasimodo, the deformed bell-ringer of Notre Dame Cathedral. Abandoned at birth and raised by the sinister Judge Claude Frollo, Quasimodo lives a reclusive life, shunned by society. The plot begins during the Festival of Fools, where Quasimodo is cruelly mocked but finds solace in the beautiful Romani woman, Esmeralda. Esmeralda, compassionate and free-spirited, stands up for Quasimodo, sparking a deep bond between them. Captain Phoebus, a dashing and brave soldier, enters the story as he is drawn to Esmeralda’s charm and spirit. He becomes her ally, recognizing the injustice she faces and developing feelings for her. Their romance adds a layer of complexity, as Quasimodo also harbors deep affection for Esmeralda, creating a poignant love triangle. As Frollo becomes increasingly obsessed with Esmeralda, he turns tyrannical, determined to possess her at any cost. Quasimodo, torn between loyalty to Frollo […]
October 11, 2024

Review: Bring it On at the Arts Theatre

Bring It On: The Musical, directed by Ray Cullen and brought to us by award winning Adelaide Youth Theatre, brings a vibrant energy to the stage, in this movie to musical show. With music and lyrics by none other than Lin-Manuel Miranda, you can hear the hints of Hamilton and In the Heights coming through. Thanks to the inventive and incredible choreography by Shenayde Patterson along with cheer coach Graziella Candeloro – the dance and cheer sequences are dynamic and expertly executed, showcasing the athleticism of the cast and often steals the spotlight. The lead character, Campbell, is portrayed with charm and determination by Abigail Sharp. Her journey from a top cheerleader at her old school to navigating the challenges of a new environment is relatable, even if some of her motivations feel a bit familiar. The underdog story has its moments, and Campbell’s resilience resonates, through the lovely lyrical vocals of Sharp. On the other side of the rivalry is Eva, the cheer captain of the new squad, played villainously by Zahli Linke. While […]
October 4, 2024

Review: Grease the Musical at Her Majesty’s Theatre

Grease is the word, Adelaide! The new Australian production of Grease is a vibrant and energetic revival that brings the classic story of Rydell High to life with fresh flair and undeniable appeal. Set against a backdrop of 1950s Americana, this iteration successfully marries nostalgia with a contemporary twist, making it a must-see for both die-hard fans and newcomers alike. Even before the curtain rises, the audience is treated to projections to set the scene, and we are immediately swept away by a thrilling atmosphere. The choreography, by Eric Giancola is sharp and dynamic, with the ensemble cast moving in perfect harmony during the iconic dance numbers. With classics like “Summer Nights” and “You’re the One That I Want” delivered with a fresh energy that ignites the audience. Shout out to local lad Oscar Bridges, making his adult professional debut fresh from high school, it is easy to see why he was cast – a knockout dancer and performer. He is one to watch! With draw card names Jay Laga’aia, Paulini [whose vocals as Teen […]
September 28, 2024

Review: Jesus Christ Superstar at The Scott Theatre

Jesus Christ Superstar, the iconic rock musical by Andrew Lloyd Webber and Tim Rice, remains a powerful and thought-provoking retelling of the last days of Jesus Christ. Blending a compelling narrative with unforgettable music, this production, gloriously directed by George Torbay, captivates audiences with its contemporary relevance and emotional depth. Presented by the graduating students of Elder Conservatorium Music Theatre, this musical is a brilliant showcase of the talent to come out of this world class course. From the opening number, the energy is palpable, where the incredible lighting and soundtrack smack you in the face and reverberate through your core. The score features a blend of soaring ballads to pulsating rock anthems, making each song memorable. From the well-known ensemble number ‘What’s The Buzz’ to Mary Magdalene’s poignant ‘Everything’s Alright’ while “Superstar” electrifies the stage, capturing the essence of fame and its consequences. Paul Sinkinson’s musical direction is marvellous, bringing a fresh vitality to the score while maintaining the integrity of the original compositions. Expertly balancing the rock elements and emotional weight of the […]
September 16, 2024

Review: Heathers The Musical at the Arts Theatre

Long before Mean Girls, Heathers set the bar high with its iconic 80s high school drama featuring Winona Ryder and Christian Slater.  Now, Heathers: The Musical has made its Pelican Productions debut, directed by the fearless Georgia Broomhall, known for her exceptional work in youth musical theatre. This musical pulls no punches, delivering a mix of edgy rock-pop tunes about everything from blue balls to slurpee brain freeze. It’s unapologetically outrageous, with Broomhall’s daring direction amplifying every risqué joke and cheeky dance move. While the show revels in its provocative nature, it also surprises with its depth, particularly in the second act. What initially seems like a flashy, superficial spectacle unravels into a profound exploration of teen angst, peer pressure, bullying, and suicide. Broomhall skillfully navigates the balance between humour and serious themes, ensuring the production remains impactful without becoming overly grim. The adaptation, crafted by Kevin Murphy and Laurence O’Keefe, successfully translates Daniel Water’s original film’s essence to the stage. For those unfamiliar or needing a refresher, the story is set at Westerberg High […]
August 11, 2024

Review: School of Rock the Musical at The Queens Theatre

School of Rock the Musical, based on the beloved 2003 film, has rocketed onto stages with a high-energy production that brings the spirit of rock ‘n’ roll to life. This musical adaptation, with its infectious enthusiasm and catchy tunes, has proven to be a hit with audiences of all ages. This production is extra special, as it is presented by Scotch College Adelaide, a school known for its high-quality transformations of Broadway shows. Coupled with the fact, through the generosity of Richelle and Torben Brookman of GWB Entertainment, the students are working with the original desks, costumes and instruments from the international tours. An incredible opportunity for anyone! I was lucky enough to see the original Broadway run, as well as work on the international tours of School of Rock with GWB Entertainment. It has firmly become one of my all-time favourite musicals. Produced by the sensational Head of Theatre Arts, Nicola Triglau and c0-directed by the multi-talented Stephanie Thompson and Melissa Shelon. This production of School of Rock nails the fun and rebellious essence […]
August 11, 2024

Review: Chicago at The Festival Theatre

Chicago, the beloved musical set in the roaring 1920s, has hit Australian stages with an electrifying production that reaffirms why this classic remains a theatrical triumph. This Australian tour, bringing together a remarkable cast and a slick, pared back, modernised vision, delivers a performance that’s as sharp and scintillating as the original. This re-imagining of Chicago, based on the original production directed and choreographed by the Bob Fosse is a testament to how a well-loved masterpiece can be revitalised while staying true to its roots. The stage design is a sleek fusion of Art Deco glamour and contemporary minimalism, capturing the essence of Chicago’s Jazz Age setting while making it relevant for today’s audience. The use of bold lighting and dynamic choreography infuses the show with an energy that feels both nostalgic and refreshingly new. The performances by both leads and ensemble are exceptional. Anthony Warlow as Billy Flynn delivers charisma and charm with every note, effortlessly embodying the shallow and shiny lawyer who thrives on courtroom theatrics. Lucy Maunder as Roxie Hart is nothing […]
July 31, 2024

Review: The Questions at the Space Theatre

The Questions delivers a fresh take on romantic comedies by transforming a disastrous Tinder date into a compelling musical narrative. In this quirky production, we meet two individuals who seem to be polar opposites: she’s perpetually late and revels in vibrant colours, while he’s obsessively punctual and views the world in muted beige tones. With her background in gender studies and his admiration for Jordan Peterson, their initial clash is as inevitable as it is explosive. Just as she’s about to make her escape, an unexpected citywide lockdown forces her to stay in his meticulously ordered high-rise apartment, setting the stage for an extended and turbulent first date. Chaya Ocampo portrays the Visitor, who finds herself trapped with Charles Wu’s Resident, devoid of internet, phones, or streaming options. The only witnesses to their escalating clash are a rock band (the exceptional Sam Lau, James Bannah Jr., and Jackson Mack, masterfully directed by Kym Purling) ensconced in the neighbouring apartment, adding a layer of musical commentary to the unfolding drama. In a bid to salvage the […]
June 15, 2024

Review: Swing on This at The Dunstan Playhouse

Swing On This, led by the dynamic quartet of Ben Mingay, Luke Kennedy, Bert La Bonte, and Matt Lee, is a cabaret extravaganza and a masterclass in entertainment, seamlessly blending nostalgia with contemporary flair. Celebrating its 10th Anniversary, where it debuted at this very Cabaret Festival, Swing on This transports audiences to a bygone era of elegance, charisma, and toe-tapping rhythm. From the moment the gents mooched on stage, there was a pulsating energy, and the audience was whisked away on a journey through the timeless classics of swing music. Their ode to Adelaide set a comedic tone, and introduced each member to the audience, inviting us to relax and loosen up for the evening. The show was tight, with wonderful banter and camaraderie between the men – a nod to the effort to that goes into making a show look casual, but is firmly rehearsed. Musical director Craig Schneider’s expertise shone through in every note, orchestrating a symphony of sound that perfectly captures the spirit of the era. Backed by a stellar band and […]
June 13, 2024

Review: Cirque du Soleil’s Luzia at Wayville Showgrounds

Cirque du Soleil’s ‘Luzia’ is a mesmerizing tapestry of artistry, athleticism, and awe-inspiring spectacle. From the moment the sun rises, and we are told to be ready for take-off, the audience is transported into a dreamscape where reality bends and imagination reigns supreme. The show’s theme, inspired by the vibrant culture and natural beauty of Mexico, infuses every element with a rich and colourful energy. From the intricate, animal-like costumes to the dynamic set design, every detail is meticulously crafted to evoke the spirit of the region. But it’s the incredible performers who truly steal the show. The cast of “Luzia” includes a diverse array of talented artists, including musicians, dancers, and acrobats, each bringing their own unique flair to the production. Together, they create a spectacle that is truly magnificent. With their unparalleled skill and grace, they effortlessly push the boundaries of what seems humanly possible. From breathtaking acrobatics to jaw-dropping feats of strength, each act leaves the audience on the edge of their seats, gasping in amazement. At the heart of “Luzia” are […]
June 10, 2024

Review: Jekyll and Hyde at Space Theatre

A Slightly Isolated Dog are one of my favourites. They create new theatre experiences where audiences actively participate and contribute to content or are active players in the theatre. Five flirtatious ‘French’ performers meet you at the door. They bring you in, they show you to your seat while getting to know you. Then they tell you the story – with you. Their rendition of Jekyll & Hyde was a delightful surprise—a comedic twist on the classic gothic tale based on  Robert Louis Stevenson’s novella that I never knew I needed until now. As we stepped into the Space Theatre, we were immediately greeted by the various performers. Their flirtatious interactions with the audience created an electric atmosphere. While my poor husband was slightly worried he’d be pulled into the show, I was secretly hoping he would. Dressed in glamorous and chic attire, each performer exuded a magnetic allure, adding a touch of heat to the cool June night. Directed by Leo Gene Peters, this production retained the essence of the original story while infusing […]
June 10, 2024

Review: Life in Plastic at the Banquet Room

Christie Whelan Browne’s show “Life in Plastic” is a dazzling journey into the complexities of modern femininity, wrapped in a glossy, vibrant package. From the moment Whelan Browne bursts through the streamer curtains, she charms the audience with her magnetic presence, seamlessly blending comedy, music, and poignant storytelling. Whelan Browne graces the stage adorned in a school dress, clutching a Barbie doll, and delving into tales of a blue light disco, all while sporting braces complete with headgear. Instantly, she embodies her teenage self, captivating the audience either through the relatability of her anecdotes or the sheer brilliance of her character portrayal. Whelan Browne’s razor-sharp wit and comedic timing keep the audience roaring with laughter, but beneath the surface, there’s a profound exploration of societal pressures and personal identity. Through a series of vignettes and musical numbers, Browne delves into the highs and lows of womanhood, from navigating unrealistic beauty standards to grappling with the expectations of motherhood. What sets Life in Plastic apart is Whelan Browne’s fearless honesty. She daringly confronts taboo subjects with […]
June 9, 2024

Review: The 2024 Variety Gala at The Festival Theatre

It is always a thrill to be in the audience for the opening of the Adelaide Cabaret Festival and this year is like no other; with the incomparable and delectable Virginia Gay is at the helm! The Variety Gala Opening Night was an electrifying extravaganza that set the stage on fire, marking the commencement of what promises to be an unforgettable festival season. From start to finish, the gala delivered a kaleidoscope of performances that celebrated the diversity and dynamism of cabaret. Hosted by the dazzling and self-proclaimed Chief Mischief Maker Artistic Director herself, the night was captivating, wicked, and full of mayhem! Isaac Hannam was on hand to deliver his inimitable Welcome to Country. Crawling out of the symbolic bathtub in full Couture+Love+Madness ballgown and Elever earrings [fantastic Adelaide brands], to sing an ode to Adelaide, Virginia Gay set the tone of the night and the whole Cabaret season and had the audience in rapturous applause! The stars of the Variety Gala made their way to centre stage to spruik their show by giving […]
May 31, 2024

Review: Legally Blonde the Musical at Futures Theatre

Omigod you guys! Pulteney Grammar School have done it again with their musical Legally Blonde based on the 2001 film and novel by Amanda Brown, with music and lyrics by Laurence O’Keefe and Nell Benjamin. Legally Blonde the Musical is a vibrant and high-energy show that captures the essence of the beloved story while adding its own unique flair. The musical is a delightful mix of humour, heart, and catchy tunes that leave audiences cheering for more. The show tells the story of Elle Woods, a sorority girl who enrols at Harvard Law School to win back her ex-boyfriend Warner Huntington III. She discovers how her knowledge of the law can help others, and she successfully defends exercise queen Brooke Wyndham in a murder trial. Throughout the show, very few characters have faith in Elle, but she manages to surprise them when she defies expectations while staying true to herself. With an unexpectedly difficult score, fun characters and story, Legally Blonde’s themes are still so relevant today, addressing judgement on appearances, femininity, and acceptance. The […]
May 24, 2024

Review: Candide by State Theatre Company and State Opera at Her Majesty’s Theatre

Leonard Bernstein’s Candide is a whimsical odyssey through the absurdities and contradictions of life, wrapped in a delightful musical package. With a libretto by luminaries such as Lillian Hellman, Richard Wilbur, and Stephen Sondheim, this operatic adaptation of Voltaire’s satirical novella is a tour de force of wit, comedy, and poignant reflection. From the opening notes of the overture, Bernstein’s score sweeps the audience into a world of adventure and uncertainty. The music, ranging from jubilant melodies to melancholic ballads, serves as the perfect backdrop for Candide’s journey from naïveté to wisdom. Underneath the lively surface, there’s a depth of emotion and intellect that resonates long after the final note. The cast of characters is as colourful as they come, each representing a facet of the human condition. Candide himself, is the eternal optimist, navigating a series of misfortunes with unwavering hope, while his beloved Cunegonde, grapples with the moral complexities of survival. From the cynical Dr Pangloss to the pragmatic Old Lady, every role is infused with personality and purpose. Accomplished tenor, Alexander Lewis […]
May 22, 2024

Review: Symphonie of the Bicycle at The Space Theatre

Symphonie of the Bicycle by Hew Parham is a captivating theatrical production that intertwines physical theatre, multimedia, and narrative storytelling to celebrate the joy, history, and cultural impact of bicycles and the Tour de France. Parham, known for his dynamic performance style, masterfully combines humour, poignant moments, and a touch of whimsy to create a rich, immersive experience. The show is a one-hander, with Parham embodying multiple characters and reciting various stories that highlight the significance of bicycles throughout different eras and societies. His versatility as a performer is evident as he shifts seamlessly between personas, bringing each character to life with distinct voices, mannerisms, and emotional depth. The transitions are smooth and often infused with a comedic touch that keeps the audience engaged and entertained. A standout aspect of Symphonie of the Bicycle is its innovative use of multimedia. Projections, soundscapes, and music are cleverly integrated, enhancing the storytelling and providing a dynamic backdrop that complements Parham’s physicality. The sound design, in particular, deserves special mention for its ability to evoke the sensation of […]
May 1, 2024

Review: Tina – The Tina Turner Musical at Festival Theatre

Adelaide has now been privy to not one, but two huge productions about the lives of the greatest rock and roll stars ever lived. This almighty production of Tina – The Tina Turner Musical will have you weeping in your seat, and dancing in the aisles. First developed in 2016 with book by Katori Hall, Frank Ketelaar and Kees Prins, Turner and her husband Erwin Back both served as Executive Producers to ensure the truth and integrity of her life story. Tina – The Tina Turner Musical electrifies the stage with a powerful portrayal of the iconic singer’s life, delivering a captivating blend of music, drama, and inspiration. As the curtains rise, the heartbeat of her hit ‘Simply the Best’ with the 80s Tina sitting cross legged chanting before going on stage hits the core. The audience is transported through Turner’s remarkable journey, from her humble beginnings in Nutbush, Tennessee, to her meteoric rise to stardom and her triumphant emergence as the Queen of Rock ‘n’ Roll. One of the most astonishing aspects of the […]
April 21, 2024

Review: Little Women the Broadway Musical at Scott Theatre

Elder Conservatorium Music Theatre have done it again, with a superb graduating class production to rival any professional show touring the country. Little Women, a coming-of-age story written by American novelist Louisa May Alcott, was originally published in two volumes in 1868 and 1869. The tale follows the lives of the four March sisters – Meg, Jo, Beth and Amy – and tells of their passage from childhood to womanhood. Loosely based on the lives of the author and her three sisters, they travel along the novel’s narrative arc, each with their own story, climax and resolution. An immediate commercial and critical success, the novel addresses the major themes of ‘domesticity, work and true love, all interdependent and each necessary to the achievement of it’s heroine’s individual identity’. Such its success, Little Women has been adapted into film no less than seven times, multiple stage and television adaptations and this version debuted on Broadway in 2005. With book by Allan Knee, lyrics by Mindi Dickstein and music by Jason Howland, there is so much to […]
April 10, 2024

Review: Elvis A Musical Revolution at Her Majesty’s Theatre

The Legend, The Icon, The King has arrived in Adelaide to rock and roll skirts, blue suede shoes and kiss curls galore! An incredible new production about the life of the greatest and most influential rock and roll artist of the twentieth century, Elvis Presley is here, but not for long! Based on a concept by Floyd Mutrux and book by Sean Cercone and David Abbinanti, this musical [surprise, surprise!] features many hits from the King. Elvis is not only a cultural icon, but he gave a voice to entire generation, and the impact of his music still lives on today. This musical is a vertical narrative of Elvis’ life, from his humble beginnings in Tupelo Mississippi to the masterpiece that was the ’68 Comeback Special. Australian audiences are especially lucky, as this production is premiering right here on our home soil, with Australian talent across the cast and creatives. The story starts backstage in 1968, and then travels back and forth through time with clever projections and sets reminding us of the year we […]
March 20, 2023

Review: Revisor at Her Majesty’s Theatre

When Crystal Pite and Jonathon Young collide, magic happens. Previous remarkable collaborations include Betroffenheit and The Statement, so Revisor is set on the same path. Based on the satirical play, The Government Inspector, published in 1836 by Russian dramatist and novelist Nikolai Gogol, Revisor is a well-known story of mistaken identity with underlying subjects of deceit, tyranny, bureaucracy, and infiltration. Using the original text to develop the story for both voice and body, Pite [using dancers from her company Kidd Pivot] and Young, bring a high-speed production of dance and theatre together with exaggerated movements that send up cartoon villains [reminiscent of the Icelandic children’s television series, Lazy Town], dramatic overplaying, and theatrical onslaught. A party of greedy and corrupt officials become struck with panic when they learn that an undercover Inspector is in their midst investigating their obvious indiscretions. They somehow manage to mistake a preening and charming civil servant, who just happens to be staying in the local hotel, for the Inspector and then proceed to entertain and schmooze him in the hope […]
March 5, 2023

Review: Strange Case of Dr Jekyll and Mr Hyde at Her Majesty’s Theatre

Opening the Adelaide Festival is one of the most famous pieces of English literature, Strange Case of Dr Jekyll and Mr Hyde, a 1886 gothic novella by Scottish author Robert Louis Stevenson. A defining book of the gothic horror genre, this novella has had a significant impact on popular culture, with the phrase ‘Jekyll and Hyde’ being used in colloquial speech to suggest people with an outwardly good but internally disturbingly evil nature as having two personalities. The story follows the protagonist, Gabriel Utterson, a London-based lawyer who investigates a series of strange occurrences between his old friend Dr Henry Jekyll and a murderous criminal named Edward Hyde. Becoming obsessed to save his friend, Utterson is determined to uncover the links between them, and in the process comes face to face with the disturbing truth. Brought to Adelaide by the same prodigious genius team of The Picture of Dorian Gray, director Kip Williams has transformed this old story by using a juxtaposition of live filming, moving screens and multimedia – what has now been dubbed […]
March 7, 2022

Review: MACRO at Village Green, Adelaide Oval

An official opening night spectacular, MACRO is the merging of talent, culture, strength, and human connection. Lucky to have witnessed both Gravity & Other Myths [GOM] The Pulse and Djuki Mala previously, I was keen to see what this collaboration event would bring. Adelaide Festival Co-Director, Neil Armfield gave a heartfelt and humorous introduction, informing the 7000 strong crowd that MACRO is a co-commission between Adelaide Festival and Edinburgh International Festival, where it will tour later in the year. The beautiful and profound live welcome to country was an incredible ceremony to witness, with the entire cast of acrobats, performers and singers entering the stage to be cleansed with the spirit before seamlessly beginning the show. While there was much the same with the original Pulse production, this version was an utterly full partnership between GOM, Djuki Mala, Adelaide’s celebrated youth  vocal ensemble Aurora and a trio of Scotland’s most esteemed contemporary folk musicians. With big screens on either side of the massive stage, lighting rigs to rival any superstar concert and voices reverberating through […]
February 28, 2022

Review: Blindness at The Queens Theatre

The curation of art during the Adelaide Festival is at it’s impeccable best with the addition of Blindness. Based on the 1995 novel by Portuguese Nobel Prize winner, Jose Saramago, Blindness is a socially distanced sound installation, produced by the Donmar Warehouse, adapted by Simon Stephens and directed by Walter Meierjohann. This latest version not only fits perfectly within the world we currently live, but the story is not far off from the sentiment of issues either. Blindness is the chronicle of an unexplained mass epidemic of blindness infecting nearly everyone in an unnamed city, and the social breakdown that swiftly follows. The story follows a handful of unnamed characters who are among the first to be wounded with blindness, including an ophthalmologist and several of his patients. The ophthalmologist’s spouse, “the doctor’s wife,” is mysteriously immune to the blindness. After a lengthy and traumatic quarantine in an asylum, the group bands together in a family-like unit to survive by their wits and by the good fortune that the doctor’s wife has escaped the blindness. […]
February 28, 2021

Review: FANGIRLS

FANGIRLS is a brilliant new Australian musical with book, music and lyrics by the absurdly talented Yve Blake. First produced by Belvoir and Queensland Theatre in association with Brisbane Festival and Australian Theatre for Young People in 2019, FANGIRLS premieres at the Adelaide Festival with much hype and new cast members. A musical based on societies fascination with reckless, uncontrollable, and feverish teenagers and their frenzied infatuation with their celebrity boy worships. It’s not the first story of delusional or uninhibited female obsession, but it is the first to completely encapsulate the very real way the world tries paint young women – that they are ‘weak’ and ‘uncontrollable’ and their passion make them ‘crazy’. Yet their male counterparts are celebrated and revered for showing similar enthusiasm for their football heroes. FANGIRLS is a compassionate celebration of young women, their excitement, and their influence. A show not just for teenagers, but for their parents, grandparents and basically anyone who has ever had a celebrity crush. The story centres around 14 year old intellect Edna [portrayed to […]
March 18, 2020

Review: Two Crews at Space Theatre

I was lucky enough to gain a personal invitation by acclaimed director and choreographer, Nick Power to his third independent work, Two Crews. And who else better to come and witness this hip hop battle work for the Adelaide Festival, than my own little B-Boy, my middle son. Two Crews is the collision between France and Australia in the form of Parisian, all-women hip hop dance company, Lady Rocks, founded by choreographer and dancer Lea Cazauran. Representing Australia is Sydney based Riddim Nation, a collective who bring all styles of street dance fused with elements of their traditional culture into the ring. We arrive to see the vast open space, ready for the crews to battle it out. As they enter, they warm up in their respective corners, silently staring down their opponents. The way the stage was set, felt like the audience was pitted against each other! Clad in leopard print shirt with braids, Clairea is the first to take to the stage with a light-footed, almost lyrical popping and locking sequence, before the […]
March 6, 2020

Review: Cold Blood at the Ridley Centre

I don’t like to read about a show before seeing it. I much prefer to go in unaware and come to my own conclusion. With all the hype surrounding Kiss & Cry Collective’s Cold Blood, it was difficult to shield myself from the talk. However, I managed to observe opening night only knowing I was watching dancing hands in a tiny set. The brainchild of husband and wife creative duo, dancer and choreographer Michele Anne De Mey, and acclaimed director and screenwriter Jaco Van Dormael and texts by Thomas Gunzig, Cold Blood takes us on a whimsical and entrancing ride. It is the story of seven unpredictable and startling deaths through a multitude of scenarios, using human hands and tiny, child-like toys to demonstrate the silly but fading feebleness of life. This fascinating mix of art forms – dance, film, text – is true genius and is nothing short of original fantastical theatre. As we sit and see a large projection screen, below is the live activity of dancers, camera crew and technicians that create […]
March 17, 2019

Review: Grand Finale at the Adelaide Festival Centre

Knowing nothing more than the title and its origins prior to the performance, Hofesh Shechter Company’s Grand Finale is a spectacular blend of electronic soundscape, live classical musicians, evocative lighting and choreography that is part contemporary, part trance and part traditional. We open to a bleak, dark stage, where huge black blocks, which resemble tombstones, shadow the musicians playing in the background. Ten culturally and artistically diverse dancers portray the survivors, if you will, of the sinking Titanic; while the quintet of musicians continue to play in sweet harmony, oblivious to the disaster that surrounds them. The mini orchestra is seamless as they move around the stage, inconspicuously and almost magically, with as much grace as the dancers themselves. The dancers. Oh the dancers. I’ve never seen an ensemble interpret the idiosyncrasies, nuances and manic silence of choreography quite like these incredible artists. Their language of movement, authenticity of storytelling through their bodies..it is quite the experience. One I’ve not felt like this before. While Shechter’s choreography has repetitive phrasing, it never feels monotonous. Quite […]
March 17, 2019

Review: Ulster American at Dunstan Playhouse

Theatre. The area in which something happens. And by god does it happen. Opening night buzz of the most talked about, and shocking, Ulster American was palpable; excited theatre goers packed Dunstan Playhouse to the sounds of 70s funk music, ready, or not so ready, to take in David Ireland’s extraordinary satire. Set in an apartment in London, an English director, an Oscar-winning American actor and a Northern Irish playwright meet to rehearse a West End play. Sounds like the beginnings of a good old fashioned joke, right? Well, the joke is on us. As the three converge to discuss the play’s challenges they will face when rehearsals begin the following morning; historical accuracies, national identity, politics, misogyny, feminism, Princess Diana and Brexit become the topic of debate in this contemporary, yet classic three-hander. No sooner do the actors hit the stage, one would not dispute their undeniable talent to hold the audience in the palm of their hand. Jay Conway (Darrell D’Silva) the boisterous, egotistical, contentious American box-office movie star, is equal parts intimidating, […]
March 4, 2019

Review: Palmyra at AC Arts – Main Theatre

Palmyra. A desecrated but still majestic city in Syria that was once one of the most important cultural centres of the ancient world. Destroyed by ISIS soldiers during their first occupation in 2015, the locals stood in disbelief, clapping their hands to their mouth when they saw the rubble, an act intended to terrorise the Syrian people. Look what they’ve done. And this is how we are introduced to Palmyra, the inventive oeuvre conceived, created and performed by Bertrand Lesca and Nasi Voutsas. Lesca and Voutsas are quite the pair. Working together since 2015, it is difficult to draw the line between reality and theatre; and this is what makes Palmyra so thrilling, applaudable, palpable, captivating and at times, uncomfortable. Performance art at its best. The stage is set with two black chairs, each with a plate by the legs. Except one plate is broken into pieces. ‘Llook what they’ve done’ to ‘they have really gone for it’ Voutsas utters. At the start, their relationship is playful; waltzing and spinning, dashing around the stage on […]
March 3, 2019

Review: Blaas at Thomas Edmonds Opera Studio, Adelaide Showgrounds

Blaas. Where does one begin? Quite simply, it is an experience like no other, one in which words cannot do it justice. Schweigman& present their Australian exclusive performance of Blaas, and it will delight, confuse, charm and ignite intense thought long after you’ve left the space. Blaas means ‘blow’, ‘breath’, ‘bubble’ and ‘bladder’ in Dutch and is a concept devised from the minds of award-winning director Boukje Schweigman, fashion designer turned visual artist Cocky Eek and performer Ibelisse Guardia Ferragutti. A study of space and time, wind and air and movement; this is theatre never encountered before. We are asked to leave our shoes and belongings at the door, and put scrub slippers over our feet. Already some theatre goers are uneasy. Upon walking into the stark, white room we sit on the white bench, and look out onto the large mass of white fabric at the back of the stage. Static noise is played through the speaker; an edgy sound that can be interpreted as almost cicada sounding. Slowly, we see the fabric rise […]
February 28, 2019

Review: Sex and The Musical at Treasury 1860

Walking into Treasury 1860 on a hot Adelaide night, a Cosmopolitan was just what I needed to cool me down. And the cosmos were indeed flowing, in this perfect venue for Sex and the Musical. Taking our seats to the theme music that took me back, it’s hard to think that the show actually ended in 2004. But with 2 movies and reruns still going, this iconic and cult series still has a huge following. We are taken back before the action starts, a prequel, when Carrie’s boss tells her she’s losing her edge, so she goes on the hunt for a posse of friends ‘sweet, smart, sassy and sexy’ to help her get her mojo to write her successful columns again. Carrie’s opening song, The most interesting woman, is a hilarious send up introducing us to the main character, but also questioning how she affords her luxurious lifestyle on a columnists wage. A question we have all asked ourselves! Stefanie Rossi has the hair, the body, the look and the tutu to bring musical […]