LIA LOVES... THEATRE. DANCE. CULTURE. EVENTS.

Follow her adventures as Adelaide's premier theatre buff, arts contributor, educator and ambassador!

November 13, 2022

Review: Single Asian Female at Dunstan Playhouse

Written by highly acclaimed author Michelle Law and first commissioned by and premiered at La Boite Theatre Company in Brisbane in 2017, Single Asian Female tells the knowing story of Pearl, the quintessential matriarch, balancing family, business, and her love of karaoke. Set inside the humble family restaurant on the Sunshine Coast, The Golden Phoenix, Pearl and her daughters are at a crossroads. Zoe, the eldest, is in the throes of online dating, and having a quarter life crisis. Typical teenager Mei, is struggling with her identity in modern Australia, trying to get ready for her formal and fit in with the cool crowd. Of course, they see the world differently to their mother. Pearl is the classic (hilarious) onslaught of embarrassing observations, constantly questioning her Westernised children. But she holds a secret that threatens to tear their family apart. Brilliantly directed by Nescha Jelk (Euphoria, Jasper Jones), she ensures this work never turns into a cartoon of stereotypes, but retains the authenticity and accurate portrayal of these first and second generation Australians. As a […]
October 15, 2022

9to5 The Musical at The Festival Theatre

With much hype and enthusiasm, Dolly Parton’s 9to5 The Musical arrived in Adelaide to golden sparkles and bold colour. Based on the hit 1980 film of the same name, with music and lyrics by Parton herself, book by Patricia Resnick [the original screenwriter of the movie], this musical is [surprise, surprise!] still pertinent today – 40 years after it’s release. Originally pitched by Jane Fonda to make a political statement about women’s rights at the time, but make it comedy so it is more palatable, it follows the work lives of aspiring CEO Violet Newstead, Southern Belle Doralee Rhodes and newly divorced Judy Bernley. Increasingly anxious and annoyed with their misogynistic boss Franklin Hart Jnr they come together to take control of their office with uproarious results! Opening with the massive 9to5 sign and a big ‘wahoo’, Dolly Parton herself introduces the show via recorded video projection with some fun references to Adelaide. Leading into her hit song ‘9 to 5’ and joined by the rest of the cast, Parton makes appearances throughout the show, […]
October 12, 2022

Review: The Normal Heart at Dunstan Playhouse

‘Men don’t just naturally not love – they learn that too’ Every now and then, a piece of theatre will come along that will emotionally hit you like a slap to the face, with the sensation lingering long after. Larry Kramer’s Tony Award winning, The Normal Heart is one such play. Kramer himself founded the first AIDS organisations, the Gay Men’s Health Crisis [GMHC] in 1981 followed by ACT UP in 1987, and became known for his passionate and provocative style of advocacy. His real-life experiences were dramatized in The Normal Heart, which premiered Off-Broadway in 1985 to critical acclaim and an explosion of controversy for the way in which it depicted the New York mayor and other notable real figures. Largely autobiographical, The Normal Heart focuses on the rise of the HIV/AIDS epidemic in New York City between 1981 and 1984, as seen through the eyes of writer/activist Alexander ‘Ned’ Weeks, along with his friends and frenemies. Prolific and multi award winning director Dean Bryant’s resolution of this work is probing and penetrating, and […]
June 21, 2022

Review: Hayden Tee Bad Guy at The Dunstan Playhouse

Hayden Tee (Ngāti Kahungunu), best known for his award-winning portrayal of Javert in the Australian, New Zealand, Broadway, West End and Dubai productions of Les Misérables and for playing Ms Trunchbull in the West End production of Matilda the Musical, brings his out-of-the-pandemic, solo show to the Adelaide Cabaret Festival for one night only. With an introduction stating he is just like Jessica Rabbit; ‘he’s not bad, he’s just drawn that way’ – this sentence carries the very important message that threads through the show’s songs and storytelling. Bad Guy is an impressive musical plunge into the concept of villainy, as Tee shares his own personal journey in lifting the colonial cloak of shame and proudly embracing his own Takatāpui identity and celebration of his culture. With an absolutely exquisite live symphonic accompaniment, Tee pulls and weaves, peeling back the layers of some of musical theatre’s most detestable characters to really examine what is good and what is bad. Beginning with a sensational re-imagining of Michael Jackson’s ‘Bad’, his rich and luscious sound reverberates through […]
June 19, 2022

Review: Reuben Kaye Live and Intimate at The Banquet Room

The atmosphere at this year’s Adelaide Cabaret Festival has been palpable – energised, revitalised and empowered even. This audience vibe is strengthened and galvanised. And this feeling is substantiated by none other than performer for the people, Reuben Kaye in his pared down, one night only Live and Intimate show. From his beginnings in the UK in 2010 as an acerbic host for cabaret and burlesque shows, Kaye began work as a solo artist in 2016, with his first appearance in Adelaide in 2017 with his original show The Butch is Back. Kaye returns to Adelaide with his distinguishable spider lashes and luscious red lips to shock, entertain and remind us of the true origins of cabaret. With his voice glistening like liquid gold, he began in the centre of the room, firing off with his signature quick wit, banter and one liners before bestowing us with his rendition of ‘Long List of Troubles’ by Gregory Porter. This is an artist who doesn’t skirt around issues or mince his words – and the audience made […]
June 12, 2022

Review: The Pina Colada Room at The Famous Spiegeltent, Festival Plaza

Looking for a late party to finish off your Cabaret experience? Then look no further than The Pina Colada Room at The Famous Spiegeltent, set on the new Festival Plaza. Playing each Friday, Saturday and Sunday night of the Festival season, this decadent homage to the icons of disco is the hottest ticket in town. Opening night had host Reuben Kaye warming up the crowd before guests Cath Alcorn, Phil Scott and Trevor Jones got the party started. Singing their absolute banger, a re-working of the Phil Collins classic ‘In The Air Tonight’ Alcorn and Scott show us just why they are Cabaret royalty. Trevor Jones brings his classic piano belters from bar to club to provide the timeless night cap of showtunes. Reuben Kaye, the fast talking, loud, politically active and brash cabaret sensation is the perfect host – he is extraordinary, and if you ever have the opportunity to see him, do whatever you can to score a ticket. No two nights are the same, with an ever rotating record of DJ’s, cabaret […]
June 12, 2022

Review: 30 Something at The Space Theatre for Cabaret Festival

Opening night of the Adelaide Cabaret Festival always has an air about it, and tonight the excitement was palpable, as the crowd descended to the Space Theatre, entering the era of New Year’s Eve 1939. My favourite Queen of Cabaret, Catherine Alcorn and the maestro of mischief, Phil Scott, come together to take us back to Bohemia Kings Cross, 1939 and countdown the dramatic era that is 30 Something. She’s been wowing and working Hollywood, while he’s been playing Queanbeyan, but together they reunite for an immersive party to the speak-easy days, through the lens of modern re-imagined bangers such as ‘Gangster’s Paradise’, ‘Step Back in Time’ and ‘Born This Way’ dipped with 30’s classics by Fats Waller and Bing Crosby. Not only is Ms Alcorn a gorgeous human, she is also an absolute powerhouse vocalist, consummate professional and cabaret stalwart. A subtle glance, a side eye and a whole of sass, this woman has the audience eating out of the palm of her hand…and that is before she has even sung a single, raunchy […]
June 12, 2022

Review: Don Juan at The Space Theatre for Adelaide Cabaret Festival

Upon entering The Space theatre, decked out with some cabaret tables and the remaining area as a seated theatrette, we are greeted by members of the cast who are mingling and introducing themselves, getting to know the audience members. Little did we know that these primers will form part of the show later…. Don Juan, presented by New Zealand company A Slightly Isolated Dog, is a brilliant experience in audience participation, chaos, comedy and delight. Based on the legendary, fictional character of Spanish libertine, Don Juan, the cast take us on a journey of the story of the famous womaniser. A wealthy man who devotes his life to seducing women, Don Juan takes great pride in his ability to seduce women of all ages and stations in life, and he often disguises himself and assumes other identities to fulfill his seduction. Don Juan lives by the aphorism ‘Tan largo me lo fiais’ which is his way of indicating that he is young, and death is distant. He also believes he has plenty of time to […]
May 30, 2022

Review: SIX at Her Majesty’s Theatre

Divorced. Beheaded. Died. Divorced. Beheaded. Survived. When I had heard about a musical written by two university friends about the wives of King Henry VIII, I was intrigued. Fast forward five years and this Bridgerton meets Britney pop musical sensation is in Australia, after touring the world with countless accolades. A musical comedy with book, music and lyrics by Toby Marlow and Lucy Moss, SIX is based on the historical lives of the six wives of Henry VIII. A modern retelling presented as a pop concert as the Queens take it in turns singing and spilling their story, vying to win the title of ‘most suffered’ and ultimately become the lead singer of the group. The opening anthem ‘Ex-Wives’ blew the roof off – with a dazzling display of arena style lighting, bursting with girl power and a dynamic team of performers. The first wife to tell her version of events is Catherine of Aragon played with Beyonce and Shakira vibes by Phoenix Jackson Mendosa. Her song ‘No Way’ recounts her anger with Henry as […]
May 3, 2022

Review: Into the Woods by Adelaide Youth Theatre at Star Theatre

Another outstanding production from Adelaide Youth Theatre for 2022 is Into the Woods. With music and lyrics by Stephen Sondheim and book by James Lapine, the incredible production team of Emma Riggs and Kerreane Sarti deliver once again a high quality show that spotlights the burgeoning young talent of South Australia. Into the Woods intertwines the plots of several Brothers Grimm fairy tales, exploring the consequences of the characters wishes and quests. The main characters are taken from Little Red Riding Hood, Jack and the Beanstalk, Rapunzel and Cinderella. The musical is tied together by a story involving a witch whom tasks a childless baker and his wife with procuring magical items from these classic fairy tale characters to reverse the curse put on their family tree. While not a typical sung through musical, the dialogue in the show is characterised by the use syncopated speech, and delivered with a fixed beat or kind of spoken song. This was not a junior version, but a solid two and a half hour full show. I’ve always […]
April 30, 2022

Review: A Streetcar Named Desire at The Bakehouse Theatre

It’s a sad day when Adelaide institution, The Bakehouse Theatre, must close to make way for a carpark, but completing its tenure with Tennessee Williams’ A Streetcar Named Desire, is to go out with a bang! Williams’ most popular work, A Streetcar Named Desire is one of the most critically acclaimed plays of the 20th century. There is so much to digest, interpret and analyse with this classic piece; the text directions, the naturalistic language, the overarching symbolism, the expressionism concepts, and the functions of the characters, to name but a few. This is why Streetcar is a firm favourite of dramaturgs all across the world! Set in the French Quarter of New Orleans during the restless years following World War Two, A Streetcar Named Desire is the story of Blanche DuBois, a fragile and neurotic woman on a desperate prowl for someplace in the world to call her own. After being exiled from her hometown for seducing a seventeen-year-old boy at the school where she taught English, Blanche explains her unexpected appearance on Stanley […]
March 31, 2022

Review: Constellations at The Bakehouse

Every now and then, a simple but affecting play lands in my lap and it is my duty to ensure as many people as possible can experience the joy, power and preciousness of these works. Constellations, is one such play. Suppose that life exists in a multiverse – a set of parallel existences that contain infinitely different futures. The possibilities in our lives are, quite literally, endless. Every possible event that could happen, does happen, in one universe or another. And if two people meet – are drawn together in every version of existence – every possible happy ending and heartbreak that could transpire, will. Marianne, a physicist, and Roland, a beekeeper, meet at a barbeque. They hit it off and go for a drink. Or maybe they don’t. They go home together, or possibly they go their separate ways. Perhaps Marianne is engaged to someone else, perhaps Roland is. Maybe she breaks his heart, maybe he breaks hers. Possibly they come together and their love story can finally be cemented and develop, or perhaps […]
March 27, 2022

Review: The 2022 Variety Gala at The Festival Theatre

The Variety Gala, a highlight on the entertainment calendar brings together a smorgasbord of local and international talent that makes up the Adelaide Cabaret Festival. While held earlier in the year for the first time, [blame a little show called Frozen for that] this did not deter the droves of punters ready to devour the tastings on offer for 2022. Hosted by the sarcastic and sardonic Paul McDermott, who scrubbed up quite nicely after a shave and haircut since I last saw him, the night’s theme was decadence, magic and revelry. This was hurled at us in spades. Isaac Hannam, began with an enigmatic welcome to country before throwing open the stage to the incomparable and iconic Tina Arena. I must admit, I’ve never seen her sing live in the flesh, and boy oh boy, is she worth waiting for. This years Artistic Director was silky and soulful and everything you expect from the star. Singing classics ‘Church’ and ‘Burn’ she was both gloriously effortless and sophisticated while ferocious and unstoppable at the same time. […]
March 20, 2022

Review: Hans – A Night at the Symph-Honey! at The Thebarton Theatre

I remember first meeting Hans at the Weimer Room back in 2003; a tall, thin and lanky teenager who was the interval act and compere at the weekly cabaret shows that were hosted in the dingy, Berlin-esque bar. He had a multitude of talent back then – all singing, all tapping, all accordion playing comedian, so it is hardly surprising he has reached the dizzying heights of Berlin boy wonder today. One might call it a self-fulfilling prophecy, as he has always dubbed himself ‘an international superstar’ Manifestation at its finest! Hans A Night at the Symph HONEY! marks his return to the stage since the dreaded C-word took hold of the arts world and spun it through the wringer. But being the stalwarts that we are, we dusted ourselves off and prepared for retribution. A what a night of reckoning it was! The magnificent Thebby Theatre was electric – both literally and metaphorically – as the highly regarded 18-piece Adelaide Concert Orchestra, ahem, The Ungrateful Bastards Orchestra, took to the stage to rapturous applause. […]
March 14, 2022

Review: Retail Reality at The Lark at Gluttony

A self-proclaimed glamorous bogan, Amelie Peters is a classically trained singer, international performer and accredited vocal coach who burst onto the stage with her flame hair and sequin covered curves. Just like a real-life Jessica Rabbit – but with personality and pipes! This young cabaret diva takes us through an hour of painlessly pitched parodies, cracking covers and her own original songs interspersed with stories and anecdotes from her [agonizing] years as a retail assistant. Let’s face it – we’ve either all been the retail worker who knows exactly what she is talking about or are the customer she’s lamenting about – either way, this show is for everyone! With satires of ‘9 – 5’, based on the irregular working hours of retail casuals, to the Whitney Houston/ Andrea Boccelli ‘I will always love you/Time to Say Goodbye’ medley – as an ode to her finally leaving her retail job, Peters has her full voice, and acting range on display. From a soft alto, to belting chest voice, flipping right up into the highest of […]
March 14, 2022

Review: The 60 Four at Norwood Concert Hall

Having grown up with the songs of the 60s and 70s thanks to my parents, it felt fitting to bring my mum to enjoy the musical extravaganza that is The 60 Four. A group of four young men, three of whom met in music class at school, who found and fell in love with the sound of the 60s back in 2015, thanks to cabaret performer Michael Griffiths. After performing a Frankie Valli and the Four Seasons medley for an awards night, they received a standing ovation and were immediately booked for three gigs. Luckily for us, they have continued to hone and explore more music of the era, extending their repertoire into a two-hour show, jam packed with slick suits and even slicker choreography. With a venue as brilliantly suited to this style as the Norwood Concert Hall, and a stage set up to rival any celebrity playing in town, the boys roar onto the stage, decked out in matching green velvet jackets to bust out ‘Sherry’ from Frankie Valli and the Four Seasons, […]
March 8, 2022

Review: Classical Mystery Tour at The Moa, Gluttony

When I saw the marketing for the Classical Mystery Tour, I thought this would be perfect for my Beatles loving, drumming mad son. Not to mention, I grew up on the sounds of the rocking 60s and swinging 70s, so this world premiere of the legendary Beatles album, Magical Mystery Tour was right up my alley. Staged at The Moa, the famous outdoor venue at Adelaide Fringe’s Gluttony, this concert, at a pre-sunset time, was, quite literally, a magical ride through the soundtrack. Magical Mystery Tour album was born after The Beatles completed Sgt Pepper’s Lonely Hearts Club Band  in April 1967. McCartney wanted to create a film that captured a theme of a psychedelic bus ride with McCartney’s memories of Liverpudlians holidaying on coach tours. The film was to be unscripted; various ‘ordinary’ people were to travel on a coach and have unspecified ‘magical’ adventures. Despite the widespread media condemnation of the film, the 1967 soundtrack release was a critical and commercial success. With Magical Mystery Tour, The Beatles continued their studio experimentation that […]
March 7, 2022

Review: MACRO at Village Green, Adelaide Oval

An official opening night spectacular, MACRO is the merging of talent, culture, strength, and human connection. Lucky to have witnessed both Gravity & Other Myths [GOM] The Pulse and Djuki Mala previously, I was keen to see what this collaboration event would bring. Adelaide Festival Co-Director, Neil Armfield gave a heartfelt and humorous introduction, informing the 7000 strong crowd that MACRO is a co-commission between Adelaide Festival and Edinburgh International Festival, where it will tour later in the year. The beautiful and profound live welcome to country was an incredible ceremony to witness, with the entire cast of acrobats, performers and singers entering the stage to be cleansed with the spirit before seamlessly beginning the show. While there was much the same with the original Pulse production, this version was an utterly full partnership between GOM, Djuki Mala, Adelaide’s celebrated youth  vocal ensemble Aurora and a trio of Scotland’s most esteemed contemporary folk musicians. With big screens on either side of the massive stage, lighting rigs to rival any superstar concert and voices reverberating through […]
March 5, 2022

Review: The Rite of Spring/common ground[s] at Her Majesty’s Theatre

There are certain opportunities in life that are unmissable, and beholding Pina Bausch’s The Rite of Spring is one of those momentous occasions. A German dancer and choreographer who was a significant contributor to a neo-expressionist dance tradition now known as Tanztheater, Bausch’s approach was noted for a stylized blend of dance movement, prominent sound design, and involved stage sets, as well as for engaging the dancers under her to help in the development of a piece. Her work, regarded as a continuation of the European and American expressionist movements, incorporated many expressly dramatic elements and often explored themes connected to trauma, particularly trauma arising out of relationships. From this, she created the company Tanztheater Wuppertal Pina Bausch, which performs internationally to this day. Her thrilling Frühlingsopfer (The Rite of Spring), created in 1975, caused a stir in the dance world with its stark depiction, in which the Chosen One is sacrificed to gratify the misogyny of the surrounding men, all while dancing on a stage entirely covered in soil. Based on the ballet and orchestral concert work by composer Igor Stravinsky, The Rite is described by […]
March 1, 2022

Review: 360 ALLSTARS at The Flamingo at Gluttony

360 ALLSTARS, the phenomenal physical worldwide smash, that has been selling out Broadway, Edinburgh and the Sydney Opera House, is back at the Fringe! A show which features and explores all forms of rotation, 360 ALLSTARS connects the elite street to the masses to deliver a supercharged urban extravaganza. Boasting a stellar cast of young, hip and impossibly talented artists, including the 2x World Champion BMX Flatlander, two champion break-dancers, an internationally acclaimed basketball freestyler, and a World Record holding Cyr wheel artist, 360 ALLSTARS is a spectacular fusion of the extraordinary skill and originality that begins from street culture. Add to this a stunning live soundtrack delivered by US MC and live looping vocalist, Mirrah, and multi-award-winning master musician, producer and visionary Gene Peterson combined with incredible video projections, 360 ALLSTARS is as aurally exciting as it is visually astounding. As The Flamingo filled to almost capacity, we are treated to an intro of all the talent who will be entertaining us. Starting with B-Boy Sette, a champion break-dancer from Melbourne. A dancer for […]
February 21, 2021

Review: Parlour Games at Holden Street Theatres

I absolutely adore the Holden Street Theatres, and The Arch is the perfect backdrop for this tale of murder, mayhem, and mystery. Parlour Games, presented by The Green Guys Company, plays fact with fiction, as a voiceover announces that crime-writer Agatha Christie has gone missing. This was in actuality, a true fact. Christie went missing on December 3 1926 and was not located until 11 days later, in circumstances so strange that they raised more questions than they solved. Christie herself was unable to provide any clues as she remembered nothing. Or did she? Meanwhile, the play depicts eight of her biggest fans coming together in the hope to meet their literary hero for a book signing, at a little English tearoom, only to discover that during an innocent round of Parlour Games, one of them has killed Christie herself! What ensues is an hour of hilarity, classic ‘who dunnit’ interrogations, suspense and pandemonium. Was it The Hostess [Luca Sardelis]; the hard working, but nervous wreck owner of Munkwell Manor, convening the book signing? How […]
February 21, 2021

Review: Disco Wonderland – Dancing ‘Til Dawn

When Paulini and Timomatic were announced as the headline acts for Disco Wonderland: Dancing ‘Til Dawn, I knew it was going to be one of Adelaide Fringe’s biggest shows in 2021. The show’s creators, boutique producers Release Creative, along with Andew Kay, have reimagined their original orchestral version of this show [which debuted at the Festival Theatre with the Adelaide Symphony Orchestra in 2018] into a bursting party celebrating the world’s most infamous, and most short-lived, discotheque, Studio 54. A hypnotic voice-over takes us back to when the Vietnam war is over, and New York is a hub of sex, drugs and rock and roll. We go behind the velvet ropes and into the seedy world of the 70s, where atmosphere, grit and disco take over. Joining Paulini and Timomatic on stage are South Australia’s crème of talent; Philippa Lynas [who has just returned from New York after touring with Cirque du Soleilas featured vocalist], quadruple threat Mark Stefanoff [Kinky Boots, Hairspray, The Voice] and the sultry and stylised Amelia Sanzo. Lynas opens the show […]
February 19, 2021

Review: Club Queens – Opening Night

When the recommendations say mature audiences, not family friendly with occasional coarse language and mild sexual references, you know you are in for an insatiably good night! Billed as the late night after party to tickle your fancies, Club Queens really will be the place to be seen on a Friday and Saturday night during Adelaide Fringe season. Opening night hosts, cabaret doyenne Amelia Ryan and arts royalty Mitchell Butel set the tone with their parody song about Covid, cabaret, clubs, and the Clare Valley, all to the tune of ‘I will Survive’. After welcoming the dignitaries and special guests, all formalities were thrown out the window for a night of unencumbered fun, unpredictable laughs and a teaser of shows that played earlier in the night or are yet to premiere. The show began with Australia’s favourite Cabaret performer and icon, Carlotta, who taunted and heckled the crowd, much to their delight, all the while smashing out dazzling show tunes leaving the audience wanting more! Jo Lawry was up next with her soothing, velvety and […]
March 11, 2020

Review: The Artist at AC Arts

A typical artist’s studio. Paint splattered floor. A wooden, ricketty shelf with finished canvas’ tucked away. A window for natural light. A red table with a white chair. A red ladder leans casually against the shelf. We see a pair of yellow socks poking out from underneath the easel, where The Artist himself is hidden behind his canvas, deep within his creative process. So preoccupied that he often dipped his paintbrush in his cup of tea, and drank from his paint water! My eye, and ear, is drawn to a leak in the ceiling. I am a little concerned, as it is very close to the lighting rig, but my concern soon turns to relief as the annoying drip is all but part of the show. There is a chuckle-inducing scene involving the drip, his cup of tea, and a teabag. I’ll leave the rest to your imagination… Thom Monckton is a New Zealand born, Finland based physical theatre artist trained in circus arts at CircoArts in Christchurch and then at the famed mimodynamics school […]
March 7, 2020

Review: How To Succeed in Business Without Really Trying at the Goodwood Institute

‘How to Succeed in Business Without Really Trying’ the Pulitzer Prize winning book by Abe Burrows, Jack Weinstock and Willie Gilbert and Tony Award-winning musical with Music and Lyrics by Frank Loesser, is a story about the triumph of the typical man amid the mockery of big business. Once again, March Productions brings a quite adult-themed musical to life with a young cast, and while the wordy and 1960s dated show proved a little challenging at times with some stumbles over monologues, producer Alice Kennett should be very proud of the modern and sophisticated end product. The stellar production team of Michelle Davy, Mark DeLaine and Brady Lloyd should be highly applauded for their fabulous work on this little gem. When a restless, ambitious and charmingly manipulative window washer named J.Pierrepont Finch (that’s spelt F.I.N.C.H) comes across a book entitled ‘How to Succeed in Business Without Really Trying’, he decides to begin his climb up the corporate ladder. Guided by the Voice of the Book, and a dose of his own canniness, Finch begins his […]
March 6, 2020

Review: Luminarium: Daedalum at R.C.C, Adelaide Fringe Festival

Architects of Air (AoA) are really onto something. Alan Parkinson, founder and designer and artistic director has built and toured over 500 exhibitions in more than 40 countries, sharing his ‘sense of wonder at the phenomenon of light’. Inspired by natural forms, geometric solids, Islamic and Gothic architecture; each new creation is a maze of winding paths and domes where visitors may lose themselves in sensory bliss. A luminarium takes between 4 to 6 months to build entirely by hand by a workforce of around 6 people. Built entirely in AoA’s Nottingham workshop using a custom-made PVC unique to AoA. A luminarium will last for approximately 300 days of exhibition spread over 4 years, after which it is cut into pieces to be recycled. The luminarium structure is designed with functionality in mind as a temporary building to include portability, accessibility, stability and a modularity to allow the structures to be reconfigured for different sites. Daedalum takes it’s name from Daedalus. In Greek mythology, he was the father of Icarus and the architect of the […]
March 5, 2020

Review: Frankenstein: How to Make A Monster at RCC

Debating whether to sit in the elevated section or centre front upon arrival with my guest, I’m glad we decided centre front. We were up close and personal with all the action. Making it’s Australian debut at the Adelaide Fringe Festival, the Battersea Arts Centre (BAC) Beatbox Academy all the way from the UK, lead by the coolest cat Conrad, are a bunch of uber talented youth presenting Mary Shelley’s Frankenstein in an innovative and electrifying combination of beatbox, theatre and song – all live and all made from the mouth. We begin the evening hearing about BAC’s collaboration with our own youth arts centre, Carclew, and Conrad introduces three incredibly raw, but oh so adept kids; Ocean, T-Dog and Eemes, as a curtain raiser to the evening’s performance. They had been workshopping beats, jamming, raps and writing lyrics. Except Ocean. She had no lyrics and was going to freestyle with words the audience threw at her. Chicken, Madhouse, Rabies, Sausage. Yep, she killed it! Conrad then turned the audience into a Beatbox orchestra by […]
February 28, 2020

Review: Blanc de Blanc Encore at the Fortuna Spiegeltent, Garden of Unearthly Delights

After seeing the inceptive Blanc de Blanc two years ago, my expectations were high. I was hoping this wasn’t going to be like a bad sequel following a great original. I wasn’t disappointed. Strut and Fret’s gutsy and uninhibited blend of comedic cabaret, dynamic dance numbers and awe arousing aerials will leave you applauding like mad and wanting for more. Seated in the round, the stage is set with champagne on ice, and large circles, or balls if you will, creating the backdrop. The opening Gatsby-inspired party really got the crowd fired up and in the mood for what lay ahead. Our incredible and wacky hosts for the evening, Felix …. and Remi Martin took us on a journey to Parisian glitz and glamour, transported us through vintage French flavours and fantasies and opulent times of the City of Light. Their interluding gag shows were an absolute highlight for me, as was their chemistry, banter and connection on stage together. Scenes of the cast lip-synching to various songs about drinking while a spotlight followed them […]
February 27, 2020

Review: Maho Magic Bar at The Garden of Unearthly Delights

Set in a bespoke pop up bar, with all glittering, neon Tokyo lights on the outside and cool cherry blossom elegance on the inside, Maho Magic Bar will give you and your friends an intimate night of magic and illusion. Leave reality at the door, and be consumed by the wonders of magic and wicked delectation. Direct from Japan, Broad Encounters bring these four masterful enchanters and their zany host, for a world premiere in The Garden of Unearthly Delights. A brilliant celebration of Japanese culture – both contemporary and traditional, Maho Magic is a shimmering hour of delights, drinks and dazzling magic. We are ushered to our table where we join with another raucous group of four and are introduced to our first up close and personal magician, Shohgo Yamashita; a pioneer of eye-popping tricks (so says his business card). He takes our drink order then proceeds to perform a series of card tricks that will literally blow your mind. A sweet boy wonder of a charmer, don’t let his innocence fool you! As […]
February 26, 2020

Review: The Will to Be at the Bakehouse Theatre

I’ve always had a soft spot for The Bakehouse Theatre, having performed there myself many years ago. It is a casual, intimate space, perfect for the one man play, The Will To Be. Written, produced and performed by an incredibly creative and talented young man, Mark Salvestro, The Will To Be is a thought provoking, one act exploration of sexuality, societal suppressions and shame laced with the words of Shakespeare. We first meet the character, William O’Halloran, sitting atop his desk reading a letter to himself as we take our seats in the studio theatre. The eloquent, historical set implies this is the office of an intellect; with books, certificates and work scattered across the room. A carefully placed coat rack with jacket and hat strategically placed, and a melancholy late 50s early 60s soundtrack playing in the background. Salvestro articulates the nervousness, flustered and overwrought O’Halloran with such a befitting authenticity of someone dealing with an indecent homosexual discretion being discovered in the 1960s. He tells us he has been fired one month before […]
February 21, 2020

Review: The Choir of Man at The Moa, Gluttony

Entering the hustle and bustle of the fab venue, The Moa, with one of my all-time favourite nostalgic tunes, ‘You Call Me Al’ blaring, you know you are in for a good night when you are invited up on the stage to enjoy a beer as you walk in! The Choir of Man is the international success from the hitmakers, Andrew Kay and Nic Doodson. And what a hit it is! Put a pack of 9 twenty-something young, talented men together to sing, drink and talk for almost an hour and a half and what you get is incredible adrenalin, high voltage energy and pure, undiluted entertainment! A cast of seemingly ordinary guys will blow you away with their incredible choreography, tight vocals, sweet poetry and dynamic instrumentals featuring songs from rock, folk, pop and Broadway! The scene was set with the opening number ‘Welcome to The Jungle’, which also happens to be the name of the pub the show is set in. After this bolt of lightning initial scene, we get to meet the […]
February 19, 2020

Review: Frank Woodley – *@#!KING CLOWN at The Factory, The Garden of Unearthly Delights

When you walk into a theatre set with a banana on a ladder, a bunch of balloons in one corner, two microphones stands and an array of costumes set on either side, you know you are in for a traditional Woodley treat. Known as the goofy half of Lano & Woodley, Woodley has carved an incredible career for himself with his slapstick, slightly innocent persona. After working together for almost 20 years, Woodley and Lane decided to part ways in 2006, which led to Woodley performing a number of solo stand up shows, leading to his latest offering, *@#!KING CLOWN. Directed by Bob Franklin with sound and lights by Benny (well done sir), *@#!KING CLOWN (I love writing that), is the story of Woodley’s journey to France to present at a 3 day masterclass with European clown royalty, Balzakov (cough, cough). Here he finds he is demoted to only speak for an hour, as ‘comedian’ from Australia, Franc Woodle, not the 3 days, and then becomes a student in the workshops of mime and funny. […]
February 16, 2020

Review: Brass Monkeys at The Factory

What a start to the fab Adelaide Fringe season! Beautiful weather, an afternoon out with the family to see the spectacular Brass Monkeys. Presented by Circus Trick Tease, this powerhouse trio of performers Kyle Raftery and April Dawson [under the pseudonyms of Jason and Kylie – love the Neighbours reference] and director Malia Walsh bring their new quirky, action-packed, comedy and circus show to Adelaide. After seeing their award-winning 2019 show, ‘Children Are Stinky’, I knew this was going to be a great spectacle. Walken in to the pre-show tune of ‘Weapon of Choice’ by Fat Boy Slim [see what I did there? Walken…], we are greeted by a set of giant coloured circles with musical notes; a nice bright stage to capture the youthful audiences imagination. Jason and Kylie are engaging, clever and highly energetic and have the young crowd enthralled from start to finish. So much so, that the children could not contain themselves in their seats and just had to join them on stage! The premise of the show had Jason and […]
March 2, 2019

Review: Woman at the Bally at Gluttony

Looking for a night out to celebrate all things women in a man’s world through the storytelling of cabaret? Then head on over and catch Woman by the vocally talented chanteuse, Jodie Stubbs. She will take you on a historical journey through time; from the Garden of Eden, to the turn of the 20th century to modern day motherhood explored through song, story and comedy. Using music from Broadway, 60s classics, R&B, pop; you’ll enjoy this one-woman show as she navigates what it’s like to ‘have it all’. Jodie makes her grand entrance with strong opening vocals, before walking us through the long history of female oppression, beginning with the story of Florence Nightingale. She first sings ‘What’s Up?’ by 4 Non Blondes, and this becomes her theme song for the night…before she is interrupted by her ‘ringing’ phone – the babysitter. She then strives to get through her one hour show recounting how you can be a mum, cabaret star, wife and career woman – without having to check on the kids! The systematic […]
March 1, 2019

Review: Paul McDermott and Steven Gates at the Garden of Unearthly Delights

Tonight’s Fortuna Spiegeltent, the most elaborate and superbly air conditioned tent at The Garden of Unearthly Delights is the home of Paul McDermott and Steven Gates’ Go Solo (Together, as they say) for the next ten days. McDermott and Gates became friends in 1999 after meeting at the ARIAs, but this marks the beginning of their musical duo, after singing together privately for 5 years. Two of Australia’s most adored and revered comedic singer-songwriters, McDermott, from cult musical comedy group Doug Anthony All Stars and Good News Week (my fave) and Gates, one third of Tripod, bring Adelaide a show of old friend barneys, reminiscing, witty banter and spontaneous drivel scattered amongst their genius lyricism and songbook catalogue. We begin with Shopping Mall, Paul’s tongue in cheek ode to finally understanding common life after his high roller times with DAAS, followed by a rock, Chilli-Pepper-feel rendition of White Man Prison (loved it!). A beautiful Be My Queen, by Gatesy, with comical vocals by McDermott lead into an impromptu heckle of a 13 year old audience […]